Save your money for something good and enjoyable

Pretty good movie overall. First half was nothing special but it got better as it went along.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The most interesting aspect of this lacklustre thriller are the views that it gives us of post war austerity London.This is a thriller without a thrill.For some bizarre reason we know the killer from the beginning.The reason for his murderous impulses arise from the fact that his grandfather was the public hangman in Victorian Times.To add to the character he is also a hummus boy.The actors do their best with the material but some of them are miscast.In particular Dulcie Grey and Derick Farr.I cannot remember a bus conductor talking as if he was fresh from a Mayfair nightclub.I can only assume that this film has such a high,overrated mark,due to the prescience of Portman and writing of Pressburger.

1946 - when women were still wearing that strange 40s aesthetic with huge, unflattering hair styles. See Colebrooke's secretary, who thinks he'll marry her one day when in fact he is planning to strangle her on Wimbledon Common. (Not a spoiler, we know he is the killer from the start.) I like Derek Farr, and the scene where he picks up Anne on a tube train that's broken down. Dulcie Gray must have been about 30, and I'm sorry, but she doesn't look as young as her character is meant to be (19 or so?). The scene at the fair is good, too, with the Punch and Judy man and the gramophone operator. It's nice to see Bonar Colleano as an American soldier and witness, and Kathleen Harrison is good as the Colebrookes' maid. Mrs Colebrooke, as another commenter said, gives us a glimpse of acting styles of the past (circa 1840). There are effective moments as Colebrooke's skinny, moustachio'd tail follows him along the river bank, and there is a splended scene as Inspector Conway overrules the jobsworth of jobsworths. Best moment, though, is when squads of coppers in old-fashioned helmets, and on horseback, descend on Hyde Park. Colebrooke attempts escape by boat and by water. High melodrama in the Serpentine is a challenge, but Eric Portman rises to it. It's all rather ludicrous, and not a patch on Canterbury Tale or Dear Murderer. Yes, there's much too much faffing about at Scotland Yard, and the intended humour just isn't funny, despite Stanley Holloway's efforts.The sound on this transfer is so bad that some of the dialogue is lost.

Eric Portman (Viktor) is the grandson of a notorious hangman. His grandfather's sadistic, psychotic reputation as a killer plays heavily on Portman's psyche. Actually, it does more than that - it influences his behaviour. However, he is unable to change who he is. A serial killer is at large murdering women and goading the police. Can Roland Culver (Inspector Conway) and his team prevent the killer from striking again and again....? This film contains some dodgy accents, in particular, a very posh bus driver as played by Derek Farr (Jack) and a young Scottish woman, Jenny Laird (Jeannie), who comes from absolutely nowhere in Scotland. There are humorous moments eg, Stanley Holloway's portrayal of "Sgt Sullivan" and Gerard Kempinski as a waiter, alongside tense dramatic sections, eg, the murder of Jenny Laird (Jeannie) in the park. I found Barbara Everest as "Mrs Colebrooke" slightly weird b t it's a minor point in an otherwise convincing tale of a killer who is born to kill. We are left in no doubt as to who the killer is from the beginning and this adds to the tension throughout the film. I thought that the killer's fate was rather convenient - an easy way to end the film - but it's still a good film.

Don't be put off by the generic title. This is a film of subtlety and grace.Eric Portman is perfect as the troubled protagonist. Dulcie Gray enchants as the vulnerable yet strong-willed heroine. And the supporting cast is uniformly excellent.This is a variation on the Jack the Ripper theme. Someone is strangling young women, sending notes to Scotland Yard in advance. Ronald Culver is absolutely right as the chief inspector on the case.The psychology may be painted with slightly broad strokes. But the acting elevate that: The pain felt by all concerned is palpable. We do not admire the killer but we have understanding of the person's behavior. The victims and would-be victims are touching. And the attempts by secondary characters to help are persuasive and upsetting to us.