The greatest movie ever made..!

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

A passably entertaining made-for-TV thriller, "Death Sentence" reveals the killer in the opening scene. Laurence Luckenbill strangles his annoying blonde mistress with his own yellow scarf, because she threatened to go public with their affair, which would have destroyed his cherished family. Cut to the courtroom, where Luckenbill's wife, Cloris Leachman, has been accepted as a juror in the trial of Nick Nolte, who is on trial for the murder of his wife, the woman that Luckenbill killed in the opening scene. If the premise sounds a bit far fetched, it is, not to mention the murdered woman preferring Luckenbill to the young Nolte. Based on the novel After the Trial, the film cuts back and forth between the courtroom testimony and Leachman's domestic scenes with her husband and children. As the testimony progresses and evidence is presented, Leachman slowly suspects her husband's involvement.The performances are uneven; Leachman is good as the wife, intently listening to witnesses, while slowly connecting the dots. However, Luckenbill, the family-values man, overacts at times, and poor Nolte sits looking at his hands for most of the movie, until he provides brief testimony in his own defense. Director E. W. Swackhamer keeps the proceedings moving fast enough to distract viewers from the inconsistencies and gaps in logic. Absolutely no motive or evidence are presented to implicate Nolte, other than the malicious dislike of his mother-in-law and unreliable claims from a nosy neighbor. Leachman's suspicions are all circumstantial, and some of her actions are completely implausible. However, for non-demanding viewers with an hour or so to kill, "Death Sentence" is decent entertainment, if they just go with the flow and do not ponder the details.

Plot Synopsis: John Healy is placed on trial for the murder of his wife. Everyone in the town is of the opinion that he is guilty but as the trial goes on, one of the female jurors begins to suspect that her own husband had an affair with the murder victim & killed her to keep their affair secret.The Review: Death Sentence (not to be confused with the more recent film by SAW mastermind James Wan) was an early 1970s made-for-television film produced by Aaron Spelling, the master of that era's television soap operas. It also features Nick Nolte in one of his early roles.Death Sentence is, in most respects, an unremarkable film. Nothing in the film stands out in any way (except perhaps for Nolte giving one of his better performances as the murder victim's husband, a role that Nolte nails with such precision that you wonder if he was actually being himself), not even the novelty plot device that plays with every juror's worst nightmare – what if you were on the jury in a murder trial & you discover that your partner was responsible for the deed?The other thing I must mention is the fact that producer Spelling must have been hands-on with the film featuring the same brand of needless melodramatics that his other works have featured. I thought the idea of revealing the killer early on in the film was kind of interesting but it also has the effect of taking all the mystery out of it – other than the climax, you are never on the edge of your seat..

This is a well-acted, well-written, well-directed little murder-suspense piece that is still quite watchable and entertaining.Unfortunately, this is being promoted as a Nick Nolte movie on DVD. He is only in about four scenes for about ten minutes. The stars here are Cloris Leachman, Laurence Luckinbill, and William Schallert. Cloris Leachman is best known for her role on the "Mary Tyler Moore" television Show, but she was in 80 television shows before that and has been in about 80 television shows and movies since then. In films, she is best known for her role in Mel Brooks "Young Frankenstein" movie. Fewer people remember that she won an Oscar for her role in the "Last Picture Show."Her movie career started with a great small role of a young woman running nude on a Highway at the start of "Kiss Me Deadly" (Aldridge, 1956). Here she is terrific as the housewife who slowly comes to realize that her husband may be a killer. Laurence Luckinbill is excellent as the husband. He gives a very natural and smart performance, going against the stereotypes of the genre. William Schallert, with over 350 television appearances is legendary. He gives his usual lovable and sympathetic performance as a clever defense attorney.The movie is mainly a courtroom drama with the gimmick that one of the jurists is actually involved with the real murderer. The suspense comes from the jurist slowly putting together the clues to figure this out. Some things ring a bit hollow here and there like the prosecutor making basic mistakes while presenting his case, but we can just chuckle over the goofs and enjoy the rest. Overall, it is a pleasant and suspenseful 74 minutes.

One out of dozens and dozens of tightly constructed TV movies of the 1970's (some hilariously bad, some unforgettably distinctive, most - sadly - missing in action!) Hincks is a clinging mistress, desperate to hang on to her married lover (Luckinbill) despite her own good-looking, but hard-drinking husband (Nolte.) When she pushes too far, Luckinbill does her in, but lets Nolte take the rap. Leachman plays a sincere and naive jurist at the trial who begins to doubt Nolte's guilt despite everyone else's sense that he killed her. When she begins to put the pieces together, she finds that she may have imposed a death sentence on herself! Made when Leachman was still knocking them dead on "The Mary Tyler Moore Show" and about to embark on "Phyllis", she clearly tries to downplay her glamor and attractiveness for this "serious" role. The result is high comedy almost as funny as what she did in her sitcoms! With mousy hair parted in the center, no make-up and some really ugly glasses, she spends the entire movie with the same pinched, unappealing expression on her face. Her character is dippy to begin with, but she adds extra hilarity through her wooden reactions to the events around her until she is forced to confront the killer personally, at which point the film soars into the comic stratosphere. Sopping wet, wearing ugly cream-colored heels and with her glasses all smeared, she creates the most abhorrent expressions paired with the zaniest physical manifestations. She flails around at the end like someone who's being zapped with a cattle prod! All this work and her name isn't even printed on the DVD case! Luckinbill gives a decent double-edged performance. Nolte, at the very start of his career, has almost nothing to do (and his case is never properly resolved.) Various familiar TV actors dot the cast such as Oppenheimer and Schallert as lawyers and Lang (famous for her hysterical turn in "The Birds") as the victim's devastated and opinionated mother. As loony as it is (and there is one twist to the tale not divulged here), it's great to see some of these old films turning up as they are too enjoyable (for either the right or the wrong reasons) to stay buried in a vault somewhere.