Wonderful character development!

People are voting emotionally.

How sad is this?

This story has more twists and turns than a second-rate soap opera.

This may be the short film from Charlie Chaplin, in which he plays the most tragic character of his career. At work, he's hungry and needs to steal his co-worker's lunch. He's married to a considerably older, not even remotely attractive gold-digger wife, who's a pest to poor old Charlie. And finally, when he receives the paycheck, which is as low always, and tries to hide it, the wife takes it away immediately. No surprise the little man goes to the bar at night to drink away his sorrows. When he decides to get home, all the trains are packed and Charlie repeatedly attempts to hop on one, but here he comes as short as everywhere else. So after a long walk through the rain, he finally reaches the dragon's cave and as the alarm clock rings, the dragon makes sure in resolute fashion that Charlie (without food and sleep) gets to work early in the morning again.I feel most Chaplin short films haven't aged too well, but this one is an exception, mainly thanks to Phyllis Allen, whose characters interactions with Chaplin are a joy to watch. The scenes with the two are easily the highlight, i.e. the return from work and the scenes right at the end. She's truly sinister and I wouldn't have minded if she had starred in a couple more Chaplin films. The construction work scenes early on were okay. The pub scenes were the weakest part of the film, although the butcher wagon was kinda funny. I believe this is one of the better Chaplin short films and a good start to get in the legendary silent actor's body of work.

Altogether amazing little short with the comic at his best as a brick layer who is late on the job and presents a flower to his monstrous boss (MACK SWAIN). Swain looks so much like Billy Gilbert that I thought that's who it was at first. Swain orders him immediately to work and the fun starts.A particularly amusing lunch hour sequence is full of sight gags requiring perfect timing. Charlie gets paid, then has to deal with an overbearing wife who sleeps with a rolling pin in her arms, ready to pounce on him when he doesn't come home from work on time. Instead, he's at the local pub having a night out with the other workers.The pub sequence leads to other amusing sight gags as he and a fellow worker struggle to get out of the rain and onto a streetcar.No wonder Chaplin considers this one his favorite silent short. Again, Edna Purviance has little to do but it hardly matters. It's Chaplin's limelight and that's all audiences wanted.All of the stunts are exhibited in perfect timing and are the mark of genius.

"Pay Day" was Charlie Chaplin's last short film, and a funny one at that. He plays a bricklayer who comes to work late one day and proceeds to work inefficiently, incurring the wrath of his monstrous foreman (Mack Swain). After the foreman underpays the bricklayer, he incorrectly adds up his overtime, and the foreman believes that he has been overpaid.So, the bricklayer and his friends go to a bar and get drunk. After the bricklayer misses every streetcar, he arrives home at 5 am, finding that his wife is not one bit happy about it.As always, Chaplin knew how to make a great movie.

This film is definitely worth seeing for the amazing slapstick sequences, though it doesn't have much of a storyline overall. The killer opening scenes, showing Charlie working at a construction site, had me staring open-mouthed at the screen. I also enjoyed the drunks' night out, the running-after-the-tram scenes, and the bits involving the cats (especially that sausage one). I was less thrilled with the clichéd character of the rolling-pin-wielding wife. That role seems kind of misogynist to me, plus it opens up way too many questions that the film will never answer--you can't help but wonder how they got together in the first place, etc. And it takes a little of the innocent shine off of Charlie's sighs over Edna Purviance when you find out he's supposed to be married. The Tramp actually seems unusually louche in this picture. According to David Robinson, this picture boasted some of the first successful night scenes that didn't have to be tinted. I loved the big searchlight that lit up the tram sequence. Sydney Chaplin also contributes some nice comedy. Edna, disappointingly, has a very small role.This is far from my favorite Chaplin film, but I'm glad I have the DVD, because there are sequences I will enjoy watching over and over (and in slow motion).