We're No Animals
A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.
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- Cast:
- John Cusack , Paul Hipp , Alejandro Agresti , Al Pacino , Juana Viale , Romina Ricci , Pablo E. Bossi
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Reviews
Most undeservingly overhyped movie of all time??
Am I Missing Something?
The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
I watched this largely because I love Argentina. What a waste of 90 minutes. I stuck it out and watched the entire thing because I wanted it to be a decent movie. It wasn't. To say this movie is dull and dry is really being generous. There's no plot. Nothing of any significance happens. It's not even funny. This seems like a movie where someone was trying way too hard to be sophisticated and ended up producing garbage as a result.
Warm little movie. A collage of digressions and partial thoughts, no apt for who is looking to be caught in a melodrama. To see great actors playing with such a freedom, makes me think on the cynical and shallow part of this art form.As soon we have the chance to liberate our mind, we dream, and snore. As soon we seat front of the TV, we are forced to dream the dreams others, sometimes just money makers This movie have much of a dream, but is enough imperfect, rough, and sometimes nonsensical, that you can hear your own mind without feeling being used.
This might be the worst film I've ever seen. Oozes pretentiousness. Has no plot. Isn't funny. Lacks characters do nothing to endear you to them. They have no arc. And now they're making me write 5 lines on it, but I just had to write a review so nobody else fell in the trap of watching this film. It's also stupidly long considering that NOTHING happens. How it has an average so high I'll never know. End of story.
This movie belongs to the "film within a film" genre that opened up half a century ago with Fellini's 8 1/2. It features John Cusack and other American actors summoned to Buenos Aires to make a film that, we are told, experiments with cinematic language. The story is improvised (there is a script but nobody seems to take it seriously) and some scenes (like in Godard's La Chinoise) actually belong to the film within, as the point of view changes and we see the cameras rolling and the booms in place. Sequences are announced with title cards, also in Godard's style. The view of Buenos Aires and its people is that of an average American tourist; there are some comments about Peronism and the 1976-1982 military dictatorship but there is no depth or meaning in them. Everything we see or hear is capricious and at best whimsical, at worst pretentious and at times boring.Al Pacino plays the mysterious (and somewhat devilish) long distance mastermind of the project, He gets the best lines and makes the most of them; the short time he is on screen is the best part of the movie.The movie ends up saying nothing significant. Although some ideas may be interesting, it it difficult to gauge the intentions of the director. All in all, an unsatisfactory film.