One of my all time favorites.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

The best films of this genre always show a path and provide a takeaway for being a better person.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

And the day I watched it, it was raining. It's a good programmer which killed some time until dinner and, besides, I couldn't mow the lawn anyway. "Counter Espionage" has a recognizable cast who move the story along in an entertaining fashion, along the way striving to overcome a mundane plot which tries the audience's patience with plot contrivance after contrivance, but I just went with it with it since it was raining out.I Always enjoy the dulcet tones of Warren William as The Lone Wolf and he's aided and abetted here by Eric Blore, his simpering man Friday, and Hillary Brooke as a heroine for a change. Lloyd Bridges has an unbilled role as a henchman. I suppose it could have been better but at 75 minutes it doesn't wear out its welcome, and it's odd not even Edward Dmytryk could punch it up for a higher rating.

Columbia Pictures was in the second tier (the Little Three) of the major Hollywood movie studios of the golden age, and it put out just a few B level war films during World War II. "Counter-Espionage" of 1942 is one of those. It has a more prominent cast than many Columbia films of the time and genre Warren William stars in this film that is as much a crime-mystery film as it is a war film. Espionage is the matter that links the two subplots. William plays Michael Lanyard, a character who appears in a number of mystery films of the period under the alias, "The Wolf." William was a very good actor who played some of the best villain roles in the early years of sound pictures. He was versatile and played a number of romantic leads and then played a dashing, debonair and sophisticated crime-stopper in various roles that were serialized over time. Philo Vance was one, Perry Mason was another, and Michael Lanyard is his most well-known. William may have been better known today, but he died of blood cancer (multiple myeloma) in 1948 at age 53.An additional trademark of the crime-stopper films was comedy. Sometimes it came through a sidekick, often through dumb or inept police detectives, and sometimes with both. In this film, we have both. And a big plus is the presence of Eric Blore as his servant-sidekick, Jamison. Blore was English and played supporting heavier roles as butlers, valets, etc. that were much meatier and with great humor. I always have some good laughs from Blore's roles in movies.The rest of the cast are OK, including a number of well-known actors. Forrest Tucker plays a German thug, Anton Schugg. The plot is a simple and familiar type of story about Nazi spies trying to get hold of plans for a secret weapon. What elevates the movie are the film clips and/or segments of the London bombing. Columbia must have gotten its hands on some actual newsreel film from London to intersperse with its story. It gives a very real sense to picture, where some of the rest of it seems a little hokey.

Taught direction, well-paced. A fairly serious Warren William (but still charming) and Hillary Brooke (she was truly a master of the B-movie genre) are teamed up with a good director to make this the best of the Lone Wolf series for me. "Counter-Espionage" is proof once again that a big budget is not necessary to produce a good film. This is a classic example of cheap dollars spent, but nevertheless being able to display talent and high quality craftsmanship.Serious WWII Nazi spy plot dovetails nicely into the shady safe-cracker format of The Lone Wolf. Who better than The Lone Wolf to crack safes and steal war secrets (or did he?), then sneak around dark London streets amid the falling bombs.Sidekick Eric Blore is actually very good in this movie, and as a bonus you also get a solid early Lloyd Bridges performance.

Enjoyable wartime mystery featuring the Lone Wolf as a double agent in London. Ninth in the series, and written in 1942, this entry is directed by Edward Dmytryk (his second in the series). The plot revolves around the theft of plans for a beam device and whether they will be sent to Berlin by a new radio photo transmitter. The Lone Wolf uses sound as the means to learn the secret hide out of the spy ring and scenes of the Blitz are used to show audiences the devastation being doled out on America's British allies. Despite the predictability of the story line, the film is more than a bit enjoyable, and one of the best of the series.Warren William stars as the suave former jewel thief Michael Lanyard with his faithful sidekick and butler, Eric Blore. Also features Hillary Brooke as the love interest and Forrest Tucker as one of the Nazi spies. Although not credited, it certainly appears that a young Lloyd Bridges also appears albeit with a mustache. If true, he would have had a busy year since he also appears to be listed in over twenty other movies in 1942.