A Date with the Falcon

NR 6.4
1942 1 hr 3 min Crime , Mystery

In the second film of the series (and not a second part of anything), Gay Lawrence, aka The Falcon, is about to depart the city to marry his fiancée, Helen Reed, when a mystery girl, Rita Mara, asks for his aid in disposing of a secret formula for making synthetic diamonds. He deliberately allows himself to be kidnapped by the gang for which Rita works. His aide, "Goldy" Locke, trails the kidnappers and brings the police. But the head of the gang escapes, and the Falcon continues the pursuit.

  • Cast:
    George Sanders , Wendy Barrie , James Gleason , Allen Jenkins , Mona Maris , Fred Aldrich , Bobby Barber

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Reviews

ThiefHott
1942/01/16

Too much of everything

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Smartorhypo
1942/01/17

Highly Overrated But Still Good

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Beystiman
1942/01/18

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

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Ava-Grace Willis
1942/01/19

Story: It's very simple but honestly that is fine.

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utgard14
1942/01/20

Second in RKO's fun series of B mystery films about a suave detective named Gay Lawrence (aka The Falcon). In the first few movies in the series, the Falcon is played by the great George Sanders. Here the Falcon investigates the disappearance of an inventor who has discovered how to create synthetic diamonds that are identical to the real thing. Sanders is terrific in this role -- charming, witty, and flirtatious. It's a shame he didn't do more than the few he did. But his brother Tom Conway was a fine replacement so I can't complain. Wendy Barrie returns as the Falcon's love interest. Allen Jenkins steals the show as the comic relief sidekick, Goldie. The rest of the solid supporting cast includes James Gleason, Mona Maris, and Edward Gargan. Hans Conreid has a funny bit as a hotel clerk. In the previous Falcon movie, he played a police sketch artist. The Falcon series was admittedly formulaic, and this whole business about a kidnapped inventor is definitely nothing new, but it was undeniably entertaining. The brisk pace, short runtime, and healthy amounts of comedy help a lot. It's lighthearted fun for anybody looking to kill an hour and change.

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lindalinn28
1942/01/21

I love these old Falcon movies--especially for the cad actions of George Sanders who made a career out of playing such characters. He was very comical or serious as needed which was a mainstay of movies of this kind in the 30s and 40s. These movies are definitely B-movies but do have an addictive nature to them. Perhaps we are not meant to watch them one after the other as I have recently done. Watching them in this way makes the continuity of characters and actions more noticeable.My main complaint in this one is the total change in character the writers and/or director imposed on Wendy Barrie. Did they even watch the first movie in the series. In "The Gay Falcon"--the first Falcon movie--Wendy's Helen was sweet, helpful, and rather innocent. In this movie, she is dressed too sophisticated, acts too harsh, and has lost all of her sweetness that made her so appealing. (She even uses a different pitch of her voice.) This problem could have been avoided by just making her a different character rather than Helen Reed. After all, the Falcon had a variety of women after him throughout the series. Wendy was in lots of these Falcon and Saint movies and usually played a different character, and there was no quibble in that as we viewers--and probably the 30s and 40s audience did too--realize that these movies were full of character actors--not big stars--and consequently these actors could be plugged into a part as needed. They were probably standing around on the lot waiting to get a script. Just look at Hans Conreid in the 2 Falcon movies--completely different characters but a scene stealer in each.Although many of complaints made by other posters are valid, this movie is a must see for those of us who love B&W B-movies from the past. ! The new Warner Brothers boxed set is very good--even though it lacks any frills, just the movies. A good way to spend about an hour.

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rupert-felsing
1942/01/22

Sanders plays Gay Lawrence, The Falcon, who has at last been lured into marriage by his fiancé, Helen (played by Wendy Barrie). Just before he goes off to get married though, he gets mixed up in a case where a reclusive scientist who has created a formula to make fake diamonds that are indistinguishable from real ones get kidnapped by crooks and forced to spill the beans. As usual, the relationship between the falcon and the Law is pretty borderline at best, the keep on trying to arrest him on suspicion of being involved in the plot, murder and anything else they can pin on him. Needless to say he leads the police to the gang, and makes the 'plane to fly off with his fiancé. This is a great movie, and Sanders plays it with an insouciance that is quite invigorating: you cannot decide whether he is in his heart laughing at the whole film in its simplicity. The gangsters are almost a parody of gangsters, the police are bumbling goons, and his fiancé increasingly jealous and frustrated as he keeps on tripping over beautiful women who have known him in the past (but a few loving words and a kiss from him always seems to calm her down - what luck!). A great lark, and great to watch just for Sander's voice!!

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bob the moo
1942/01/23

Samson is a hard working scientist who has developed a technique for developing synthetic diamond for the purposes of tooling and industrial use.However the synthetic diamonds are so realistic that even experts cannot tell them apart – making Samson a target for criminals. When Samson goes missing, Inspector O'Hara turns to Gay Lawrence for help. Despite having woman troubles with his fiancé, Helen, the Falcon finds himself in the middle of the investigation and pursued by the gang, who are understandably keen to get such a keen mind off the case before he makes progress.With a pretty standard (and unlikely) set up, it is not long before the Falcon is drafted onto the case. The plot is not great though and isn't as focused on the actual investigation as I would have liked. Instead it mixes it with the side kick of Falcon's fiancé and, while I can see what they were trying to do with it, it doesn't really work awfully well at all. Indeed it would have made a nice play with Helen being the sidekick that the Falcon has in other films but here this aspect and the actual plot mix about as well as oil and water and, sadly, the investigation into Samson's disappearance occasionally plays second fiddle to Lawrence having woman troubles.However most viewers of this series will have gotten used to the fact that the crime plots are never the strongest here but often this is covered by some good humour. While there are quite a few nice touches to this material, the film is not nearly as amusing as it should be. The Falcon himself has a certain swagger to him but too much of the film is him looking flustered and frustrated by trying to balance his couple of women. The script does throw out some good material for minor roles and has some funny set ups (playing drunk to escape the baddies is a good moment) but generally it isn't funny enough to cover the fact that the plot can't even manage to stretch to an hour. As a result the cast don't do as well as they could have. Sanders is very good in some scenes but then in others he is very poor and not anything like the cool, crisp mind that I expect him to be. Jenkins is poorly used considering how funny he can be when used sparingly in support – but here he is far too sparingly used and has nothing to do until late in the day. Gleason's inspector is good but Barrie is annoying and Maris is nowhere near the femme fatale she was clearly trying to be.It is still an OK little film but not one of the better in the series even if fans still enjoy it for what it is. The film gets better as it goes but too much in the first half is poorly judged and the actual case/plot mostly plays as second billing behind some flat comedy involving a couple of 'dames' and several misunderstandings.

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