Watermark
Following their triumph with Manufactured Landscapes, photographer Edward Burtynsky and filmmaker Jennifer Baichwal reunite to explore the ways in which humanity has shaped, manipulated and depleted one of its most vital and compromised resources: water.
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Reviews
A story that's too fascinating to pass by...
The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Stunningly beautiful and powerful images highlight this examination of how mankind re-shapes water and how it flows – for good and ill, more often ill - and in turn how the water re-shapes civilization and human behavior. There's no real story, just a series of visits to locations around the world where water powerfully interacts with humanity, like the pilgrimage of 30 million people to bathe in the Ganges river.Without narration and a specific focus the film could be accused of being too diffuse. But for me the raw power of the images – Burtynsky is one of our greatest still photographers who has spent much of his career creating huge images of humans and nature clashing and interacting - give the piece a poetic, if not literal power and solidity. Also, if the film is not enough, there's an almost 40 minute gallery of Burtynsky's amazing still images, which look great blown up on a HD set, as he explains the photographs and how they were taken. That extra alone is reason enough to own the blu-ray. It's like the world's best photography book, with the images at least a little closer in size to Burtynsky's massive prints.
This movie showcases the cinematographer/director's beautiful eye. That's it. His ego is on display in the cinematography along with all of his indulgences. The images are beautiful, buy very bad storytelling. The opening of this file is interesting in that it gets your attention, but then quickly lost mine as I thought I was watching a silent film. This is not a documentary. The most dialogue happens around the 45 minute mark. I still don't know what their main point was for this movie. What is it about water that they are trying to get across? Basically, what I got of this movie is that they left it up to us to make our own conclusion about water. I watch movies so I don't have to come to my own conclusion. If I want only my own opinion then I don't need to watch a movie for that. That's an hour and half that I will never get back.
Is it a beautiful movie? Yes, it really is. I was transfixed and enraptured by the magnificent images in the movie. But I must say I really didn't 'get' why they put in the scenes of the Bellagio water show. I'm sure that water is all recycled. So it's not an example of waste. And the surfers? What is up with that. I loved the holy water scenes. And yes they went away from making it a talking head movie but they still had a couple of people talk about water. I just think they missed the mark here. They could have made a real education for people about water but they didn't. But it's worth seeing because it is do damn beautiful.
Edward Burtynsky's and Jennifer Baichwal's documentary Watermark is a celebration of human stupidity. The film's explicit theme is the interdependence of man and water. It shapes us and we shape it. As an organism we're born in water and we can't survive without it. It's the essential bond not just between man and nature but between people. Burtynsky's whole career has centered on the world we found and how we are changing it. But the implicit theme is our folly. In the Vegas desert Bellagio's stages a magnificent exhibition of dancing, orchestrated fountains. With water. Brilliant that they have the imagination and technology to do that. Gob-smacking idiocy that they so wastefully do so. So too the aerial view of a private swimming pool in a backyard, that draws back to reveal a city full of separate homes with separate pools and separate marinas.Every twelve years 35,000,000 Indians make a pilgrimage to the Ganges, where they wash away their sins by washing their clothes, bathing, and filling their plastic water bottles in the -- may we surmise 'unclean' ? -- river. That they survive until the next festival measures out their imperviousness to logic and to care. We cut to the Western equivalent: a massive crowd gathered on the shore for the US Open surfboard competition. So many cultures, so many gods. To Burtynsky's credit he doesn't explicitly comment on these follies. They speak for themselves. Of course water gives us a chance to show our worth. A community of abalone-fishers link their nets and operations to help each other. They confirm their interdependence (unlike the community with as many pools as families). But the fishermen know their plenteous preserve is only for the while before it dies. As will their community. In Greenland scientists plunge down through millennia of ice to draw up analyses of historic climate readings. But having fine scientists doesn't mean we're not stupid enough to ignore them. As the filmmakers doubtless know, the Canadian government of Stephen Harper has been systematically throttling its scientists, both physical and social, reducing funds and freedom for their research, suppressing their findings, preventing any possibility of their science countering the government's ideology. For more see www.yacowar.blogspot.com.