Overrated

A different way of telling a story

While it doesn't offer any answers, it both thrills and makes you think.

Worth seeing just to witness how winsome it is.

If you want to excuse the mediocrity of "Children of Pleasure," you can point out that it was made in 1930 when movies were just learning to talk. On the other hand, over at Warner Bros., they were revving up the style and sparkle of "42nd Street" and the first "Gold Diggers" (both released in 1933.)Aside from its clumsy title, "Children of Pleasure" has unimaginative production numbers (Busby Berkeley would cringe,) a leading man, Lawrence Gray, with no charisma, embarrassing ethnic humor and a creaky plot about a songwriter who falls for a phony society dame but doesn't realize that even at their wedding rehearsal, she's thinking of divorce. Meanwhile, the secretary who truly loves him is prepared to hurl him at his heartless sweetheart. Talk about noble sacrifice! As a museum piece, it's worth watching. As entertainment, it's pretty grim.

Absolutely Abysmal Early Talkie Musical that is One of those that is Totally Forgotten and for Good Reason. It is an Example of Hollywood Unmasked for what it can be at its Worse. Even in 1930 this must have been Awful. Considering Neither the Director nor the Stars did Anything Worth a Note After this Bomb.There is a Fat Leading Lady Singing and Dancing as a Wondrous Stage Star and is the Blunt of Ugly and Weight Related Humor. There are Jewish Comedians and Songwriters that are Stereotypical Embarrassing.One Staged Musical Extravaganza with Dozens of Shapely Girls in Rotation and Counter Rotation that Anticipates Busby Berkley is a Highlight, but Mostly the Movie is a Tough Watch because it is So Dated that it Cannot even be Seen as High Camp. It's just One Cringe Inducing Scene After Another. This One has been Relegated to the Dust Bin and Once in a While TCM Brushes it Off for a Screening, but that Only Reinforces its Place in what can Only be Described as a Pathetic Picture.

"Children of Pleasure" is a 1930 curio turning up on TCM. The film is a very minor early MGM musical you can label low budget B picture. However, any MGM B looks first class compared to Poverty Row cheapies. "Children of Pleasure" arrived during the first wave of sound musicals and isn't as stodgy and crude as other musicals of the time period. In fact, there's a slight hint of how musicals would evolve in a few years hence under Busby Berkeley.The film is pre-code but the only risqué thing is the title. Story is simple and basic. Songs are forgettable. The actors are long forgotten names never achieving any kind of notable stardom. Songwriters and choreographer don't ring a bell. Director Harry Beaumont was a prominent name in silents and directed MGM's first sound musical "The Broadway Melody" (1929) winning a Best Picture Oscar.Danny (Lawrence Gray) is a hot shot songwriter. Partner Emma (Wynne Gibson) loves Danny who only has eyes for spoiled heiress Pat (Helen Johnson). Will Danny end up with Pat or Emma? That's a pretty thin storyline serving as framework for several production numbers, Gray at the piano singing songs and Jewish schtick by comedian Benny Rubin.There are delights to be found in "Children of Pleasure." Yes, that's a not yet really famous Jack Benny in a cameo. Also Cliff "Ukulele Ike" Edwards. The music has the real deal syncopation bounce never successfully imitated in later films set in this era. Some nice chorus girl line tapping. The politically correct police will demand the film be destroyed for its black face line of tappers.The pleasure in viewing even a film this obscure lies in details. The sleek women with marcelled hair wearing great fashion. Gibson wears a dress that flows with her movement during her number. Set decoration is littered with art deco design showing on chairs and piano and distinct art deco objects.

Released in 1930--soon after the advent of talkies--"Children of Pleasure" must have been one of the earliest musicals. But it is not a musical as we know them now, where characters break out in song to express their emotions. Reveling in the possibilities of sound, the talkies were often stories about stage productions or nightclub venues, allowing production numbers, which pretty much stop the storyline. This film has those staged numbers, but since the main character, Danny Regan (Lawrence Gray) is a songwriter, and a guy who communicates better with his girlfriend when he sings to her, various songs become expressions of his love.The object of his affection is Patricia Thayer (Judith Wood), a socialite backed by family money. She uses and throws away boyfriends like chewing gum. When Emma (Wynne Gibson), Danny's friend and coworker sees him falling for Pat, she is concerned for him, but wants him to be happy. Pat eventually agrees to marry Danny. On the night of the wedding rehearsal, Danny overhears something that makes him second guess his decision to marry Pat. The sound quality of the film is sometimes fuzzy, sometimes excellent--what you might expect of a film from 1930. The storyline is fairly good until the ending, when instead of showing us what transpires, the film has a character tell us what happened. This also results in a jarring close to the film. The musical (and dance) numbers are typical for the era. Lots of "gee whiz" lyrics and shuffling. But the songs are not bad. One song Danny sings, titled "The Whole Darn Thing's For You" is charming.The entire cast feels like it was picked right out of vaudeville and the borscht circuit. So some of the humor is clever, some feels amateurish by today's standards. But I liked most of the characters. I particularly liked the acting/singing/comedy of Wynne Gibson.