Good story, Not enough for a whole film

It's an amazing and heartbreaking story.

By the time the dramatic fireworks start popping off, each one feels earned.

An old-fashioned movie made with new-fashioned finesse.

I really don't understand why people bashed this movie. Perhaps it wasn't a huge budget and not a huge amount of special effects. I think over all it was actually a decent movie. Sure it didn't have huge actors that were great but I feel the acting was very good for what they had. Now maybe it could have been better made. Some have criticized it for being unoriginal or formulaic but what is really? Most movies in general are based off another concept that has been done many times before. Not every movie has to be a blockbuster for it to be a good movie in my opinion. Some moments were a little dull and were unbelievable but it wasn't completely unrealistic or unreasonable to just stretch your imagination some. After all its just a movie.

OK. This is just laughable garbage. Really not worth my time writing this, typically I'm the type that keeps negative opinions on films to myself because I still consider movies an artful expression. But I guess after a slew of garbage recently, I must draw the line. It's frustrating to see people with this vision in the driver's seat to make a film. Not to mention the director has a horror niche background. His biggest film to date, 2001 Maniacs isn't something to be too proud of either. Bigger budget.Anyway, avoid at all costs. It's just laughable, corny, with some severe gay undertones.Diamond Dallas Page was pretty decent, Talan from Laguna Beach is so awful. Why? Why, guys?

I wasn't sure what to expect from Driftwood. There were no trailers to go by and I resisted reading reviews as they are usually biased against real horror. All I really knew is that it was directed by Tim Sullivan and starred Raviv Ullman. I should start by saying that I've been a fan of Raviv's since he was still Ricky. I used to watch Phil of the Future, even though I was 19 when it premiered. I know that isn't a reason to like a movie, but it does help. The main reason I like Driftwood is the story. Ullman plays David, a 16 year old boy who is sent to an "attitude adjustment" camp after the death of his older brother. It is soon evident that the camp is more about punishment than reform. As David struggles to adjust to the harsh conditions, he is haunted by visions of a former Driftwood resident. He soon discovers that the boy's death was not an accident, and that solving the mystery may be his only way out. I was in middle school when Columbine happened and in high school for 9/11. I'm a part of the generation that had their world crumble down around them and then tried to build it back up. Our school had bomb threats that lead to metal detectors and security cameras. I knew kids like the residents of Driftwood, I was even friends with some of them, and I can tell you that most of them were just confused, adolescence does that. I've grown past that part of my life but I'm still close enough to remember what it was like. I have a nephew who is 16, he reminds me of David in a lot of ways. His parents freaked out when he started painting his nails black, dyed his hair blue and got his ear pierced, they weren't sure how to handle it. I knew it was just a sign he was a teenager. Last winter, in a fit of anger, he punched a wall and broke his hand. It scared me and his parents; luckily they are handling his issues in a better way, better than sending him away anyway. Driftwood is unique in that it takes on a real issue, the fact that teenage angst has become a problem to be solved not by love and understanding, but by punishment. The idea that a child should be sent away from something as simple as the clothes they wear or the gender they are attracted to, is a concept that should have gone out of style with the poodle skirt. Back to Driftwood, this film is better than almost any studio film out there. The writing is outstanding, the performances are superb, the set isn't even a set, it was filmed at a closed down juvenile prison that was supposed to stay that way but didn't. Another sign of how important this film's message really is. Driftwood is so chilling because it rings true to how we all felt in our adolescence; lost, alone, trying to sort things out when everyone seemed to be against us. Driftwood isn't a big budget movie, it doesn't claim to be. It doesn't have dozens of big name stars, it doesn't need them. Driftwood has what few films today have, it has heart. I love this film and if you give it a chance I'm sure you will too.

After just viewing the screener of DRIFTWOOD with a couple of mates, I was very impressed with this little known thriller. It had a pretty good storyline, a troubled teen, David, riddled over the guilt over his brothers death, he actually becomes obsessed with death. His misguided parents send him to DRIFTWOOD, an "Attitude adjustment camp for troubled youths" which is run by a sadistic Captain, played superbly by Diamond Dallas Page, and his brutal young henchmen. Once inside the camp he becomes haunted by a spirit named Jonathan, a former inmate who met a mysterious end, David has to unravel the mystery in order to free himself from the sadistic camp. Great acting from a bunch of relatively unknowns, and a great script make this one of the great finds of 2007, believe me if you like to sit and get stuck into a film, not expecting blood and guts, but a good suspense/mystery, this is a film you must watch. It reminded me a lot like STIR OF ECHOES. Strongly recommended 8/10