One of my all time favorites.

Excellent, Without a doubt!!

Story: It's very simple but honestly that is fine.

Exactly the movie you think it is, but not the movie you want it to be.

Released in 1930, Elstree Calling was directed by Andre Charlot, Jack Hulbert, Paul Murray, and Alfred Hitchcock. Luckily, too many cooks did not spoil the broth in this case but created a marvelous musical and comedic soufflé. The film is a series of vaudeville-type skits and sketches. Tommy Handley hosts the show. "Think, and having thunk, think again," Handley humorously advises the audience. The sections vary in quality but none are poor. Among the best: Teddy Brown whistling while playing the xylophone; lovely, blonde, and ethereal Helen Burnell in a sparkling sequined gown singing; a sprightly Russian-style song and dance number; Cicely Courtnedge singing an entrancing rendition of I'm Falling In Love; and Jack Hulbert and Helen Burnell in a dynamic duet. One brief sketch is darkly humorous as a man appears to enter a home, shoot the man and woman he "catches" kissing, only to realize, "I'm in the wrong flat!" In one section, bagpipes play while a Scotsman in a kilt sings about how "happiness costs such a lot." It is wonderfully sung but some viewers may be offended by the way it plays on the stereotype of the Scots as stingy.Far more viewers are apt to be offended by the sketches done by "The Three Eddies." The tap dancers are in blackface with white lips, white bowler hats, and white-rimmed round eyeglasses. Their tap dancing is wonderfully skilled but one does not have to be a stickler for "political correctness" to be disturbed by the racist stereotyping in their act. A better note is struck in a skit in which Elstree Calling appears to play with racial (not necessarily racist expectations). In an odd take on The Taming of the Shrew, Anna Mae Wong is the clearly Asian daughter of a white man. Beautiful Wong appears as Katherine in a shiny and revealing outfit. Instead of being "tamed," this "shrew" gets her revenge by throwing cream pies in the faces of all the men around her – including Shakespeare himself!Like many works from past time periods, Elstree Calling sometimes strikes an "off" chord with contemporary audiences. Nevertheless, it is a fast-paced and fun series. One hour and twenty-six minutes long, it never drags but is a very entertaining potpourri of performances.

Hichcock's WTF movie. He's co-director of a static early sound film that is the British version of the all singing and all dancing review films that Hollywood do in the late 20's early 30's. Only it's less opulent and it has a real feeling of being a filmed stage play. It also suffers from weak music and dancing and unfunny comedy bits.I know the surviving prints are shorter than then what it once was which is probably better that way. Since some of the bits seem to go on way too long.You're either going to love this or hate it.For me once was enough.

I've probably seen this one over a dozen times now and I still love it, but mainly from the standpoint of the music. You have to forget you are a film buff (you are, aren't you?) and think of it as a collection of pop videos from 1930. And the pop ranges from the sublime to the ridiculous: My Heart Is Saying, in colour (?) nicely sung by Helen Burnell but danced atrociously, to Only A Working Man in b&w by the incomparable Lily Morris. Praise the Lord this film was made if only for her two turns, also the Will Fyffe bits and the Cicely Courtneidge end song, I'm Falling In Love. How that one passed the censor at the time I'll never know ... I suppose no one told him!Helen Burnell must have been the dancing inspiration for Jessie Matthews, or did all Show People dance like hippos pretending to be trees in the 20's? I've always loved the work of Jack Hulbert, mainly for his innocent British enthusiasm (and songs), but I'm afraid that he looked like a manic bus conductor in his one dance scene. Rotund Teddy Brown was marvellous to listen to - until he started telling jokes; The 3 Eddies - ah! Can you just imagine them walking on stage and launching into their high powered act nowadays? Horrified silence would follow, but how times and tastes have changed. The song Ladies Maids Always In The Know sung and danced to by the Charlot Girls would likewise be incomprehensible to nearly everyone too.The glue that 'holds' all this and more together is supplied by Gordon Harker trying to get a picture of it all on his TV and Tommy Handley as TV linkman, with some surprisingly flat gags for a change. A running gag is supplied by Donald Calthrop attempting to perform Shakespeare; Anna May Wong puts him in his place - have you ever seen 'Taming of the shrew' with a massive custard pie fight or with a circling riderless motorcycle being whipped?If you're going to watch this for the Hitchcock bits and are unmusical you won't like it, but if you can open your ears and hearts to these fine personalities from a bygone age then like me you may get something like innocent merriment from Elstree Calling.

Elstree Calling (1930), like most of the revues of the era, has some high points and misfires. Hitchcock's linking material here can be quite funny, and the colour sequences aren't bad (even if "The Thought Never Entered My Head" is a bit ungainly). A pleasant goof, for most