Déjà vu
Somewhere in a subtropical country white visitors crowd around dark-skinned plantation workers emptying their harvest baskets. They look curious, as if wanting to test the quality of the tea leaves. Everywhere tourists take out their cameras whether in front of large animals in the wild or camel riders, whether in the face of decorated human bodies or daily work routines. Now and again they look into the camera themselves. For later, for when they will proudly show their 'exotic' finds at home. This posing contains a model of western travels and picture making which is over a century old. The fascinated gaze on the foreigners fixes them in pre-formed frames. Lisl Ponger follows the trail of that gaze by taking amateur found footage material and linking it together in new ways.
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Reviews
Slow pace in the most part of the movie.
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.