Pretty Good

People are voting emotionally.

Good concept, poorly executed.

By the time the dramatic fireworks start popping off, each one feels earned.

A drunken, barfighting, womanizing, nobleman is set up- by a mysterious cabal- to be lynched.However, while he is running for his life, he happens upon a door, and enters it...only to find out that it can only be passed through in one direction.Now he's trapped...in a mansion...with a deranged man, who immediately has him arrested by guards. The man- Sire Alain de Maletroit (played brilliantly by Charles Laughton)- informs him, he is to be wed to his niece in an arranged marriage.It soon becomes clear, however, that this man does not have the young woman's best interests at heart. Not only has he killed the love of her life- for no good reason. He is also keeping her father hostage, and torturing him by subjecting her to cruel and unusual punishments.Having witnessed, first hand, what she is going through, the young nobleman starts to feel bad for the stunning young maiden...and seeks to help her escape. Which triggers her to truly acquire feelings for him.And, seeing as this was not part of the evil malcontent's plan...he moves toward an even more sinister plot- placing them both in a booby trapped cell, with her imprisoned father.Now, their only hope, is that Voltan (played by Boris Karloff)- the last person remaining loyal to her father. His former servant, and confidant.Will Voltan be able to save them before it's too late- or will they all end up perishing together? This is a solid little black and white horror thriller from Universal, with a romance angle. The acting is strong- particularly Laughton's performance as the misogynistic Maletroite. And that booby trapped cell is pretty badass! While not a masterpiece or anything, this is a thoroughly enjoyable horror thriller.6 out of 10.

Aside from Karloff being one of my favorite actors with his numerous character portrayals. Charles Laughton can compliment any script he was an outstanding talent. His character in The Strange Door highlights his ability for sophisticated characterization of a truly ruthless and vindictive man, it is outstanding and I am astonished by this films low marks. It gets an 8 from me and I even toyed with rating it higher. And of course there is Karloff I can't say enough about his talents. The Gothic atmosphere all the secret passageways make for a great castle adventure. I purchased this film in a Boris Karloff collection which includes The Tower of London and 4 or 5 other great Karloff films but once again Laughton is by far the great talent in this Gothic horror flick from the early 50s.

While the movie publicity foregrounds Boris Karloff as the "sell" for this picture, it's actually Charles Laughton's vehicle more than Boris's (Boris is relegated to a supporting role as a wily henchman ready to slit throats for his master who is imprisoned by Laughton's diabolical Sire de Maletroit). But there's plenty to chew on even for Boris purists, as he has some choice moments here and there and eventually saves the day (oops! should I not have told you?). The film is full of splendid atmosphere, but may seem like fluff to contemporary audiences who can't fathom the "issue" importance of pretty Sally Forest being married off to a rogue against her wishes (you see, in those days people were wed for life). And still, the film is really about mood over material and -- in my humble opinion -- it succeeds beautifully as a lesser-known thriller of court intrigue and swashbuckling derring-do. Laughton is superlative as a sleazy nobleman whose personal hatred of his imprisoned brother drives him to make every attempt to dash the happiness of the niece in his charge. Supporting players are fine also, with the always lurid Michael Pate on hand as well as William Cottrell as Laugton's sadistic servants. Nothing supernatural here, necessarily, as one might hope from a movie combining the talents of Laughton and Karloff, but the Robert Louis Stevenson based-story doesn't disappoint from a romantic or melodramatic standpoint. Even Richard Stapley's somewhat fey hero (who doesn't seem remotely like the rogue Laughton believes him to be) can't sink this one. Whoever said it was dull obviously doesn't have much to work with in terms of an imagination. Pop some popcorn, curl up on the sofa late at night, and enjoy this period-piece. How often do we get to see Laughton cackling away in a dungeon (where he goes "to relax" as he puts it)...or Karloff as the hero...?

"The Strange Door" was based on the Robert Louis Stevenson story "The Sire de Maldroit's Door". The film appears to have been an effort by Universal to revive its profitable Gothic horror genre of the 30s and 40s. Unfortunately, the film has the look of a "B" movie and Director Josph Pevney was unable to rein in star Charles Laughton's hammy performance.Alan de Maledroit (Laughton) lures unsuspecting tavern rogue Denis de Beaulieu (Richard Stapely) to his castle after framing for a murder. de Beaulieu enters the castle through the strange door of the title, a door that seems to open and close on its own without benefit of a handle or lock.de Maledroit plans to force the young man to marry his young niece Blanche (Sally Forrest) and by selecting the most reprehensible character he could find, hopes to avenge her mother's rejection of him years earlier. Blanche's mother had died in child birth after marrying her father Edward, Alan's brother. Edward (Paul Cavanaugh) unbeknown st to Blanche, has been imprisoned in Alan's dungeon these many years. Only Edward's loyal servant Voltan (Boris Karloff) remains loyal to him.As luck would have it, the young couple do actually fall in love. The marriage takes place but Denis feigns drunkenly in order to escape the castle with the aid of an old acquaintance Count Grasson (Alan Napier). However, Grasson is murdered and the newly weds are imprisoned in the same dungeon as Edward. Only Voltan stands between the mad de Maletroit and freedom. Can they escape?Had Laughton's performance been controlled by a stronger director, this could have been a much better film. Karloff as usual, is better than his material in a largely supporting role. I can picture him in the de Maledroit role and bringing much more depth and horror to the role. The set pieces evoke memories of Universal's earlier horror successes. The strange door of the title has little to do with the plot other than to trap de Beaulieu in the castle.Others in the cast include William Cottrell as Corbeau, de Maledroit's assistant and Michael Pate as Talon another of de Maledroit's thugs. Laughton and Karloff had first appeared together in "The Old Dark House (1932). Followed by "The Black Castle" (1952) before the studio abandoned Gothic horror for the giant insect cycle.