Blindspotting
Collin must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles, work as movers, and when Collin witnesses a police shooting, the two men’s friendship is tested as they grapple with identity and their changed realities in the rapidly-gentrifying neighborhood they grew up in.
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- Cast:
- Daveed Diggs , Rafael Casal , Janina Gavankar , Jasmine Cephas Jones , Ethan Embry , Tisha Campbell , Utkarsh Ambudkar
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Reviews
Why so much hype?
Must See Movie...
The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Blindspotting is a film with some very strong scenes interspersed inbetween a wider array of more or less average ones.It tries to delve into a series of heavyweight issues of the likes of racism and discrimination for the average non-white man living in today's world, and despite it trying to portray this via an unorthodox approach than usual, it doesn't always succeed in the delivery. That said, it does have its moments, but they are far and few. In addition to that, this film had an overall vibe that made it more suited to be acted out as a play than in a film. All in all, this film does okay in most departments, but its unremarkable and anticlimactic ending as well as the overall uneventful story makes it dismally unsuccessful in conveying its message to its viewers.
The story at the core of "Blindspotting" is powerful and perceptive on the trauma of racism. Exchanges of spoken word poetry between the two leads and kaleidoscopic visuals represent their inclusive, creative, violent native Oakland. Fantasy visions also partly cloak the implausible elements of the story, and illuminate the characters' psycho-social pain. But personal expression won't overcome race and class oppression, or prevent the corporate-tech-hipster takeover of Oakland. The film's real blindspot is the hole where a vision of creative collective action might have been. R. Freed
This has been a pretty good year for black filmmakers with Sorry to Bother You and Blindspotting coming out of Oakland, both very fresh, very original, and entertaining, each packed with a powerful punch. Here comes along a Spike Lee Joint. It is Spike's best effort in years. The brother is back in full form and he has plenty of mojo to boot! This brilliant film is based on the true story of a black police officer who infiltrated the KKK. It is very timely in its theme of white supremacists who want to take America back and to make America great again. It is a reminder that White House is currently inhabited by white supremist racists and backed by David Duke and the KKK. Trump and Duke both make cameo appearances in the film as well as stock footage of the riots in Charlottesville where Trump smugly says there were some very fine people on both sides. Ha ha! Ho Ho! This is a must see for everyone in America. Spike's practiced hand is at the tiller of this skillfully wrought movie. It jumps immediately to my top 10 list and as of now it sits on top.
Daveed and his friend were incredibly annoying. The friend was a complete caricature. Daveed didn't strike me as someone who would last a day in prison. I'm sorry. I quit watching this movie early on, it was just that bad. One of the worst movies I'd ever seen, as bad as that Disaster Artist wreck, the one with James Franco, obviously. Pass!