Stop the World: I Want to Get Off

5.2
1966 1 hr 40 min Music

The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.

  • Cast:
    Millicent Martin

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Reviews

Wordiezett
1966/04/25

So much average

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Forumrxes
1966/04/26

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

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Murphy Howard
1966/04/27

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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Zlatica
1966/04/28

One of the worst ways to make a cult movie is to set out to make a cult movie.

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andeven
1966/04/29

I fell in love with Stop the World when I saw it in the West End, starring Anthony Newley and Anna Quayle, back in 1962. It told the story, through songs, speech and mime, of a man's life in a way which has rarely been bettered. Nearly half a century on I still enjoy the songs, on a battered LP, and treasure the memory of Newley's performance.The film in my view does not measure up to the stage production. This is partly because Tony Tanner, while very good, is simply not Anthony Newley and partly because it is a film of a stage performance which, for some reason, never really seems to work. Theatre audiences are, I suppose, geared to accept the physical limitations of the stage while cinema audiences, even if composed of the same people, are similarly programmed to expect the very different techniques of film. StW makes little attempt to use the latter, basically pointing a camera (or a number of cameras) at the stage and leaving it at that. We are therefore left in a situation which is neither one thing nor the other.For all that it is useful to have a record of what was a classic show and the film I do find enjoyable if not itself classic. I accept that others will hold different opinions. Even when the show first appeared I heard of several people who walked out because they could not understand its premise and failed to realise that the lack of 'reality' meant that they had to use their imaginations. They are , of course, fully entitled to their views. Nevertheless I find it difficult to accept the comments of a previous reviewer whom the film apparently induced to throw up.I have sat through many films which have bored me rigid but have never as a result felt the urge to vomit. Perhaps I could suggest that he or she see a doctor without delay to assess the cause of this clear over-reaction.

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midge56
1966/04/30

This was the worst movie I ever went to. It had one scene like a stage, which never changed... which the mostly just one main singer jumping around the stage as he sang. Similar to a one-person stage play with no scenes and no story. Just jumping around the stage from one end to the other while singing.I don't mind singing. I've seen some decent musicals. Funny Girl had come out not too long before this and there were quite a few musicals during that era. I wouldn't even mind watching someone sing on stage. But this was awful. Painfully horrible. But I would rather buy a record than watch this film.45 minutes into the movie after waiting for it to do something, it actually made me physically ill. Having to sit in the theater watching the one stage scene for so long... I had to run to the restroom to throw up. That's how bad this movie was... and I wasn't ill before I went in there... and I recovered after leaving.I was unable to stay in the theater another minute. I had to leave because it was literally making me physically ill. It was supposed to be a double header with "Oliver" but we never made it. I sat there as long as I could but I became so ill from watching it, I had to leave.It was the movie which made me ill. To this day, it is still the only movie which ever made me physically ill... and remains one of only 3 movies which I hated so much I could not watch them to the end. "Hardware" was another.Just getting outside the theater was a huge improvement, but it was at least an hour before the nausea from that movie subsided. I've never had motion sickness... but this movie was the closest thing I can think of to describe that. But every minute of this movie was so miserable and so painful that it turned my stomach upside down... literally.I have never, ever forgotten how much I detested this movie. I was hoping they had destroyed the negative and every copy of the film.

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dave carnegie
1966/05/01

When the film was made it was shot multi camera as it appears Bill Sargent the producer had a thing about this. He had made a bit of a name shooting onto video tape and transferring to film via Technicolor tape to film process. All the playback was done via equipment which was not locked to the cameras, Great fun was had in trying to sync it all up. I myself enjoyed the overtime this film generated in the projection department. When the film exscaped to the cinemas, which those days it was shown own the ABC circuit, the film did not last the week and by the Wednesday was pulled.

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Paul Goodhead
1966/05/02

You simply cannot put a couple of cameras in an orchestra pit and film "Stop the World", yet this is exactly what they have done. Starring Newley's stand-in and later replacement when he took the show to Broadway. Tanner tries hard but Tony Newley he ain't! Millie Martin does a little better as Evie but the whole thing makes you yearn for the brilliance that was Anthony Newley. Paul Goodhead - President of the Anthony Newley Appreciation Society Worldwide. (Officially recognised by the family/estate of Anthony Newley).

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