Such a frustrating disappointment

Nice effects though.

Good story, Not enough for a whole film

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

The film is beautiful and innovative, though I couldn't help but feel disturbed that the parents of the 16 year old actress allowed her to be in scenes where she's so graphically raped and sexualized. I literally felt just as disturbed and distracted by this as I was affected by the film itself.This could be because I know people who were sexually abused as children, and I've worked with child actors who later look back at that graphic kind of exposure and ultimately see it as detrimental to them and their lives. I think it's unfortunate and premature to expose a such a young actor to this.

I Believe in Unicorns is a poetic and deeply intimate film. Its greatest achievement is how it conveys the loss of innocence as a teenage girl discovers womanhood/independence through a road-trip with her boyfriend. However, this newly discovered freedom seems to be just as disturbing as the home life she seeks to escape. Meyerhoff depicts through stop- motion and an effusive color-palette the POV/Internal life of our main character--Davina. There are unicorns, knights, princesses--it's a narrative of mythology to describe how her childlike internal world is trying to make sense of the looming chaos of her adult life. This film does not depict the empowerment of love but is a cautionary tale for the relationships we chase when we are looking to escape our circumstances. And through this cyclone, we see Davina's mythological internal world crumble as her external one transforms. This film is sophisticated and confident in its approach. It commits to one story/character- rather then a feature aiming to dizzy us with a multitude of sub-plots. The two stories can arguably be distilled to Davina's romance with Sterling and the adventures of her mythological internal world. As a result, you leave feeling you know this person like a best friend or a lover. (A testament to Natalia Dyer's acting). This is a treat given cinema's ever-growing plague of saccharin and one-dimensional female characters. What you learn about Davina is not just magical--but it is terrifying. And the fact that Meyerhoff gives us such a close portrait of a teenage girl is nothing short of daring (things don't just boil down to getting the romantic interest and being happy--there is nightmare that looms from even chasing one)--from first sexual encounters (the squeaky awkwardness) to finding true love for an imaginary princess. This wide spectrum exists in Davina. I only look forward to meeting more of the characters Meyerhoff brings to life.

This is an honest, well-composed film with a unique style. I Believe in Unicorns takes you in to the mind of a teenager as she struggles with what life has given with her. It shows her inner turmoil and hopes using fantastic imagery. And even though it is full of imagination, it presents a realistic picture of this young lady's life. It does not offer some "great solution" to life's problems. Instead,it shows the pain of growing up and facing the world for what it is - often disappointing and not all we wish it could be. Though it is definitely geared towards a female audience, if you understand that film is an art form and not an amusement park ride - whether you are male or female - you will enjoy this coming of age picture. Try it out. It's worth it.

All teenage girls need to see this I Believe in Unicorns. Or for that matter, anyone who ever was a teenage girl needs to. Leah Meyerhoff somehow manages to capture the human condition so perfectly in this film. It shows the ugly little details of life and relationships that nobody bothers to do in most movies and leaves you with a gut wrenching feeling (but in a good way). That's what really sets it apart. Natalia Dyer gives an extremely brave performance as Davina, a 16 year old girl juggling school, taking care of her mother with MS, and a new relationship with Sterling (Peter Vack), an older "bad boy". Sterling starts out as her "unicorn", but that starts to change as they become closer.It's also beautifully shot, some of it on 16mm film which gives it a vintage, timeless feel. There is no use of modern technology throughout the entire film, which leaves you guessing whether it took place in the present day or some magic era that never existed. The stop motion sequences make it whimsical and fantastical.