I love this movie so much

Powerful

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

By the time the dramatic fireworks start popping off, each one feels earned.

Very Important Person is a well-written, and enjoyable British comedy that really belongs with other classic 1950s films. 1935 - 1962s British Comedies are my absolutely favourite genre as they hold their charm and wit even now and Very Important Person has a great deal of the essentially British humour in tough straights.The plot of the genius scientist - JRJ - who ends up in a POW camp and must escape at all costs is a good vehicle to hang some nice character acting from Stanley Baxter and let Leslie Philips do his bounder at play act.There are a ton of recognisable faces from John Le Mesurier to Eric Sykes, and the terrific part actor Richard Wattis, who everyone in Britain would recognise but few can name, all making the time fly by to perfection.Above all, there's James Robertson Justice. Justice ironically nearly always played characters that looked and sounded true Tory but was the child of two of Britain's better Socialists (They did a lot in educational reform). He, himself, stood for parliament in Scotland as a Labour MP. Thank goodness he lost! His curmudgeon, which he had already perfected as Sir Lancelott Spratt in the Doctor series, is at its best here; he takes rude to a comic art form - and we love him for it.Ken Annakin directs, and given that his list include Battle of the Bulge and Those Magnificent Men in their FLying Machines and Monte Carlo or Bust you know you're in excellent hands.All in all, this is very reminiscent in style to The Wooden Horse but with laughs, a classic of its style and one that will still bring a wry smile to the face.

While this film offers some mildly (very mildly) humorous scenes, I would not characterize it as a comedy--more like a drama with comedic overtones. This isn't a complaint--I just don't want to viewer to expect too much from this film.It starts off in the present day. James Robertson Justice's character is being honored on the British version of "You Bet Your Life" and this leads to a flashback that comprises most of the rest of the film.Apparently, Justice was a big-shot during WWII. During a special mission over German territory, he is accidentally sucked out of a gaping hole blown into the Halifax bomber. And, not surprisingly, he's placed in a POW camp filled with British soldiers. However, he's so important that word makes it to the prisoners that he MUST escape at all costs. In the meantime, Justice is incredibly brusque and dismissive of everyone. It's obvious he hates everyone--showing no respect or willingness to socialize with anyone--British or even German. So, the prisoners are forced to help someone no one really likes--nor should they like him! Much of the film the viewer ponders whether Justice's character is truly hateful or if it's all an act, of sorts. See it and then you decide for yourself. It's an enjoyable little film--nothing great, but well done....and Justice is very good as usual.

Very Important Person combines elements of the Carry On films, The Great Escape and Hogan's Heroes to produce a lighthearted low budget British Comedy that is surprisingly effective. Many of the stalwarts from this era are here with John Le Mesurier, Stanley Baxter, Eric Sykes in supporting roles. I wouldn't have been at all surprised to see Sid James turning up somewhere.James Roberson Justice is excellent in his role as the cantankerous Very Important Person. There are lots of stiff upper lips and "tickety boos" from the British and the German officers are typically cast as foolish buffoons. This must have all been an inspiration for Hogan's Heroes but a very long way from the reality of prisoner of war camps.Overall, VIP is a fine example of British Comedy from the 60s and is well worth a look.

Although Stanley Baxter was principally known as an impressionist he was more versatile than the run-of-the-mill mimic.He had the actor's ability to assume a full personality rather than merely copy a voice or a look.In "Very Important Person" he plays a Scottish POW and his German captor,the latter role being perhaps the more challenging. Since the early 1950s there had been a whole sub-genre of war films featuring resourceful Brit POWs outwitting the plodding German prison guards and making plucky attempts at freedom.At one time there were so many chirpy cockneys digging tunnels that there were hardly enough left to stoke the boilers or peel the spuds. Normally the Germans were amazingly sanguine about it all,being sportsmen,but when the decidedly unsporting SS became involved things rapidly changed ."The Great Escape" marked the end of the "POW as naughty schoolboy" cycle of movies with its cold-blooded slaughter of dozens of unarmed British officers.That this film is a Christmas perennial says something rather disturbing about the British psyche - or the BBC.Rather daringly the Escape comedy was revived a few years later by American TV with "Hogan's Heroes". In 1961 we were just about on the cusp.Our boys were not having it all their own way - the Germans were clamping down - no more Herr Nice Guy. So when the wonderful James Robertson Justice is shot down and imprisoned under a false identity effecting his escape is going to require a bit of thought. Fortunately the Escape Committee,comprising a comforting number of British actors with experience in other POW movies is able to get him out so he can get on with his hush-hush war work back in Blighty. That is the bare bones of the plot,but the pleasures in "Very Important Person" are in the writing and the performances.It dates from the time when British movies were still made with craft and care and the audience able to recognise intelligence and wit in a screenplay without a laughtrack to tell them.Nobody thought they were making "Citizen Kane",but they took pride in what they were doing and the finished product is joined-up comedy film-making. 1960 saw the birth of the British Satire Movement - "Private Eye" began its existence,"Beyond the Fringe" opened in Edinburgh and soon the floodgates would open to a tide of Oxbridge men and women queueing up to be very rude to politicians and Royalty and be very handsomely paid for doing it - well it was more fun than working in a Merchant Bank I suppose.In some respects "Very Important Person " is a last hurrah for quality British comedy before OUDS or "Footlights" got their clever-clever cold-hearted hands on it. It was funny in 1961 and it is funny today.Far funnier than some onanist in a college scarf imitating Harold Macmillan.I think it's fair to say that Messrs Justice,Baxter,le Mesurier et al will be remembered with far more affection long after all the satirists have gone to that big JCR in the sky.