Picture Bride
Riyo, an orphaned 17-year old, sails from Yokohama to Hawaii in 1918 to marry Matsuji, a man she has never met. Hoping to escape a troubled past and start anew, Riyo is bitterly disappointed upon her arrival: her husband is twice her age. The miserable girl finds solace with her new friend Kana, a young mother who helps Riyo accept her new life.
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- Cast:
- Youki Kudoh , Akira Takayama , Tamlyn Tomita , Cary-Hiroyuki Tagawa , Toshirō Mifune , Yōko Sugi
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Reviews
Perfect cast and a good story
This story has more twists and turns than a second-rate soap opera.
A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
It's a feast for the eyes. But what really makes this dramedy work is the acting.
After watching the superb French Neo-Noir The Connection,I started looking for other titles about to go from Netflix UK. Recently keeping a look out for unique movies from Asia,I stumbled on a landmark Asian American work,which led to me taking a photo.The plot-Japan 1918:After the death of her dad,Riyo's aunt makes arrangements for her to be a "picture bride",where a marriage is arranged via exchanging of photos. Shown a photo of hunky Matsuji,Riyo agrees to the wedding. Leaving Japan for a plantation field in Hawaii,Riyo gets set to meet handsome Matsuji. Meeting Matsuji,Riyo is shocked to discover a less than picture perfect likeness. View on the film:Given the film a much needed moment of lightness, Toshirô Mifune gives a very funny performance as The Benshi in his penultimate role,which gives cheeky nods to his Kurosawa work. Drained of any hope when she meets Matsuji for the first time, Youki Kudoh gives an exquisite performance as Riyo,with Riyo's painful desire to escape being one that Matsuji expresses with a simmering murmur and a cold shoulder towards Matsuji (played by a terrific Cary-Hiroyuki Tagawa.) Painting her debut,co-writer/(with Diane Mei Lin Mark & Mari Hatta) director Kayo Hatta (who drowned in 2005) and cinematographer Claudio Rocha give Riyo's pain a strikingly lyrical quality,via the weaving of songs and sounds of moving plants giving the title an oddly supernatural atmosphere. Largely holding back from big melodrama scenes,Hatta gets under the relationship of Riyo and Matsuji by stiltedly going round the plantation in picture perfect shots.
I saw this when it premiered and just re-watched it on IFC again. This is a great telling of the many possible stories about the immigrant farmworker population that came to Hawai'i to work the sugar plantations in the early 1900's. My grandparents were part of that migration; my parents were born on a Kohala plantation (Big Island) at the time setting of the movie. I moved to the Big Island over a year ago after living in California for over 30 years. I was surprised to see that many of the former cane growing lands are still undeveloped, with wild cane still growing, years after the plantations closed. I've heard many stories from my aunts and uncles who were kids growing up on the plantation. This movie helps to image those kinds of stories and memories. This story is more of an historical document than a romantic plot-driven movie. It leaves me shaking my head to read a review like ccthemovieman's. Some people just don't get it.I didn't recall that Youki Kudoh had the starring role, with which she did an incredible job. I recall her great performances in Jim Jarmusch's "Mystery Train" and in an Australian film, co- starring with Russell Crowe, "Heaven's Burning". Tamlyn Tomita did a great job with her pidgin English, especially for someone who didn't grow up in the Islands. I had forgotten that Toshiro Mifune had a cameo role as the moving picture show narrator. And I missed the fact that Jason Scott Lee had an uncredited, non-speaking part as one of the plantation workers during the payday scene. I was saddened to find out that the director and co-writer, Kayo Hatta, died in an accidental drowning in 2005. There are two other excellent foreign films that mirror this cane plantation experience: "Gaijin" about the immigrant cane workers in Brazil (many of them Japanese) in the same time period; and "Sugar Cane Alley" about the cane plantation experience in Africa. The latter is still available, but "Gaijin", sadly, doesn't appear to have been shown in quite a while. Another great film about the early Asian in America experience when immigrants were more like slaves is "A Thousand Pieces of Gold". This was set over the Chinese workers' involvement in the building of the railroad, starred Rosalind Chao, Chris Cooper, Michael Paul Chan, and Dennis Dun.
Good historical drama which is very educational and also very entertaining to people who like history.Very good acting and script.Not as sensual and sexy as it is sometimes marketed,be prepared to peek into the pioneer spirit and human ability to adjust.Very touching as well for the spiritually mature. Not for people who do not like to think......
Japan 1918. The story of 16-year old Ryu begins with the death of her father. As it will be revealed later, both of her parents have died of tuberculosis. In this desperate situation Ryus aunt has arranged a marriage with a Japanese man in Hawai, whom they know only from its picture. By her arrival in Hawai ryu discovers that her new husband is much older as in the photograph ,and that he lives in very humble circumstances beside a sugar cane plantage were he works on. Ryu not used to the hard labour on the plantage and in despair over her situation in her new home thinks of running away. She soon discovers that she has nowhere to go. The friendship to Kana, a female co-worker of hers, gives her new hope and strength. This picture is based on real events between 1907 and the 1920s, when thousands of Asian woman were married off to men in America, whom they only knew from their picture. This not very well known picture is well written and acted. The location is breathtaking. This film also features Mifune Toshiro in his very last screen appearance as a Benshi (narrator of silent movies). This film gives some insight of Japanese culture here and across the ocean. A must see!