Very very predictable, including the post credit scene !!!

That was an excellent one.

Surprisingly incoherent and boring

By the time the dramatic fireworks start popping off, each one feels earned.

If this reviews' corresponding rating were based on technical prowess or filmmaking / story quality, it would naturally be low indeed. But it supplies a substantial amount of entertainment value. This is cheeseball crud at its finest. While on one hand this viewer did feel bad for the veteran actors involved (more to the point, it's sad that THIS was Neville Brands' final film), they help to make this fun. "Evils of the Night" is tacky, it's trashy, and it's downright silly.The plot has a team of aliens - Dr. Kozmar (John Carradine), Dr. Zarma (Julie Newmar), and Cora (Tina Louise) among them - arriving on Earth. They manipulate two ceaselessly stupid and sleazy garage mechanics, Kurt (Mr. Brand), and Fred (Aldo Ray) into abducting as many of the local airhead oversexed college students as possible, to be used in biological experiments.Since the victims here are so utterly pathetic (they sure don't do a very good job of trying to save their own worthless asses), one may end up rooting for the antagonists by default.Add to this mix some painfully loud and peppy pop tunes, a respectable amount of female nudity, and the fumbling direction of Mohammed "Mardi" Rustam, and you get fromage writ large, a cheap genre item that's pretty hard to resist. Rustam had worked as a producer of 70s favourites such as "Psychic Killer" and Tobe Hoopers' "Eaten Alive", and this was his only feature length directing credit on a motion picture.Newmar and Louise look quite good, as do many of their young co-stars. Carradine may have appeared in a lot of junk unworthy of his talents over the years, but the fact remains that even in stuff like this, he never seemed to phone it in; his performance is the most fun.Buffs will note that two of the younger cast members, Karrie Emerson and Tony O'Dell, also worked together subsequently in "Chopping Mall".Eight out of 10.

I don't know if I'd call John Carradine "star power" but he's probably the biggest name in this film, and as such, he's underused as is the norm for his later films. Following in his timid wake are Julie Newmar, Tina Louise, Aldo Ray, Neville Brand, and at least four professional porn stars who were also making adult films around this time. I feel that having a porn star in a mainstream film where the actress gets naked is a rip-off. Most people want to see someone nude who they've never seen nude before, or maybe that's just my opinion. Now, on to better things besides bare bodies(I kid, I kid--there's nothing better here).Can you ask for a stranger cast? Seriously, Tina Louise didn't perform in the Gilligan's Island TV movies, but she'll appear in this mess? I suppose it could have been a contractual issue, but I have a feeling she just didn't want to be involved with such a silly premise as Gilligan's Island. She's "too good of an actress..." Well, flash forward 20 years and things are slightly different, ain't they, Tina? This hodgepodge of a film boasts the aforementioned stellar cast and a moronic premise that is horribly executed. Two dirty old men mechanics work for aliens, and by aliens, I mean humans in weird clothes with glowing Cracker Jack rings that double as blasters and communicators. The grease monkeys, Brand and Ray, capture goofy teens who like to hang out near a lake during the summer. The teens are brought to a hospital at night, a hospital run by aliens(don't ask), where the kids get their energy sucked out by zero-budget machines(real hospital equipment meant to fool the viewer into thinking it's something from beyond the stars---ugh). The aliens are sort of vampires(nothing new to Carradine) who need the teen energy to stay young for hundreds of years. A slasher films in some respects, the scenes of the teens being stalked and molested by Brand and Ray are the best parts of the film(though one wonders what a battle ax is doing out in the middle of nowhere).Ah, yes, the audio track. I firmly believe a 13 year old was responsible for handling this. 99% of the film's audio is drowned in echo and reverb, and the scenes with Carradine, Newmar, and Louise are barely audible in parts.I can't find anything redeeming in this to recommend it, unless you have a thing for Julie Newmar, and you might, but she's looking quite haggard and out of place here. As I mentioned, Carradine is wasted in his role(probably needed to pay the rent that month), and Tina Louise should have known her bread will always be buttered on that isle of castaways.

*SPOILER ALERT* *SPOILER ALERT*I bought this one for five bucks. The movie starts off on the right foot. Horny teens are making out in the woods. Breasts are freed from their bras before the credits are finished. There are other scenes of girls rubbing suntan lotion on each others breasts and one where two porn stars make out, (Jerry Butler and Amber Lynn). Then the movie goes downhill. Three geriatric aliens arrive on Earth from their floating disco ball and need blood. So they hire two elderly mechanics to go out and get it for them. Preferably from half naked teens if possible. My guess is that the producers had two locations to shoot at, (a hospital and an auto garage), and then built the movie around that. After the gratuitous nudity in the first 15 minutes, the movie dies a quick death. No scares, barely any blood but plenty of bad acting to torment you.

This is one of the cheapest, most offensive, all-around worst horror movies ever made. Truly an insult to even the most undemanding video renter. Tina Louise, Julie Newmar, Aldo Ray, and John Carradine apparently all needed a little cash. Although they have all been in other trashy, bad movies, this has to be at least close to the absolute rock bottom for all of them. The only interesting thing about this movie is watching people who once had careers "perform" in something truly awful.