Blind Faith
in 1957, black lawyer defends his nephew, who faces the death penalty for murdering a white boy.
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- Cast:
- Courtney B. Vance , Charles S. Dutton , Kadeem Hardison , Lonette McKee , Garland Whitt , Karen Glave , Jeff Clarke
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Reviews
A movie that not only functions as a solid scarefest but a razor-sharp satire.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
By the time the dramatic fireworks start popping off, each one feels earned.
***SPOILERS*** Going out to Van Cordlandt Park in the Bronx one evening in the summer of 1957 to get some air Charile Williams Jr, Garland Whitt, ends up beaten within an inch of his life by a gang of Irish teenagers who claimed that he tried to mug one of them. In fact Charlie didn't mug young Pat Sullivan,Michael Longstaff, he murdered him. Charlie strangled Sullivan to death before his friends could get Charlie off him! With a 1st degree murder charge hanging over his head Charlie now faces the hot seat in Sing Sing prison if he's convicted. And in Charlie being black and his victim Pat Sullivan Irish and white that's an absolute certainty with the city of New York in danger of exploding into race riots if Charlie ends up getting off. The fact that Charlie signed a written confession to the crime he's charged with they, the court, might as well forgo a trail and send him straight to death row!It's Charlie's concerned pop Charles Williams, Charles Dutton, a NYPD policemen who gets his kid brother defense attorney John, Courtney B. Vance, to defend Charlie and somehow try to get the death penalty thrown out by showing that Charlie's killing of Pat Sulliavn was not as clear cut or cold blooded as it at first seemed to be. Facing a brick wall in trying to find evidence in Charlie's favor John does find an eye witness to the Sullivan murder and elderly black lady Mrs. Berry, Birdie M. Hale, who lived in an apartment overlooking Van Cordlandt Park when the killing took place. What shocks John in Mrs. Barry's testimony is her description of the shirt that Charlie was wearing that night: powder blue instead of the one he was arrested with deep red! Yet Mrs. Berry swears that that's, powder blue, the color of the shirt that Charlie was wearing! What was not known at the time is that two murders were committed in the park that night. One of Pat Sulliavn and another of a back teenager wearing a powder blue shirt just like the one that Mrs.Berry described!It'a almost by accident that law student Frank, Alex Krzis, who's helping john on the case mistakingly hands him over a murder report that took place at the park that night, July 5, 1957, of a young black teenager from Brooklyn named David Mercer, Joel Gordon. Mercer was murdered the very day or night in the very same place, Van Cortlandt Park, that Charlie was arrested for murdering Pat Sullivan!***MAJOR SPOILERS*** John seeing that there's some connection to both Sullivan and Mercer's murders is socked to find out from his reefer smoking beatnik and saxophone playing brother, the black sheep in the Williams family, Eddie played by Kadeem Hardison that the two, Charlie and David, were secretly having an homosexual affair behind everyone's back! The fact that his son is gay is something that his policeman macho father Charles Williams had found out the night that Charlie was arrested and together with his fellow cops kept that hidden from the D.A's office. It's also a fact that Charlie killed Sullivan in self defense after he and his gang murdered Charlie's gay lover David and then tried to murder him as well! But to keep his son's gay lifestyle secret his father is more then willing to let Charlie Jr end up in the electric chair to keep that secret from his family friends and fellow policemen!Deeply disturbing as well as touching movie about innocence lost in the big city circa 1957 when in the mind of many, men and women, back then in one, man or woman, being gay was worse then death itself. Charlie himself was more then willing to get executed as a convicted cold blooded murderer rather then him admit that he killed only in self defense when attacked by a gang of white teenagers, who tried to murder him, because of his sexual preference. John trying to get Charlie to go public in court about the circumstances in his killing of Pat Sullivan got nowhere with him as well as his father Charles Williams who was steadfast in keeping his son's, who he was grooming to be a member of the NYPD, gay lifestyle secret. ***MAJOR MAJOR SPOILER***It was only when the end was near and Charlie was on his way to the execution chamber that his dad Charles Williams broke down and called on brother John to go public by telling the state governor and local D.A the extenuating circumstances surrounding Charlie's killing of Pat Sullivan. But by that time it was too late! Charlie Jr pulled off a Hermann Goering by cheating the hangman, or in this case electric chair, by hanging himself just hours before he was to be executed! That without Charlie knowing that he had a very good chance of having his pending execution suspended with the new evidence that his uncle John was about to make public!
I saw the movie Blind Faith 4 years ago on Hallmark channel and I was impressed.I told about this movie to all my friends, is a great one and is my favorite,but I want see it again with my friends and I can't find it.Nobody heard about it.Please can somebody help me?How can I find, were?I really want this movie.I am from Romanian and my email address is luiza_dumitru86.When I will have this movie I will show it to everybody because it teach us a lesson and it really deserves to be seen by all people.Please excuse me for my grammatical mistakes but my English is not very good.If somebody can and want help me I wait an email or a message.Thank you.
Well, I don't get why some would thing that the reason why this movie did not make it to the big screen is because of "bad actors." The MAIN CHARACTERS were also WELL KNOWN black actors who have been in SEVERAL movies which were on the big screen. Now why would someone continue to work with so called bad actors? Hmmm, I get it.....it must have been those "extras" in the movie that no one had ever heard of. Such as the welfare-ish white woman who shunned Courtney Vance's characters while on her porch. I admit....she was NOT a believable racist. Or, maybe it was the white guys with the lame and heavy New York accent who were on the witness stand? Maybe??? Or it could have been the prison guards who made death by electric chair seem like a joyous event?
It's difficult to understand the mentality of the film industry when it comes to content that deals with bigotry and race. While trash like like "The Hurricane" get wide distribution, quality films like "Blind Faith" are ignored. I caught this movie early in the morning on a Sunday on a cable movie station, it was really the only thing on. Lucky me. The movie was so powerful I was amazed I'd never heard of it, not an advertisement, review, nothing.The basic plot consists of a black accused of murdering a white and caught up in the legal system of the pre-Civil Rights era. Now that plot line is about as old as they come--well trod territory done with excellence in "To Kill A Mockingbird" and with ugly stupidity in "The Hurricane". But this movie gives us more and better than most legal oriented films of any kind. The film centers on an African-American lawyer, solidly acted by Courtney Vance, defending his nephew who steadfastly refuses to explain the circumstances behind the charge. This serves to explain the lawyer's relationship with his two brothers, one a policeman and father of the accused, and the other, a ne'er-do-well jazz musician. Charles S. Dutton is outstanding as the police officer, tormented and conflicted when his son is accused of murder. He's worked hard and long to achieve his success and status, and it's compelling to watch his rage at seeing all he's built teetering on the edge of a precipice. Courtney B. Vance puts in a fine performance as the lawyer, who is barely able to control his emotions through much of the film. His despair, confusion and anger cause him to periodically lash out, often to the detriment of his own cause.Kadeem Hardison, not a great actor to begin with, muddles through as the jazz musician other brother, a really unnecessary addition, but it serves as an excuse to listen to some really fine music, so perhaps that's reason enough for his inclusion.But for the most part, these are actual characters with nuance and depth, real people caught in a complex situation, not cardboard heroes with cardboard virtues who mouth inane slogans.In one scene the black lawyer coaches a witness to lie on the stand, to commit perjury, out of desperation. In another, the judge upbraids him after he yells at a witness, concluding with "remember your place." The judge could easily be referring to the courtroom and his role as lawyer, or is it a racist comment, as the character takes it to be? The ambiguity enriches the movie, allowing the viewer to think, to ponder the circumstances. The white characters are not evil, they come off mostly as people just trying to do their jobs the best they can. The legal aspect of the movie is very well done too--no torturing the legal system with ridiculous departures from real process, or inane speeches that would be instantly ruled out of order in a real courtroom. The resolution, and a very compelling one it is, doesn't give anybody an easy out--it doesn't allow the viewer to just sit back and feel self satisfied, or blather on about a racist leviathan. It forces one to think about the nature of bigotry and prejudice. I won't say more, since to do so would give away the stellar climax.Perhaps the only flaw is the voice over at the end that explains what happens after the story essentially ends. It's needless and kind of silly, and really only detracts from what is a great film. It's as if the film makers don't trust themselves enough to totally follow through with the ambiguity with which they've left the viewers. It's unfortunate, but a common sin in Hollywood.