The Ungodly
When struggling filmmaker inadvertently records a notorious serial killer in the middle of a murderous act, he decides to use the footage to blackmail the madman into being the subject of a disturbing new documentary.
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- Cast:
- Wes Bentley , Beth Grant , Joanne Baron , Marina Gatell , Kenny Johnson , Sarah Crocker , Sal Darigo
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Reviews
Absolutely Fantastic
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
The film never slows down or bores, plunging from one harrowing sequence to the next.
Everything you want in a thriller where the lines between the killer and the documentarian get blurred. Where does morality stop and start and what is permissible? The serial killer actor Borkowski was a revelation. Watch it!
Let me comment on the comparisons of this movie to "Mr. Brooks" or "Henry." This one is not in the league of those two very well-done films.Unlike "Mr. Brooks," this one does not give more insight to the mind of a serial killer (or even to the interaction of other people with the killer) than an average "48 Hours" episode would. In my opinion, the characters here are flat or, at best, two-dimensional, while "Mr. Brooks" is amazingly written to provide real character depth. So if you're looking for a psychological thriller that *could* be real life, go rent "Mr. Brooks" instead, because you won't find that here.But if you've already seen "Mr. Brooks" and have nothing better to do, AND you can watch this for free, then it's entertaining for a night. I especially enjoyed the last 1/2 hour or so, and it is there that this film finally becomes somewhat worthwhile.On a whole, I was pleasantly surprised by some of the interaction and some of the surprises. But caveat emptor -- if you are a fan of depth of character and intelligent, probing writing and acting, don't expect this to be the 10-star movie some reviewers here seem to think it is.
on this one. If Atonement can be even made. If No Country For Old Men can win awards, than this was a great movie. Drop that and this movie was good. I wouldn't recommend heading to a theatre for something like this but then I wouldn't recommend even watching the former two movies. I would encourage a rental of this one. I was more than surprised that the acting was so solid. I can't quite say what it was about this one but it had an independent body while delivering a higher budget soul. For those that have written reviews instead of adding comments here, thanks, but please do suspend belief when doing so; you're watching fiction. Not all fiction meets all film school 101 criteria (in fact, for your type of people, do rent Dead Poets Society and pay attention to what Robin William's character teaches then come back and re-write your reviews). For the rest of you pondering watching this one, again, this didn't meet the 101 but it was entertaining. And I generally detest anything low budget _and_ anything with knives a'slashing away.
Wow!!! This is what Indie films should be. I didn't know what to expect going in but was totally on the edge of my seat the whole way through! It was sort of disturbing but in a very real, can't look away, can't wait for what will happen next sense. The two main characters, Mickey (Wes Bentley) and James Lemac (newcomer Mark Borkowski) are locked in a psychological cat and mouse as Mickey, a documentary filmmaker, hatches a crazy plan to blackmail and film James, a serial killer, for just a few days and then turn him into the police. One of the coolest things is that we don't really see the police in this film. We know they must be out there searching but we stay with the two main characters and just keep delving deeper and deeper into their psychology, morality and obsession. Every time you think you get to breathe, the air gets sucked right back out of you and there's a new crazy plot twist. The acting was really subtle (with Borkowski capable of erupting at a moment's notice) and the dark, edgy feel to the cinematography/directing made it really stand out as a risk-taking, no holds barred independent film. One particular murder scene was one of the most emotionally disturbing and visceral 5 minutes I've watched in a long time...wouldn't be surprised if this was a love/hate film for people because it gets under your skin and takes so many chances but I'm firmly on the side of loving it! It was clear the filmmakers wanted to be relentless with their audience so be prepared...