When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This is one of the rare movies that tapped into Julie Andrews' understated sex appeal; she is radiant throughout, with a ripe beauty. Omar Sharif, as a philosophical Russian, also has his moments, but the cast that surrounds them is not as interesting; the story goes every which way and goes on too long, with some excitement only in the last 10 minutes. Don't miss the James Bond - like opening title sequence - designed by Maurice Binder and scored by John Barry! **1/2 out of 4.

Omar Sharif is the best part of this movie, he has the most charming and interesting lines, he is great as Fyodor. If you ever get lost during the film, his character will put you at ease. The film reminded me of Rosebud, a film Peter O'Toole did about embassies, spies, and strange liaisons.If you're wondering about the title, the tamarind seed is of importance to the Julie Andrew character when she and Omar are vacationing on the same island. The seed is very rare and it is a symbol of possibilities in my opinion. There's a lot of talk about ideologies, political games, conscience, and which side you're on. It's worth watching this movie to learn some interesting things, most of the intrigue and pleasure comes from Omar's performance.

I'm a huge Julie Andrews fan, which was why I saw this movie. I now understand spy storylines much better than I did when I watched it, so if I saw it again, I may be able to actually follow the plot. It does drag, which is always a pet pieve of mine, but the romance between Julie and Omar Sharrif is the heart of the film and lets you see that the Cold War was between governments, not necessarily people. The ending makes up for almost everything else, as most good endings tend to do, and it was just what the characters and audience wanted. If you want a lot of action, this may not be the right movie, but if you want a romance masquerading as a spy thriller, this is your film.

I liked this one very much. Julie Andrews and Omar Sharif bring a very sober and realistic screenplay to life about real human beings involved/kept apart by the Cold War. I very much liked the Julie Andrews character who doesn't fear speaking about morality to a Communist likely to scoff, nor fear falling for that Communist with ehr eyes wide open, despite all the difficulties that would bring. Julie Andrews is just wonderful in this role - rather lonely, quite real, with warring feelings between head and heart about caring for someone who is dangerous to know - and in his work, dangerous to the Free World.Omar Sharif is excellent - charming, quick-witted, falling for Andrews (and who wouldn't - she looks fantastic) despite himself, and finally making the life-changing decision to defect. I can understand why some find the movie plodding - it certainly is by most spy movie standards. But it's trying to do something different - and admirably succeeding - one just feels the existence of the Iron Curtain here, and one feels the Andrews character making her point that at the heart of the Cold War are questions about the value to be given an individual human being by the state, the value of truth as capturing measurable facts, the value of allowing people to live by their own goals and values rather than those determined by the state. And the over-arching question is an interesting one of emotional involvement despite world tensions. You'll like its gradual unfolding - just don't look for James Bond.