Fresh and Exciting

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Exactly the movie you think it is, but not the movie you want it to be.

The acting in this movie is really good.

"Style Wars" is a certified classic that kept viewers intrigued for more than 20 years. The documentary is beautifully honest, exceptionally gritty, intensely fair, and wonderfully lively. While many hip-hop films will be forgotten, "Style Wars" remains the essential document for graffiti and hip-hop. True lovers of hip-hop must respect these artists who paved the way. This film educates us of a time and place when hip-hop inspired creativity, created peace within a dangerous atmosphere, connected races, and established the birth of a youthful urban culture. The movement's futility is a fascinating aspect. An artist's work could last forever on a canvas, but they choose to paint trains that may be washed or painted over within days. With little or no profit, the graffiti movement remains a vital aspect of hip-hop. If you don't believe me, ask Krs-One. There is something inside these revolutionary artists that transcends all cultural and societal limits. What makes these artists risk their lives (third rail, beef) or their freedom (police) to paint on a train that will be washed or painted over? Regardless of how futile their effort may be, their need to express themselves is the main element which empowers the culture. "Style Wars" is the classic definitive film that poignantly captures the birth of hip-hop. Ignore the toys! This Sunday evening, put on your gloves and your hoody, bring a couple of cans of Krylon, and go bombing for the fame!Review by Todd E. Jones - toddejones AT yahoo DOT com

In 1983; director Tony Silver, and producer Henry Chalfant dropped this bomb upon the unsuspecting (except for those lucky enough to live in NYC at the time) populous via PBS. The world was exposed to true urban art, and it's unlikely Picasso's- the bombers and taggers of NYC's resilient subway system...Not only that, but also to 'acrobatic body dances like breaking', and to rocking the mic. This is so much more than just a documentary about the evolution of graffiti. It is truly a time capsule, full of unforgettable characters, stuffy bureaucrats, and the chaotic urban landscape of early 80's NYC...There are so many memorable lines and incredible characters indelibly etched in my brain from this film. Just writing this review makes me want to run over to the DVD player and watch it over and over again...I would gladly pay the price of admission (approximately $25) just for the film. However, our good friends at Plexifilm have once again delivered the goods, including a staggering 3.5 hours of bonus footage to accompany this one-of-kind historical document...The bonus footage includes 32 artist galleries, interviews, trains, and ultra-rare photos from the best-of-the best, including: Skeme, Seen, Frosty Freeze, Dondi, Blade, Rammellzee, and many others...This is a must have document for Hip-Hop heads, historians, social anthropologists, and cool people. Buy this now and support good art...

While searching my video shop for Hip Hop movies I came across this film. Having not heard of it before and the fact that it was a 70 minute documentary made me a bit skeptic about hiring it, but after reading a quote by Krs-One on the front cover saying it was what I had to see for true Hip Hop I was eager to get it out. It turned out to be a great documentary on graffiti and Hip Hop in the early eighties which I throughly enjoyed.It was interesting to see how mixed the scene was race wise back then. This could be quite funny at times, like seeing a hardcore subway graffiti artist with a tight Van Halen t-shirt on and long red hair. This showed that graffiti, DJing, breaking and MCing weren't all considered Hip Hop back then. To do one didn't mean you were into the other.Style Wars makes you understand the pride and enjoyment the artists get out of bombing trains, but you also realize how awful it is for the government to replace or clean trains and especially how bad it is for one bomber's mother.Style Wars is primarily a documentary on graffiti but it also briefly touches on breaking and MCing. Funny that it doesn't mention DJing as a main part of Hip Hop, since that is considered the original and sometimes most important element these days.Overall, Style Wars is a fantastic documentary and a must see for fans of Graffiti and early Hip Hop.

'They call themselves writers because that's what they do. They write their names among other things everywhere. Names they've been given or have chosen for themselves. Most of all they write in and on subway trains, which carry their names from one end of the city to the other. It's called bombing. And it has equally assertive counterparts in rap music and break dancing'. According to Tony Silver, the maker of this documentary film on graffiti and hip hop culture.Back in the days when many neighborhoods in New York were still a crumbling wasteland, Major Koch (of course!) and the city workers responsible for the city's clean-up provide most of the laughs. One tormented Transport Authority official keeps complaining that the substance used to remove the paint also fogs the windows. A difficult choice. Either not getting a view from the windows because of the graffiti or because of the cleaning substance that fogs the windows.And what about that cheesy ad campaign with Hector Camacho and Alex Ramos? 'Take it from the champs, graffiti is for chumps. Make your mark in society, not on society'. And then in the press conference preceding the campaign. 'Mr mayor, are those posters graffiti proof?' 'Time will tell!' Camacho and Ramos must be scratching the back of their heads by now. Many of the writers they agitated against have become legends by now but who remembers these two chumps? It's hard to imagine the airwaves this caused when it first reached Europe. I think it was in 1985 when it first aired in the Netherlands and France and many other countries as well. Literally within months after this documentary was shown, cities like Amsterdam and Paris where bombed in a way they've never experienced before. Graffiti had made its mark, mostly by early pioneers that had their roots in the punk-scene, but after STYLE WARS the scene literally exploded and saw the beginning of hip hop culture in Europe as well. I think it's important to realize this film was much more influential in Europe. In the States it was the first major documentary on graffiti, but of a phenomenon that had existed for quite some time there, but in Europe - besides the early punk scene - it was unknown in 1983 and caused a huge stir. I've seen it many times now, but it never bores me. It remains just as vivid today as the first I saw it and it's subsequent historical significance just adds to the flavour when watching it again.The film is packed with so many memorable moments, it's hard to pick one out. One of the most mesmerizing scenes is when three writers hang around at a subway station on the platform and start rapping on the rhymes from "The Message", by Grandmaster Flash and the Furious Five. After 30 seconds the actual song starts on the background just as the train rolls in. An amazing shot and a fantastic piece of editing, a wonderful scene! If there's anything like THE quintessential shot of New York City subcultures in 1982, this is it.Now the much needed DVD-release is there, given the deluxe treatment by Public Art Films with two discs and lots of extras. I could have done without the interview with Tony Silver, not the most charismatic person around but most of the other stuff is OK with lost of artist galleries, tributes to DONDI and SHY 147 and lots of guest interviews with Fab 5 Freddy, Goldie, Guru, DJ Red Alert and photographer Martha Cooper.Camera Obscura --- 9/10