The Age of Commercialism

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

After playing with our expectations, this turns out to be a very different sort of film.

The film begins with a man going to his ex-wife's apartment to deliver some frozen meat. However, after looking over her place twice to see if there were any clues as to where she was, he finds her--dead. Apparently she killed herself--and did an amazing job organizing her life for the family. For example, all the food that the family would need for Passover was there--made and labeled in the refrigerator. But, the story has a few hiccups. First, the ex-husband really despised her in many ways. For example, although she was a Jew, he deliberately finds her in a Christian cemetery and with a VERY Christian coffin--talk about passive-aggressive! Second, although I never knew it, apparently some Jews look upon suicide much like many Catholics see it--like it's a mortal sin and you cannot bury such a person in consecrated ground! Really. But, there is one more hitch that unexpectedly develops--something the dead woman did not anticipate--a stray photo.To me, this is a great example of a film that is expertly crafted but lacks one very important thing--a story. So, while I can really admire the acting (particularly Fernando Luján) and the director had a really deft artistic touch, the story itself left me flat--very flat. The biggest problem is that I kept expecting all the story elements to come together into something magical--something that would make this film worth while. But, unfortunately, it just never came. The sum of all the good parts just couldn't outweigh a story that seems like it should have seen at least one more re-write.

"Death hath so many doors to let out life." Beaumont and FletcherJose's (Fernando Lujan) ex-wife, Nora, of 20 years has died, and he is left with the arrangements. Not to worry because she has placed notes on Tupperware in the fridge and left instructions for everyone about the wake. Problem is, as she well knew, Jews may not bury during Passover, so Jose has to deal with preserving the corpse over the weekend and yielding to the strict Jewish prescriptions.Yet Jose long ago lost his faith along with his wife, who by the way has committed suicide after the 14th try. Under Jewish law, she may not be buried in the main part of the cemetery, just another barrier for Jose.And so it goes in this small but poignant tale of Judeo-Christian practices in turmoil and more importantly the roiling of Jose's inner dialogue as he realizes his wife was unfaithful to him while they were married. Besides the amusing struggle with the Orthodox Rabbi, Jose confronts a son who is too tied to his father-in-law and a close physician friend with a painful secret. Call it Secret and Lies, for the corpse has planned well to have the past brought to the present through her pre-suicide machinations. For Jose, it's a matter of dealing with his feelings for his ex-wife and his atheism in the presence of believers.Perhaps the subtlest success of the film is seeing Jose gradually reveal an inner core of feeling and humanity released by his ex-wife in her death. It's a strange irony made probable by underplaying and a powerful script.For an audience of believers and non, Nora's Will will make you think about the aftermath, just as Depatures (2008) made me think about preparing a body for the final journey. It's all more than we can know before the end, but it is up to art like this to help us prepare."A death-bed's a detector of the heart." Edward Young

This is, without a doubt, one of the best examples of what talented Mexican filmmakers can achieve. Excellent plot, impeccable script, outstanding actors and an amazing director's work. No big sound effects or different locations are needed to tell a deep story that leaves you wanting to know more (Ms. Chenillo, please tell us there will be another film about Jose's life!), as a matter of fact, it takes place inside an apartment in Mexico City, for the most part. Certain aspects of Jewish beliefs and traditions that many viewers would not understand are seamlessly integrated in the dialogs, and yet there's no saturation, no "over explaining". It's a very clean story, almost unadorned, and yet there is so much beneath it! As a viewer, you never lose interest, on the contrary, you get more and more intrigued as the story unveils -flashbacks are a smart element that adds to the anticipation. A thought lingers on after the movie ends: humans beings, regardless of faith or heritage, are rich, complicated and fascinating beyond the limits of life. Standing ovation!!!

Excellent film, a mixture of comedy and tragedy, with outstanding acting and a well-carved script.Tender, nostalgic and very witty, with good camera angles. Check for the music, and for the fact, that almost all the 92 minutes of the movie, is shot in the department of Nora.The movie has been presented in the Lima Cinematographic Festival in August 2009, includes a rather sarcastic point of view of the Jewish belief, as well as the depiction of such important characters as Nora's ex husband, the cousin, the maid and the rabbis and all the Jewish characters that appear in the movie. Is worth to note, that the flashbacks are very well decided, but you never truly understand the love the the ex husband still had, or the reason why Nora decides to take her own life.