There's a more than satisfactory amount of boom-boom in the movie's trim running time.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Exactly the movie you think it is, but not the movie you want it to be.

Although this movie was very emotional, it is more than a soap opera. I think it speaks to religion and the pitfalls of blind faith. Also, I think the competent cast elevated it above mere soap.The story is about a family that functions at a high level - as long as there are no bumps in the road. When the family is tested, not every family member has the inner strength or character to keep the family together.The father sends the daughter away because 'he loves her so much he can no longer look at her'. The mother supports the father, blindly hoping things will work out. The daughter loves the father so much she believes he will change and call for her to come home. She desperately waits for him to call her home, suspended in a state of sadness and shame. She prays and relies on her religion to help her through it. But is is not until she seemingly gives up on God to help her that she slowly unravels from her despair. Weak and lost throughout the story, it it not until she finds the strength to forgive her father and mother so she can move beyond the past and find a life for herself.Once the father - the supposed rock the family was built on - is gone, the family unites again.

'We were the Mulvanney's is one of the most powerful films about the family I have ever seen. It is brilliant especially seen through the eyes of the the teenage youngest of four, his helplessness and yet his belief in his siblings, most of all his love for them. It is a measure for all families who downward spiral, one that is left unchecked by so called parents. The central characters have intelligence, and above all love. Familys are important and this film seeks to warn the viewer of great emotional losses that can be avoided. However, it takes more than one family member to be positive to redress the problems some parents find unsolvable. Joyce Kelly.

Joyce Carol Oates' prose has not been adapted as much as other American writers for the movies. She is not the most accessible author, but her books pack a tremendous impact for her followers.This film suffers from the treatment given to it by Joyce Eliason and its director, Peter Werner. It's clear that such a massive novel has to be trimmed to its bare essentials, and it shows in the 90 minutes of film it was given.Spoilers herein.Michael Mulvaney has a rude awakening from his suburban-sitcom family life when his daughter, Marianne, is raped at the school prom by one of the jocks that happened to be the son of one of the most influential person in town. His wife Corinne Mulvaney, instead of facing reality and be supportive of the daughter, turns away from her, the same way her father Michael does. Corinne is a cold woman, we don't particularly like her because of the role she takes in the tragedy. Corinne takes the attitude of not speaking about the incident with the rest of her children, trying perhaps to shelter them from the truth.Marianne is the butt of cruel jokes in school where everybody knows what really happened to her. Whatever friends she had, instead of being compassionate, they take the jock's side and Marianne has to be exiled to an aunt's house in a nearby town. Thus, this tragedy begins.We watch as the once popular Mulvaneys begin to fall out of grace in their close knitted community, losing most of their money, the farm, and as a family, they start to unravel. Nothing will make them go back to their glory days. The biggest toll is on the father, who becomes a drunk; he deserts the family, who is left alone to fend for themselves. They will reunite at the end, but after it's too late to make amends and save the family.Beau Bridges, as the patriarch, is excellent. This is an under estimated actor who is so versatile, he tends to lose himself from one film to the next. Blythe Danner, on the other hand, is not quite the mother we expected to see. Perhaps with the direction given to her, she makes us not appreciate the nuance with which she plays this character. The real surprise was Tammy Blanchard who played Marianne. At the beginning she is a shy, perhaps sheltered girl who through no fault of her own is made into a victim because of that same naivite quality we see in her. Ms Blanchard makes a beautiful and sweet Marianne.

A good drama, but may be a bit dispiriting. Beau Bridges does an excellent job as the prideful father; however, Blythe Danner's character seems to be in the gray area. Somehow I do not understand her position as mother of the Mulvaneys; is it in the script or is it just her acting? The cast in general did okay, nothing too special though.****possible spoiler****The story itself is a bit depressing. Of course, we don't expect any happy endings here, but somehow the ending did not justify what had happened. If you like movies with hanging endings and a big sore which doesn't seem to heal up to the end, then this tv-movie is for you. 7/10