I like the storyline of this show,it attract me so much

Very very predictable, including the post credit scene !!!

Such a frustrating disappointment

I don't have all the words right now but this film is a work of art.

80's pop music "trendsetters" Spandau Ballet -- an arguable term if you look at their limited supply of #1 hits and garish taste in stage fashion versus the street clothing the world around them is seen wearing in archive footage featured herein -- are given bog standard rock doc treatment in SOUL BOYS OF THE WESTERN WORLD, an overlong, not particularly revelatory and utterly TV-worthy "behind-the-music-but-not-too-deep"-style documentary about the self-possessed members of the group. Their stereotypical ascent to international stardom from blue collar roots during particularly tumultuous times in Britain, their handful of hit songs, eventual breakup, largely-forgotten court battle and successful 2009 reunion are covered via extensive vintage clips and painfully canned voice-over from the band members (so rehearsed-sounding, in fact, that a writer should probably have been credited), but the whole thing is soft-pedaled to the degree that it becomes obvious the subjects are participating largely to drum up interest in yet another reunion circa the film's release in 2014. Professionally assembled by director George Hencken, a producer on several little-seen documentaries by Julian Temple, this show will undoubtedly delight now-middle aged fans, but others may be less enthralled, as the finished product -- perhaps unintentionally -- sketches these chaps as no less superficial than most pop acts of their ilk, and just as full of themselves.

This poor boy from the eastern world was absolutely enamored with the Spandau Ballet music documentary "Soul Boys of the Western World" on the infamous 80's New Wave Band. I will definitely musclebound my review with puns; why? Because too cut a long story short, I've lost my mind. Director Hencken lays a strong foundation on the "Soul Boys of the Western World" by showing the childhoods of the five Spandau Ballet members, the origination of the band, their bitter breakup, and their exuberant reformation; not to mention how they incorporated fashion within their music brand. Oh, before I go round and round with this review, let me inform you who is included in this ballet: Tony Hadley, frontman; Gary Kemp, Guitar and Main Songwriter; Martin Kemp, Bass and Gary's Brother; Steve Norman, Sax & Guitars; and John Keeble, Drums. My instinction of the documentary was that it was going to be a great one, and boy was it gold. You really don't have to be a Spandau Ballet aficianado to enjoy it, but it sure does help; especially as you see the band members move in through the barricades within their own personal challenges. Make sure that in your lifeline, you watch "Soul Boys of the Western World". It is one of the best, if not the best, music documentary I have ever seen. And of course, this much is true. You will love it and not only when you leave after seeing it. ***** Excellent

Greetings again from the darkness. Director George Hencken's biopic on the British band Spandau Ballet provides not just an in-depth look at the band's roller-coaster history, but also a timeline of musical changes beginning in the late 1970's. The film begins not with the formation of the band; but rather with each bandmember briefly discussing their childhood, family life, and original inspiration for a life in music. The photos and interviews provide insight into each of the gents, and is a terrific way to begin telling the story of a band that would go on to experience the greatest highs and lowest lows. Best known for their huge international number one hit "True" (1983), Spandau Ballet went through numerous name changes and musical style changes in their early years – experimenting with influencers ranging from the Blues to Sinatra and Ella to Glam Rock and The Kinks. This was a group of working class Brits searching for their place during the rapid changes that included Punk Rock and Disco. Mostly, they wanted to be "Pop Stars", and they became one of the beneficiaries of the Dawn of Music Videos. The band was a mixture of fashion, graphic arts, video and music, and never lost sight of the need for glamour. Their musical rivals during this era were Duran, Duran and Wham!, though obviously there was plenty of airtime and plenty of fans for all. This group of school buddies leaned heavily on Gary Kemp for their songwriting. Things went along very well until 1990 when Gary and his brother Martin (also a band member) were chosen to star in director Peter Medak's movie called THE KRAYS. It was soon after that the band played what most thought would be their final gig. The Krays was successful, and both Gary and Martin pursued acting careers, while some of the other band members tried to make a go of it musically. However, a nasty lawsuit over royalties further divided the band, creating apparent irreconcilable differences. In a remarkable turn of events, the band members put the past behind them and in 2009 … after almost 20 years apart, they reunited for a tour and album. Mr. Hencken fills the screen with some terrific clips – live shows, home movies, news reels, and interviews. It's a detailed timeline and history of a band that literally took their name right off a bathroom wall, and enjoyed the heights of popularity playing Live Aid in 1985 (2 billion people watching) and the depths of a nasty band breakup, replete with publicly-reported lawsuit. It's a very well documented and well presented history of band and the music culture of an era.

Can't believe nobody has written anything about this awesome movie yet! It was very well cut and edited- 2 hours long and not a single boring bit. Photos and video footages from the dawn of the band in the 70's are incredible- lots of hipstery- in a good way- party people are genuine and quickly evolving. They're the ones who really make the effort to look special for good parties. Learned about the "it" clubs- Blitz and Beetroot. You can tell there was good music, fun scene with a diverse mix, and clubs today try to keep it that way too, the spirit hasn't changed. For the band itself well go watch this and find out. These guys are the dream team.