Just perfect...

While it doesn't offer any answers, it both thrills and makes you think.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

This is a dark and sometimes deeply uncomfortable drama

This film was not as good as some reviews and not as bad as others. However, in spite of some effort at good production values, I feel that more effort could have been made in the writing and casting of the film. Many of the actors just weren't believable in their roles. It had a community theater feel to it. And the writing was puzzling at times. There was a bonding scene in the film between the uncle and the nephew concerning a story about the nephew's father (who was deceased) taking him to school in an inappropriate vehicle. At the end of the story, the uncle delivers what is supposed to be a punchline by the father and the two characters laugh and laugh but I just sat their wondering how they found it humorous. It wasn't close to being humorous. All in all these folks made an earnest effort to make an interesting film and if you have a spare 90 minutes you might want to watch it.

This movie has no redeeming qualities. The premise and the plot were almost entirely predictable, and the few surprises were neither interesting nor clever. The acting was either overly wooden or over the top - there was no subtle, believable middle ground.I can't recall anything worthwhile in the scenery, sets, props, makeup or wardrobe either.Despite the film's first 20 minutes, which were ponderous, I hung in there with the hope that I'd see something worth the rating. And even as it became increasingly obvious that my hopes would be dashed, I persisted - right to the awful end.I can't believe anyone else found this film interesting in any way.(This is my first review on IMDb and I wrote it with the hope of saving others from wasting their time.)

The actors in this movie shine, so I gave it a few stars. However, the child abduction premise has been done and this did not put a particularly new spin on it - other than the fact that she comes back (which happens in the first five minutes).I did like the realistically portrayed family, however. It is refreshing to see a movie where people don't "move on" from a tragedy. The fact is, if what didn't kill us made us stronger, people wouldn't commit suicide or become addicts. Sometimes things can weaken us irreparably. Fortunately, for this family, that did not happen to Noah, who is stellar in his role as he holds the family together. I would like to see him in more movies.Overall, this movie left me feeling sad, despite a glimpse of sunshine at the end. I do not like feeling this way after a movie. I kind of wish I could unwatch it. If you have an emotionally thick skin, you might like it more than I did.

Set in rural Indiana, Sand Castles tells of the impoverished Daly family continually haunted by a tragedy that occurred more than a decade ago. It's a nightmare that never ends. After a family trip to the beach, little Lauren Daly mysteriously disappeared, snatched by a stranger.The devastation felt by the remaining family members understandably causes their lives to spiral down, out of control, resulting with dad taking his life while mom (an outstanding Saxon Trainor) drowns in a world of cigarettes and booze, leaving their son Noah (Jordon Hodges) to basically fend for himself.Then, a decade later, the unimaginable occurs. "There's no easy way to say this," a cop tells the family. "We found Lauren."Somehow, the little girl, now a teenager, has escaped from the confines of wherever she was held captive, but the trauma of the past ten years or so has resulted in a complete shutdown: she doesn't speak. The only potential clue to what might have happened to her is a well-worn copy of the Charles Dickens classic Great Expectations. The significance of the novel and why the young girl appears to read and re-read the book is later revealed, but to the frustration of the social worker assigned to the case, Alison Paige (Daniella Grace), Lauren refuses to allow anyone to touch her dog-eared copy. In an attempt to break through the young girl's silence and hopefully open up a channel of communication with her, Alison buys her own copy of the book and even takes both Lauren and Noah to a local community theatre production of the novel.Sand Castles - a title referring not only to that fateful day at the beach but also the fragility of an existence that can be swept away by a single wave in one, brief, unexpected moment – is an impressive debut from Jordon Hodges, who here does triple duty as actor, writer and co-producer. There's little wonder as to why the film has already collected a number of festival awards; Sand Castles has its flaws, but the overall impression you're left with as you leave the theatre is one of immense satisfaction, the result of witnessing an ambitious story well told and the introduction to a new talent; Jordon Hodges.As writer, Hodges uses only slight reveals to illustrate important key moments. It's up to us, the audience, to recognize the clues. Imagine trying to fit pieces of a jig-saw into place but without the aid of the picture on the box. Flashbacks occur, but they're brief; they flash on the screen in the same way a thought may suddenly spring to mind, lasting just a few seconds, often shorter. With an economy of dialog, feelings are often illustrated by the briefest of glances or an accusatory look. When ex-cop and close family member, Tommy Daly (Randy Spence) buys Lauren her own, small fridge - the kind a student may have for convenience in the dorm - the young girl unexpectedly runs forward and hugs her uncle, burying her head in his chest. It's a touching and genuinely heartfelt family moment made all the more effective due to the simple absence of dialog. But occasionally there are the odd missteps.The scene where Tommy's ex-partner, now detective (Scott Jemison) angrily berates Lauren out of frustration for her continual silence develops into something unnecessarily overwrought and not particularly well-played, plus the sudden romance between Noah and the attractive social worker occurs completely out of nowhere. The moment when Alison suddenly kisses Noah is meant to surprise, which it certainly does, but up until that moment there has been no indication whatsoever of the social worker's attraction to Lauren's big brother. The romance needs to happen in order for later events to occur, but somehow that initial moment feels both wrong and unnatural. There's also the appearance of an important, extra scene that runs in the middle of the closing credits. It's not an add-on; it's an integral part of the mystery and needs to be seen earlier rather than at the conclusion of the cast list.However, backed by an outstanding, atmospheric score from musician Todd Maki and solid performances from Hodges, Trainor and Spence, plus an effective appearance from Clint Howard whose somewhat creepy presence only adds to the overall mystery of Lauren's kidnapper, director Clenet Verdi-Rose has delivered a feature that needs to venture further than the confines of the festival circuit. More importantly, it introduces us to Jordon Hodges. Remember the name.Valley Screen and Stage: David Appleford's Film and Theatre Reviewsdavidappleford.com