I like the storyline of this show,it attract me so much

A waste of 90 minutes of my life

Good films always raise compelling questions, whether the format is fiction or documentary fact.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

A rather fishy intrigue going at any lengths to cause as much confusion as possible, as it basically only consists of loose ends all over, but it all starts at sea in the second world war, then proceeds to a court martial where James Mason appears to be convicted and dismissed from service, whereupon he shaves his beard and tries to get hold of a girl 'Mary' who has some awful things to tell him, which she never gets a chance to, as the old lorn house she has made an appointment with him in is empty except for a dead girl with a mysterious paper note clutched in her hand, which body is discovered by another girl, leading them to some circle of spies disguised as an entertainment company with mind readers, harmonica players and another singing girl, while James Mason is more interested in one girl than another, or is it the other way around? Anyway, there is nothing wrong with the acting or the intrigue-making, James Mason is always worth enjoying, but that's about all in this film - the death mystery in the desert house provides the only excitement, which never is satisfied, as the body disappears and never is recovered... Is it a comedy, a satire, just an entertainment made for kicks, is it seriously meant at all, or was it just made to fill some gap? The film inspires as many questions as an almost total lack of answers, but it provides at least some momentary entertainment...

This spy film seems to have used every cliché from spy films made earlier in World War 2.In particular it seems to have taken much of the story line of "Let George Do It".In particular it uses the encoding of messages into music.There is the fake court martial ling of Mason,the drugging of a signals officer and a spy ring in a port,and of course the obligatory missing corpse.All done in a most lacklustre fashion.At just over 90 minutes the story drags along.Compare it with Hitchcocks " Saboteur" made the same year in Hollywood.It looks as if the film was originally longer but was cut before release.i was looking forward to seeing George Robey but his scenes as a pawnbroker were obviously cut.I think that Mason should have based his character on Formby's so he could have ended the film with a cheerful "turned out nice again".

This is an entertaining if uninspired wartime espionage yarn. It contains a fine and energetic performance by James Mason, full of vigour and fully believing in what he is doing. He even manages to deliver convincingly the inane line to Joyce Howard, the heroine, 'I love you', despite the fact that he barely knows her and could not possibly love her. The romantic elements of this story are too ludicrous for comment. This is the third and mercifully the last of the story ideas of Basil Bartlett which were filmed. (His 'Secret Mission' was so terrible it was one of the worst films ever made.) Sir Basil was the stepfather of my friend Annabel. Sorry, Annabel. There is a strong Czech component to the film. The director, Karel Lamac, was a Czech refugee, and apart from Mason, the main performance is by the talented Czech refugee actor, Karel Stepanek, who does extremely well, as usual, and raises the tone considerably. Joyce Howard's fluttery helplessness and bone-headed character may have been typical of women in 1943, but God have mercy on us poor viewers. A spectacular element in this film, which makes it worth seeing, is the incredible harmonica playing by Ronald Chesney, who only appeared in three films and is featured a lot here. Larry Adler eat your heart out (if Larry were still here, that is). Alvar Liddell, the famous wartime radio announcer, makes his first film appearance here, for all of ten seconds. At least Finlay Currie got 20 seconds. Someone savagely cut this film prior to release, as chasms occur in the continuity of fairly mammoth proportions. It is 95 minutes and must have been 110 when the director delivered it. This will keep an undemanding viewer entertained on a rainy afternoon. I had to get the DVD from Germany (where it is known as 'Spionagering'), turn off the dubbed German soundtrack, and listen to the original, which is preserved. The things one does to see these rarities!

I have just read Patricia Medina Cotten's book entitled "Laid Back In Hollywood" (1998)and was anxious to see the wife of the late Joseph Cotten when she was an actress, preferably in the 1940's when she was at her most glamorous.I chanced upon this title "They Met In the Dark" (1944) after searching through her titles for sale on Imdb.com.I have never seen this film on UK tv, so as I like all of James Mason's films, (his voice is so unique), I obtained a VHS video copy of this film from Blackstar.co.uk. Patricia plays Mary, a manacurist girlfriend of James Mason and appears at the beginning of the film but I was sorry to see her demise in the next reel! The plot sees Mason a naval commander found guilty of negligence in not acting under orders from the high command in the merchant Navy during WWII, and losing one of His Majesty's cargo ships as a result of enemy action.Mason claims he was acting under revised orders but cannot furnish the necessary proof to the court marshall tribunal.He is determined to prove his innocence and is told that if he wishes to see his girlfriend, to meet her at a nearby cottage.Once there, he meets the film's heroine, Joyce Howard, who thinks Mason is the killer as she too has seen the body of Mary upstairs.She rushes off to report the murder but when the police arrive at the cottage and investigate, no body! Joyce is accused of the very serious wartime crime of wasting police time.The plot then moves to Liverpool as there was a card with the inscription, "Child's Theatrical Agency", Liverpool, clutched in the deceased's hand. Mason "palms this off" at the cottage as it lies on the floor, so Joyce Howard cannot even show this as evidence to the police who get even more annoyed with her.The two principal actors have an off and on relationship throughout most of the film as there is mutual suspicion between them.They become involved with fifth columnists who are seeking to obtain vital information for Germany about the departure/destination and time of the next convoy, commanded by its flotilla leader played by David Farrar (who later played the squire, Jack Reddin, in "Gone to Earth" (1950)). I won't provide a spoiler but this is perfect Sunday afternoon watching for those like me who love classic 1940's films, especially James Mason fans who are unfamiliar with this title.I gave it 3/5 stars.