The Last Man on the Moon
The 1960s was an extraordinary time for the United States. Unburdened by post-war reparations, Americans were preoccupied with other developments like NASA, the game-changing space programme that put Neil Armstrong on the moon. Yet it was astronauts like Eugene Cernan who paved the uneven, perilous path to lunar exploration. A test pilot who lived to court danger, he was recruited along with 14 other men in a secretive process that saw them become the closest of friends and adversaries. In this intensely competitive environment, Cernan was one of only three men who was sent twice to the moon, with his second trip also being NASA’s final lunar mission. As he looks back at what he loved and lost during the eight years in Houston, an incomparably eventful life emerges into view. Director Mark Craig crafts a quietly epic biography that combines the rare insight of the surviving former astronauts with archival footage and otherworldly moonscapes.
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- Cast:
- Eugene Cernan
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Reviews
Very well executed
Not even bad in a good way
Dreadfully Boring
Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
The 2017 United States Presidential election will be remembered as one of the most controversial in history.Very few saw it coming... the dawn of a completely new era...This film will be an instrumental segue for the new generation... from industrialization to the age of information...It's been inching its way in... first it was ridiculed, silenced with money... and now, the turn in history.I see the historical value of this film and truly appreciate it. I also embrace its excellent portrayal of man's passion to improve the world.Thank you.Helene Shaw (aka Madeleine de Vercheres) Victoria BC CanadaFeb. 26/2007
I've been a space junkie since 1968, even applied to be an astronaut--I've seen just about every documentary on the space program and read many books. I was really impressed by the way this documentary was produced. Cernan comes across as a genuine, no-nonsense, sensitive, big- perspective kind of guy. The footage montage is creative, not staid, and it doesn't dominate the documentary. The photography is excellent. I saw this as the best visual story of an astronaut, not just a moon-walker--or even the last moon-walker--that is available right now. Every person under 50 should watch this--especially the youngsters.
I highly recommend this movie for anyone, but if you are a NASA buff you will see footage that is rarely seen. As an avid NASA fan boy from the 60s it's difficult to show me shots I have not seen before. This movie did that well. I appreciate how they mixed the old footage into this modern retrospective. Instead of expanding the old 4:3 footage and exploding pixels they just let it be. The Last Man on the Moon is unique film because of the elements that are not in the movie as well. Not in the movie are the rehashed NASA film angles that we are all kinda done with. Another standard of NASA movies is the heroic main characters and astronauts. Most of the personal stories still known today were products of the NASA press office and Time magazine. This movie avoids those fictional narratives. I loved the way we get to know Gene Cernan the man. Here's a guy with many flaws but he was good enough to fly into space three times. The film makers took their sweet time telling his story from early childhood to now, an 82 year old grandfather. The sound track is excellent! The film uses a perfect mix of original and period music. I was there when Apollo 17 launched from pad 39a in 1972. It was my fourth time watching a Saturn 5 lift off. This one was different however. It was late at night, delayed a few times. When it finally took off the night turned into day, it made a fitting end to the Apollo story.
One of the big reasons that NASA got their funding cut is that they never took full advantage of their own exclusive access to stunning space visuals to engage the American public, and keep them engaged. Sadly, like most inferior documentaries, "The Last Man on the Moon" relies far much too much on "talking heads," and it contains only a miserly few minutes of actual footage of Moon or even actual space exploration. I couldn't stand any more close-ups of old guys reminiscing about the good old days. I wanted to see more action footage of what they astronauts did, not hear about it. Also, the mawkish, nauseating sentimentality of pic forced me to turn it off fifteen minutes before it was over. MEMO TO THE PRODUCERS: HELLO?! IT'S A MOTION PICTURE! DON'T JUST TELL US. SHOW US!**You turned what could have been a spectacular visual odyssey into a saccharine soap opera. I couldn't care less what became of Mr. Cernan's marriage. I know that the astronauts were heroic, but you deprived us all of much of the priceless visual footage available showing exactly what made them heroes. You failed to exploit what must be an untapped veritable treasure chest of unseen space travel footage at NASA, and relied instead on the cliché of talking heads for filler. Boring.NASA has always been clueless about the value of providing comprehensive visuals to the public. We the public want to see NASA's stellar accomplishments. Had they understood the political and economic realities of governmental funding, NASA from the get-go would have created an entire division devoted exclusively to producing space exploration films for schools, TV, theaters, and yes, even for Congress, using breathtaking space exploration footage. This would have kept the program literally in the public eye with spectacular visuals of our nation's bold adventures, and it would doubtless have excited public support and fully justified with nonverbal eloquence the need for space exploration. Most people don't understand or care about tech-talk, but they fully appreciate breathtaking photos and true adventure motion pictures. NASA had a monopoly on the space exploration genre, but sat on the images instead of sharing them, say, in creating an ongoing series visually chronicling the heroic exploits of our space programs. No documentary has never have been successful relying on talking heads. It's a lazy, artless way to pad a treatment of an otherwise interesting and film-worthy idea. Walt Disney understood this and executed his timeless visual masterpieces in his marvelous "Disneyland" TV nature documentaries and theater productions as far back as the 1950s! Walt didn't lecture us; he showed us in stunning 35mm color motion pictures. You know, like NASA should have been dong for decades.In short, producers, YOU FAILED TO MAKE SPACE TRAVEL ITSELF THE STAR. Cosmically disappointing, and infinitely boring and overripe.**For an example of what I'm writing about, see my short nature documentary "The Underwater Wildlife of Big Sur" that I personally shot and produced at: https://www.youtube.com/watch?v=DtN0QCi2G2M