The Worst Film Ever

Such a frustrating disappointment

As Good As It Gets

The film never slows down or bores, plunging from one harrowing sequence to the next.

I was expecting little from Frankenstein Reborn, considering The Asylum's reputation. But while it is far from a good movie, as far as Asylum movies go it is not that bad. The monster is actually very menacing in disturbing in look, the opening scene is gory and really promises much and Thomas Downey, Joel Hebner and especially Rhett Giles, finally in a role that gives him something worthwhile to do, are remarkably good in their roles. Sadly, what the opening scene promises is not matched with the rest of the movie. Visually, Frankenstein Reborn is very amateurish, the settings look as though they are somebody's basement, the camera work is rushed-looking and tries to do too much that you don't feel any connection with anything you see and the effects are very cheaply rendered. The music is overbearing, poorly utilised and is not fitting with the rest of the film at all. As a consequence, the scares and tension are further severely diluted. The script has very little of interest, it is very talky and a lot of it reads of aimless exposition. It is cringe-worthy in a cheesy sense also. I knew that Frankenstein Reborn was not going to be faithful to Mary Shelley's story, Asylum movie adaptations never have been, so that wasn't an issue. However, the predictable way the story is told, the many sluggish and needless scenes and the unoriginal and non-scary killings really let the side down. The gore is not so bad visuals-wise, but does little to enhance the atmosphere, which generally just wasn't there. The characters are ones I found myself indifferent to, other than the monster, Victor and Robert they are annoying. The rest of the acting is very bland and passionless. Overall, not a good movie but not a really bad one either, it promised much and does try hard but with largely disappointing results. 4/10 Bethany Cox

Nasty, gory, ultra-violent modern retelling of the Frankenstein story featuring a scientist, Victor Franks(Rhett Giles), relating how he got to be named a murder suspect of several missing associates who were working with him on a privately funded project concerning how nanotechnology *resurrects* dead cells in a quadriplegic patient with tragic results, to a psychiatric doctor, Walton(Thomas Downey)pressured by detectives in getting a confession. It seems that the nanobots surging through the subject, Bryce's(Joel Hebner) system have dangerous side-effects..Victor's homicidal fantasies, desires & rage, programmed into the computer that operates the nanobots are causing Bryce to act on them without control over his actions. All of Victor's associates are targets thanks to his feelings towards them in one way or another. Victor is confronted by Bryce who has become confused and disturbed by his doctor's fantasies desiring for them to end. Victor, knowing that the project would cease if everything was ended, shoots Bryce, claiming to his fellow surgeon, Hank(Jeff Denton)that it was suicide. Together Victor and Hank resurrect his body using their nanotechnology creating a monster after their experiments cause great physical damage, especially to Bryce's face. Bryce kills Hank and escapes from their lab, going on a killing spree acting out those very feelings Victor fantasized about leaving quite a death trail. When Victor's love, Elizabeth(Eliza Swenson)was one of the beast's victims, he will perform the same procedure on her, with another innocent being killed in the process. That innocent was a babysitter and the child she was looking after befriended the monster, helping the police semi-identify that what Victor was saying isn't just the insane ramblings of a very disturbed man.I certainly wouldn't say that this THE ASYLUM release adds anything interesting or fresh to the oft-told story of Frankenstein and his mad creation, but it does feature plenty of cheap thrills for gore-hounds such as limbs plucked from victim's bodies, a gruesome decapitation, Victor and Hank's bloody surgical experiments on Bryce's dead body, and a face is shot by the victim's own gun. We get a look into Victor and Liz's kinky sexual activity. But, the film basically is a slasher movie with the monster killing Victor's friends/associates in various ways. Nothing really original or exciting here unless you want to see some of the same gory violence one sees a lot in the slasher genre. I personally didn't think the characters were that interesting or the actors/actresses that portrayed them. Pretty cheap-looking as well. I'd say look elsewhere for better films based on Frankenstein.

I bought FRANKENSTEIN REBORN based on how much I liked THE BEAST OF BRAY ROAD. Yikes. Was I snowed...! While the same people were involved with both movies, we end up with very different results. I knew I was in trouble when two of Dr. Franky's nurses get into some heavy lesbian action while he works on a little freebasing. The kinky take on the Frankenstein mythos worked for ROCKY HORROR, but that was an over-the-top send up. Here, it's just a tired and way-too-obvious tacked-on bit of raunch. Overall, I was seriously disappointed, but then again, I usually am with most releases from The Asylum.This movie seems to have it's champions, so I won't say not to see it, but proceed with caution. Watch it for free if you can.

The film was made in 9 days and it shows. In particular, the budget obviously wasn't large enough to cover a decent recording system. Through out the film in scenes of dialog (and for a horror film there are a LOT of scenes of dialog), the character in screen is recorded loud and clear and the off screen, second voice is inaudible.Music video-style fast cuts and scene shifts that move backwards and forwards in time are not so much confusing as meant to try and downplay the lack of much plot or its illogic.The cast is generally quite good and makes a good attempt to overcome the inadequacies of the script and production.