Touches You

The film makes a home in your brain and the only cure is to see it again.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

It occurred to me while watching this picture that if made just a few years earlier, it could have served well as a Sherlock Holmes film. A couple that come immediately to mind are "Sherlock Holmes and the Voice of Terror" and "Sherlock Holmes in Washington". The difference though, in the case of "Walk a Crooked Mile", is the presence of those nasty Russian Commies in the place of Nazi agents. The opening screen narrative pays tribute to those federal agents who defend the country against saboteurs and no-goodniks who would 'walk a crooked mile' to do their dirty deeds.The story is tightly scripted with a number of twists and turns while teaming FBI Agent Dan O'Hara (Denis O'Keefe) with Scotland Yard counterpart Philip Grayson (Louis Hayward). O'Hara takes it upon himself to nickname Grayson 'Scotty' in service to his employer, I thought that was a rather nifty touch. The action takes place in Southern California and involves smuggling newly defined mathematical formulas out of the country by way of concealing them in artwork of San Francisco cityscapes. The intrigue involved in making this discovery was cleverly done, and though it occurs rather quickly for the sake of the story, one has to wonder about the number of man hours involved in the undercover work required to break a case like this.Just as in the Holmes films, proper devotion to the cause of patriotism on both sides of the Atlantic is displayed, but not in a way one might think and not via any of the principals. At one point, Grayson's landlady (Tamara Shayne) is roughed up, shot and killed by low-life Commie Krebs (an austere Raymond Burr), and with her dying breath, extols the virtue of a country that did so much for her. Grayson and O'Hara were suitably impressed.The film showed up on one of the cable channels in my area, featured as part of a noir film lineup, but for my money it more closely resembled an espionage thriller. It's got noir elements certainly, and if you want to consider Louise Albritton's role in the picture as your basic femme fatale, it would have worked, but she was eventually exonerated as part of the research lab team that included the traitors working for the Communists. I had to control my disdain for the character of Dr. Allen (Charles Evans) at the finale, one of the bad guys who disingenuously asserted his Constitutional rights when his treasonous role was discovered. Sounds kind of familiar when applied to present day, doesn't it?

The bland narration and flag waving don't take up too much time but get the film off to a bland start and wrap things up with equal blandness. Inbetween the equally bland resolution and set up, director Gordon Douglas unleashes some nasty violence, an agent is shot in the heat right on screen, you see the blood spot hit his head, a nasty dead body here and there later on one scene obviously trimmed down of a dying man spitting blood out of his mouth. Unfortunately the 91 minutes pass pretty slowly in the, now boring, G man procedural details of how a recording device or a one way mirror works. Not the film's fault at the time but a dated dull element now. The one thing the film does do a decent job of is trying to keep you guessing about who the real spy is. Though you don't know unfortunately it's hard to care. Again time has removed the background needed. That background being that "RED" agents did steal the secrets of the Atomic Bomb and stole America's control of Atomic weapons. That was a big deal and helped kick off wild "red" fears. There were a number of "red scare" movies, this one holds up as credible and well made, but there isn't enough real drama or characterization in the writing to give it any real personality or interest, the good guys are pretty dully drawn and only competently acted. One scene stands out with a land lady that has both flag waving and some real drama to it. That, and the few moments of still somewhat shocking violence, still work. The rest is pretty dull. Well done but without enough flair to overcome being pretty forgettable. Lack of a music score help add to the leaden feel.

WALK A CROOKED MILE is the sort of brisk, documentary style espionage yarn so often made during the '40s, using narration to tell the story of two espionage agents (DENNIS O'KEEFE and LOUIS HAYWARD) assigned to track down whomever is responsible for leaking top secret information developed at a nuclear plant in California.Most of the action takes place in San Francisco, where O'Keefe and Hayward discover that an artist (ONSLOW STEVENS) is putting coded information beneath his paintings when he receives it from a spy working for the government agency. The story traces how the spy ring operates and it is these details that give the film added interest before the spies are caught. All of the methods must seem dated by today's standards of F.B.I. work, but the manner of presentation is gripping and the clever cat-and-mouse game that is played between the agents and the spies is credible and fascinating.It's smoothly directed by Gordon Douglas at a fast clip. RAYMOND BURR has his usual "bad guy" role as one of he spies, and LOUISE ALLBRITTON, CARL ESMOND, ART BAKER and CHARLES EVANS all make interesting suspects in the mystery behind the identity of the key traitor.Well worth viewing.

Walk A Crooked Mile finds Louis Hayward as a Scotland Yard man and Dennis O'Keefe as an FBI agent finding themselves on the same case in their respective countries. Finding it convenient and necessary they join forces to track down Communist spies looking to steal data on an unnamed atomic project in southern California.Columbia Pictures was imitating the documentary style drama so popularized at 20th Century Fox by Henry Hathaway with such films as The House On 92nd Street, The Street With No Name, and Call Northside 777. Certainly Hayward and O'Keefe are a stalwart pair of agents defending their respective country's interests in the Cold War.This whole thing begins with a murder of an FBI man who was right in the middle of calling O'Keefe with some hot news about a suspected Communist he was trailing. O'Keefe is the head of security at a defense plant where atomic research is being done. It doesn't take a man versed in rocket science to know something big is afoot. Along the way Hayward comes into the case and the two of them track down the espionage that's been going on.Onslow Stevens as the brains and Raymond Burr as the muscle in the Communist cell are a fine pair of heavies. Atomic scientists suspected of the treason include Carl Esmond, Louise Allbritton, Art Baker, Lowell Gilmore and Charles Evans. One of them's a dirty red.When Burr gets the drop on Hayward and O'Keefe temporarily, they get some help from landlady Tamara Shayne. It's a good small role and she steals the film from all the rest.Cooperation on espionage cases is nothing new. We're seeing it now in the War on Terror. The Rosenberg case was started because of the original apprehension of Klaus Fuchs by British Intelligence who traced the activity to America. The Igor Gouzenko espionage case was solved by the Royal Canadian Mounted Police in Canada.By the way, one wonders if the unnamed atomic project they were all concerned about was the hydrogen bomb. Nuclear fusion was just starting to get out of the theoretical stage at this time.Walk A Crooked Mile is not a bad spy film. Another cinema tribute to the FBI in peace and war.