From my favorite movies..

Pretty good movie overall. First half was nothing special but it got better as it went along.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

I noticed that one reviewer really, really, really hated this film. While some of their concerns about the quality of the production were fair, how could the film earn such a low score when Danny Trejo's life story is so exciting and engaging?! Even if it had been shot using an iPhone, it couldn't help but be worth your time.Danny Trejo is probably the busiest guy in Hollywood. In 2014, he appeared in about 20 different films--now that is clearly busy! The film is Danny and a few friends and family discussing his life. As a teen, he was a crazy punk with an apparent death wish. Then, after spending more than a decade in prison, he made a huge change--kicking drugs and alcohol, finding God and becoming a role model...not to mention a movie star! It's a really amazing story about redemption and I liked the simplicity of the story as it was told. Well worth seeing.

Trejo's rugged face is a road map of the road FROM Hell, and this documentary tells how he got There and Back; it's a revelation. Trejo pulls no punches, holds nothing back. Revisiting his old stomping grounds- the prison yard at San Quentin-, he says, "You got people here doing Forever." (In prison- THE ANIMAL FACTORY, as Eddie Bunker called it-, Steve Buscemi learns, "cell number" means something other than it does on the outside.) Trejo's account of the enthusiastic response to his first part was funny. "Where did you STUDY?" He responds by running down a list of places he robbed. In MACHETE, he says, "I play a Good bad guy." His role as a counselor is even more impressive. "Our prison guards make more money than our teachers." Dennis Hopper sums it up best: "He's a champion."

Early on in Chamion, a documentary on the hard-knock life and eventual fruitful career as character actor Danny Trejo (with now over 100 films to his name), the writer/interviewer Cecily Gambrell is asked by Trejo how this is going to go, and she responds that it should just be "like on Oprah." At that moment I sort of cringed, and it was something that would permeate throughout the rest of the film. It goes without saying that the turbulent and sort of inspiring story of Trejo's life from urban squalor to cult movie star status is impressive on its own, and to hear Trejo talk about it in any form is interesting. But the director and interviewer/writer of the film almost go out of their way to make it filmed in an dissatisfying way, which is troubling. At times, with the fade-to-white transitions (which are used quite often), the title cards explaining this or that about Trejo's early years into prison-life, and the shoddy camera-work (frankly I think my near-blind mother could shoot better than this), make it a little unpleasant as a form of storytelling.Of course, I'm not expecting this to be an Errol Morris or Al Maysles film, but there just seems to be some lack of drive in how the director moves Trejo's story along, and the questions only probe so far enough so that Trejo goes on with his stories simply enough and without too much pretense (the stories involving Bunker are, in fact, some of the best parts, or at least least contrived, in the film). Which is fine, but there seems to be even more under the surface in Trejo's long and bumpy road from juvenile delinquent, habitual drug-user, thief, inmate, and eventual rehabilitated and strong-as-hell actor, than is really checked out on, and it's a little pathetic to see the same short clips from *Spy Kids* shown when his fellow colleagues like Buscemi and Robert Rodriguez talk about his work as a bad-ass in films like Con Air and Desperado (sure it's probably a rights issue, but still, it's such a lame clip to show, even if he is technically playing Machete).In short, I think that compared to this, a man like Trejo would probably have an awesome time on Oprah's show- maybe not jumping on the couch, but who knows? It almost seems like Rodriguez himself- a second cousin of Trejo- should've made this documentary, as opposed to Eckhart, who's never done a documentary, which shows. This all said, the criticism I had though is really only of the style of camera and editing and the questions given on screen; Trejo himself is consistently watchable and engaging, and its for him alone, if you're a fan (and who isn't after seeing the Machete trailer during Grindhouse), that it's worth checking out.

Don't get me wrong. I respect Danny Trejo more than with the rest of the world along with the girl who interviewed him, however not only did this film physically damage my eyes (though don't get me wrong; I love Mr. Trejo's physique as much as any human should), but the obscure cutaways to people who are strikingly NOT Danny Trejo nearly put me in tears. Additionally, the editor often switched the movie from colour to black and white. I felt this was a terrible decision, on account of black and white film being incapable of capturing Trejo's full beauty.I do give credit to Trejo himself who knows how to hold the screen. He truly draws the viewer in--his expressions and phrases and tales of woe captivated me in ways I'd never thought imaginable. Storytelling has never been more fun, and I encourage Mr. Trejo to provide his services to young preschool children.As far as the film-making goes, the documentarians clearly had little interest in Trejo. First and foremost, the interviewer sounded more bored than I was. Secondly, the movie was sent to me WITHOUT a proper birthdate for Danny Trejo. This date is incredibly important to people all over the world. Every November 11th, people everywhere have a moment of silence to remember and reflect on the tougher moments in Trejo's life. This should NOT have been left out.Last and the polar opposite of least (aka "most") importantly, I expected at least ONE shower scene. Seriously. WTF. Just one. I mean, c'mon--I took my kids to see THIS? Well, I guess it's back to photoshopping for me.All in all, Trejo's as awesome as ever but this movie fails to live up to the hype created by my friends and I.