An Englishman in New York
Biographical drama based on the last 20 years of Crisp's life. The literary figure and gay iconoclast emigrated to New York in 1981 and lived there until his death. The film observes Crisp in both his public and private lives, from his seemingly cavalier response to the outbreak of AIDS to his tender relationship with his friend Patrick Angus and his own response to growing old.
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- Cast:
- John Hurt , Denis O'Hare , Jonathan Tucker , Cynthia Nixon , Swoosie Kurtz , Benjamin Eakeley , Craig muMs Grant
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Reviews
Load of rubbish!!
Good , But It Is Overrated By Some
A different way of telling a story
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
bitter, profound, fascinating. story of a guru. like modern parable. a character. and a great performance. map of small things. and a great arena. seed of dark joy because the story of Quentin Crisp is out of categories. it seems be a fairy-tale, page of a history of homosexual freedom war, testimony about values and traces of Oscar Wilde style, a manifesto about reality behind illusions, a form of silent protest against ordinaries warm lies. each of this aspects is present in this movie. a film like definition of an air. or, only, circle of a small refuge garden. nothing else. only reflection about real nature of world. an old man in a large city. and its gestures, words, trips. as pieces of a lesson about yourself. or shadows of a continuous search of truth sense.
I thoroughly enjoyed this profile of flamboyant British raconteur Quentin Crisp, played mesmerizingly by William Hurt.Crisp can be inspiring to us all. He was openly gay before it became acceptable, and he risked his life to be out when he was. Any of us, regardless of sexual orientation, can be buoyed by his interesting challenges, i.e.,"Who would you be if the only opinion that mattered was yours?"..."Think of the people who've NEVER been used -- life's much harder for them!"Crisp was an original. Who, even these days, could draw crowds, night after night, that just want to hear him/her expound? This is a serious film that doesn't idealize its protagonist. Crisp was seriously humbled by his careless remark that AIDS was just a "fad." It was good that this comment didn't prove to be his undoing.I enjoyed the scenes between Hurt and Richard O'Hare, as an editor who eventually became the closest thing Crisp ever had to a son.This is a beautiful film and a great surprise.
John Hurt inhabits this character completely. This is not a sequel to The Naked Civil Servant, it is a continuation of the story of Quentin Crisp. Quentin Crisp was a flamboyant and insightful 'homosexual' who, after spending the first 73 years of his life in not-so-gay, olde England, moved to New York and was embraced by the art and literary communities there. He spoke in quotable soundbites that challenged the world's assumptions, and people's perceptions of each other through the stories he told.His live performances were more of Q and A between himself and the audience, as he never failed to provide an opinion about any idea presented to him.This film fearlessly bases it's integrity on John Hurt's performance and he doesn't let anyone down. Having played Crisp previously in a film based on Crisp's own book, The Naked Civil Servant, Hurt "leaves nothing unpacked" in his rendition of Crisp. When I think of Crisp now, I see John Hurt's face.Story-wise, I found this film very informative about a less-public time in the life of a courageously defiant man who refused to let society keep him in the closet, both in England and the U.S. Finally I got some clarity on why Crisp fell out of favour during the beginning of the AIDS crisis. It's unfortunate that Crisp's analysis of AIDS as a "fad" turned out to be true in some ways. Perhaps the disease isn't a fad, but certainly people's fear and behavioural changes were temporary, as we now see in increasing infection rates of young people. If only his insights weren't treated as simplistic in the midst of panic, or if Crisp had had the fortitude (at 75) to lead a change in attitudes, the fight against this disease might have followed a different trajectory. Unfortunately that was not Crisp's role to play.If you enjoyed The Naked Civil Servant, you will likely find this film equally interesting. Hurt is remarkable, and Crisp's perspectives are still relevant.
This movie is worth seeing when it comes out on television. Everything about the film works, and I do mean everything! Brian Fillis certainly did his homework and scripted a show that holds one's interest, and will intrigue anyone who is unfamiliar with Quentin Crisp. Granted any made-for-television movie has limits of what can be written and shared, often dictated by time slots and network requirements, but this movie has surface and detail and informs. Brilliantly written and acted! John Hurt's performance is absolutely phenomenal and as otherworldly as Quentin Crisp was. Denis O'Hare's acting ability is fully on display throughout the film, providing a touching portrayal of someone who loved and cared for Quentin Crisp. Jonathan Tucker is a star and is spectacular in his role. Swoosie Kurtz and Cynthia Nixon provide colorful portrayals of two women in Quentin Crisp's New York life. Could not ask for a better cast. Definitely, see the film when it appears on television!