The Caller

R 6.1
1987 1 hr 37 min Horror , Thriller , Science Fiction , Mystery

One night, an unusual stranger in need (Malcolm McDowell) asks a woman living alone in a house in the woods if he can use her phone. It soon becomes clear that they're playing a strange mind game and that there's something very wrong about the woods.

  • Cast:
    Malcolm McDowell , Madolyn Smith Osborne

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Reviews

Vashirdfel
1987/05/01

Simply A Masterpiece

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Greenes
1987/05/02

Please don't spend money on this.

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Afouotos
1987/05/03

Although it has its amusing moments, in eneral the plot does not convince.

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Mathilde the Guild
1987/05/04

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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lost-in-limbo
1987/05/05

An undeservedly forgotten little feature by Empire Pictures. Where has this one been hiding? Instead of relying heavily on special effects, 'The Caller' sticks to an audaciously thought-provoking screenplay and confidently notable performances by its only two, but spellbinding cast members Malcolm McDowell and Madolyn Smith-Osborne.A young lady living in the woods waiting for her guest to arrive for dinner is being unknowingly watched. There's suddenly a knock at the door, but it's a mysterious man who wants to use her phone as his had a car accident. But what follows on from that leads to the two questioning each other's motives and the true meaning of their encounter.It would be an understatement if I called it strangely unconventional, as nothing seems quite what it is and due to that nature it's plain gripping. Watching the battle of wills and wits between McDowell and Smith is brought across with pure intensity, bold authenticity and a touch of sinisterness. As one thinks they have the upper hand, soon it comes crashing down, but the mind games still flow. The true intentions is mystifying on what's going on with these fabrications, up until the unhinged climax (where I can see why it could be a turn off or disappointment of some sort) that really does throw you of course and lands you back at square one. There's no-way any one can find this calculative fodder predictable. Michael Sloane's enduring story is cerebrally crafted as while it's talky, the twisty nature is well observed in its details of the plot and character's progression. The verbal confrontations rally up the unbearable tension and emotional drive. How it plays out is like something out of a stage show and Arthur Allan Seidelman's tautly measured direction lends to that magnifying atmosphere. You truly get the sense that there's on one else about, other then these two (nameless) characters. McDowell's quietly edgy turn is hypnotic and Smith's neurotically vulnerable persona is creditably delivered. Watching these two steadfast performances and their chemistry together was fantastic. The remote woodland setting adds to the isolated and uneasy style of the feature. Richard Band's score is minimal, but titillatingly subtle and eerie.An oddly disorientating and elaborate, if simulating addition to Empire Pictures.

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setbro72
1987/05/06

The suspense of this movie made me late for work, when I got to work I discovered everyone else was late due to this movie being so suspenseful! The movie description tells you all you need to know. The end is something you must see only because I did, and it's only fair you do too. Will say this though; I didn't see it coming. There really isn't much more to say and I don't want to spoil this for any of you so I will most certainly not do that. The acting is decent, and the direction is very good so this is not by any means a waste of time. I say that because I know this will be the initial reaction of most people.

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WritnGuy-2
1987/05/07

I debated on getting this one for a while, but finally, just gave in and got it. And I thought it was a really cool movie, though the ending was sort of tough to swallow.Madolyn Smith plays a young woman staying at a cabin in the woods, and one night, a man comes to her door asking to use the phone. Yet, you know he has been watching her for quite some time, so the scenes between them are tense from then on.Each day after that, she sees him, and they have these very interesting confrontations. Their interaction--which I am giving nothing away about--is gripping, and sometimes, you wonder which one is really crazy.When the climax of the movie came, the movie got extremely tense, but then it took this weird twist that, though it was a scary idea, came across sort of dumb. Or at least at first. Once it fleshes out a little more, you will either be sort of lost on what kind of movie this is supposed to be, or you will be quite interested. By the end, I thought the idea was very inventive, though not very fleshed out. But when first revealed, I was ready to forget the 90% of truly scary film. I say, see this movie. It will keep you guessing on what's going on until the end, and I guarantee you'll never suspect it. Overall, a good movie.

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saccenti
1987/05/08

Fascinating (and undiscovered) mystery/suspense/ thriller concerns a strange woman and her (even stranger?) guest in an isolated cabin in the woods. That's the entire cast, and basically there is only one set. A chilling movie where nothing is what it seems. You spend the entire film trying to discern who the "villain" is. This sort of thing must have impeccable acting to succeed, and does. McDowell is exquisite, the perfect choice.Subsequent viewings are also rewarding, but you watch the movie from a complete different perspective. 2 1/2 of 4 stars on a tough scale.

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