Very very predictable, including the post credit scene !!!

To all those who have watched it: I hope you enjoyed it as much as I do.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

LAPD detective George C. Scott investigates the murder of an old friend. More and more murders happen as the investigation leads him into a conspiracy plot involving a formula for synthetic fuel created by Nazi scientists in World War II.Overlong thriller with dull stretches. Main selling point being that it's the only movie to costar heavy hitters George C. Scott and Marlon Brando, coincidentally the only two actors to refuse their Best Actor Oscars. Brando only appears in three scenes. For some reason he insisted on making himself up to look ridiculous with fake teeth, a comb-over, and something stuck up his nose. Beside that, he does fine and so does Scott. Nothing special in the career of either man but not the stinker some make it out to be. The plot involving the formula conspiracy is interesting. It's not a terrible film. It goes on too long and the fact that everybody Scott talks to seems to be murdered almost immediately afterward is pretty funny. But it's watchable.

Exciting story about a cop involved into an international intrigue referred to high-finance, it begins from the end WWII to the present. This thriller concerns about a veteran Inspector (George C Scott), Lt. Caine LAPD, he has to investigate two murders , it leads an insidious scheme to get a formula about a secret for synthetic fuel called Genesis and he will not stop at nothing . Caine is drawn into a criminal whirlpool. He becomes unwittingly involved to Nazi plots, along with a beautiful model (Marthe Keller). Hard-noised Caine is only helped by an agent, his oriental sidekick against a mysterious organization ruled by a mean billionaire (Marlon Brando). Meanwhile suspicious start to be killed one by one. Later on, Caine gets the formula that is hidden into a safety box and is aware which the nasties know whether or no it is safe to go to pick it up.This intriguing movie packs action, suspense ,thrills,a love story, treason, and is quite entertaining. This intense thriller holds your interest throughout, however it contains some flaws and confusion. Certainly is worth watch seeing for George C Scott's brilliant, credible performance as obstinate cop. Good secondary cast as John Gielgud , G.D. Spradlin,Marshall Thomson,Wolfgang Preiss,Richard Lynch , among others. Interesting movie but with some holes and gaps and ridiculous scenes . The film contains adequate and atmospheric cinematography by James Crabe. Suspesnseful and long-standing score by Bill Conti, director's usual . The picture is regularly directed by John G Avildsen. He is a nice director who has mixed more karate Kid and Rocky films with such feel-good message films as ¨Power of one, or ¨ Lean on me¨. Rating : passable and acceptable, 5,5.

I had not seen this film since its theater release some twenty-eight years ago. To my knowledge it has not been shown on TV in the L. A. area until the TCM presentation this month. I had forgotten every single detail of the film except for Marlon Brando's great line "Ah, Arthur, you are missing the point--We are the Arabs." The line says it all and is especially telling in light of current events and players. By some trick of the mind, I ascribed the line to a scene between Brando and Scott instead of Brando and Spradlin. Even in a walk-on I always relish seeing and hearing Wolfgang Preiss. Regardless of disagreements between writer and director, the film proceeded in a style I prefer, leaving me trying to hold on to the plot with my finger tips and trying to keep all the character involvement relevant. I will never understand the gaps in the story line--Scott surreptitiously slipping the secret formula to a total stranger? in some shop? , followed by some tenuously-connected dialog at some safety deposit boxes? Scott proved to be a better detective than I at discerning Keller's covert motives, given the facts presented on film. Perhaps all was made clear in the script. Berlin is a great place for intrigue on film, as we saw in "Company Business", and the plots, and cinematography nicely murky. Even with the story holes and without Travants and the Prater, I recommend viewing this film enough to begin to comprehend it.

Caught this while doing some work at my desk and saw it had George C Scott, a favorite of mine. It had a really bad feel to it on a made for TV movie level, so I kept it in the background so I could get some snippets as this looked really really boring and it's all that was on at the time. Anyway if your political bents swing towards the Greenpeace crowd than you will rate this a 7 to 10, since I'm on the other end of the political spectrum it gets a 2. I love secret Nazi formula thriller stuff, and one that holds as much promise as the "formula" here did along with Scott should have come much better. That said the movies only redeeming qualities was it's similarities of Brando's character to Dick Chaney, and the speech in the end when Scott says "Your the reason why old people have to eat out of garbage cans!". That and a weird scene with strippers on stage in Germany with swastika pasties on, that was kind of interesting, you had to be there. I think both of these actors pulled some stunts during the academy awards and they were the forerunners of todays mostly leftist Hollywood actor crowd, and this movie has a clear political bent to appeal to that audience with dialog like the old people and trash cans. I'm surprised he didn't mention anything about soup lines, but I might have just missed it as this movie was hard to stay focused on and for once I preferred to do some work than follow this boring drivel. 2 of 10 stars, Scott didn't make all that many truly great movies in his career, but I certainly remember the ones he did do, this one wont be remembered as one though.