Very very predictable, including the post credit scene !!!

the audience applauded

A Masterpiece!

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Quite the unique film because even though (towards the end) it clearly brings a character to a life-changing decision of repentance and faith in Jesus (even exercising faith for a miracle), doing so in a clearly better fashion than most Christian films, the movie isn't "preachy," as was claimed by several reviewers who can't resist their obsessive compulsion to show their contempt for Christianity and that contempt provoked their unjustified panning of the film.Part of the evidence for that is that I approached the movie convinced it was a Christian movie but about 4/5ths of the way through, I found myself wondering if I had drawn the wrong conclusion that it was a "Christian movie" because of the repeated use of foul language (including the "F" word) and the somewhat risqué dressing of Lexi Ainsworth, while there had as yet been *no form* of gospel message presented. (Note the contrast between my claim and those who mocked it and judge for yourself.)That reveals the less_than_honest denigration of the movie as being "preachy."To viciously lambaste an entire movie because one hates Christianity so much one can't stand to hear a character humble himself for the hurt and harm he's done and cry to God for forgiveness is a bit over the top.The acting is frankly better than most Christian movies, though, of course not on par with a $30,000,000 budget and the experienced professionalism that brings. Lexi Ainsworth's acting was excellent and her performance gave a quality to the film that it would not otherwise have had, though Cassidee Vandalia also did a very fine job.It seems this movie is geared to the unchurched/non-Christian and labeling it a "family film" was an error. Many parents would not want their young children watching this film.Unless you despise any mention of the Lord Jesus *at all*, I don't you'll find the movie offensive at all regarding its Christian agenda. It's not overdone, regardless of the claims of the rabid atheists.

I've been a fan of Eric "King of the B-movies" Roberts ever since I caught The Ambulance and Hit-man's Run on cable in the 1990s, and I've been a fan of General hospital since 1984. I never really understood the persistent appeal of soaps and B-movies until Alexandra Danielle "Lexi" Ainsworth graced my television set with ten minutes or more of screen time a day as mafia brat Kristina Corinthos, when the lightbulb went off: like minor-league baseball, soaps and B-movies offer the chance to watch greatness in the making, literally to catch a rising star before the world does, in generous doses. Ainsworth, offered this role within seconds of hanging up the phone after being told she was fired from General Hospital because they wanted an older, "hotter" Kristina as their romantic lead – only to decline a return to the role when GH realized the error of its ways with her replacement – entered this film like a batter who tore up the minors with a .427 batting average now facing big-league pitching. How would she fare? This fan's opinion of her work was strong enough for me to gamble $14.98 on the answer.For Ainsworth, my standards were much higher than for the film. Any holiday film is going to be restricted by the parameters of the genre. For the actress, however, I was looking for signs of whether or not she could carry a film, and if she could score points for more than just avoiding the garden-variety acting mistakes which were absent in her performances on General Hospital, like in the scenes where she flourished, either by staring down an intimidating Bruce Weitz without saying a word, or by humbling soap vet Maurice Benard at the tender age of sixteen. Where other actresses would have cried, screamed, yelled, and moved their extremities like traffic cops, Ainsworth's instinctive understanding of when to let the scene do the talking strongly suggested she could handle this step up in class like a champion. My bigger question was whether director Richard Foster, and the writers, could handle her. On whole, I would say she gave the better accounting of herself.This is a good, but not a great film. It is worth the purchase price, and will definitely be worth the time spent watching should it land on cable or Netflix, if only for Ainsworth's performance alone. In the film, eighteen year-old Ashley Lane (Ainsworth) is put in the position of media-res narrator, which allows her to showcase her talents. Within minutes, we are shown where the film winds up, leaving the question not what will happen, but why, who will be involved, and how. Casino was the textbook film on how to pull this off, and this film does so adequately. Fans who were wondering if Eric Roberts and Vivica A. Fox could sing will get their answer.The film's saving grace, if one pardons the pun, is the director's astute use of third-billed Ainsworth, clearly the star of the film, with screen time to match. The lesser talents in the cast are relegated in direct proportion to their ability, except for Roberts, who is seriously underutilized. Fox gives a good accounting as the mother, but the blended family is more of a gratuitous political statement, as if to say we've come so far against racism that no one bats an eye at a racially mixed family. The message is useful, but not really central to the film. What is central is Ashley's journey of self-discovery, played flawlessly by Ainsworth, to the point where, by the end of the film, it Is rather clear she has outstripped the writing, and does not just belong in the majors, but needs to be traded to a championship team, or to have one built around her.The other actors in the film are competent, with Danielle Vega (Angelina) giving an exceptional performance in a limited supporting role. Her physical resemblance to Ainsworth is a bit confusing, so pay attention; absent Ainsworth, she could have played the lead more than adequately, and her scenes were among the best of the film. Glee's Titus Makin (Jason) shows competence, but not greatness, while Fox and Roberts are not given enough to do until near the end. Bryan Massey (Mac) plays the "white Magical Negro," who assist the lead in her journey of self-discovery, a job on which the writers fell down a peg or two. Justin Avery (Jon) plays the romantic fodder, but is otherwise superfluous and stereotypical. Ainsworth is left stranded by the writing, not because the film is poorly written, but because of her amazing talent. There is only so much one can do with a film like this.Very early on in the film, Ainsworth mows down the "movie star" checklist: flawless body language and voice tone, the ability to slip into character convincingly, a rare level of attention to detail, exceptional range which exceeded the writing, and a sexuality which, while not the typical "bombshell" variety, would leave one hard-pressed to find a man who would reject her, and which, even while front-and-center, is never gratuitous or crude. Surround her with top-shelf talent, and she can and will go anywhere in film, or in series television; perhaps ABC will reconsider Ainsworth and Jennifer Beals's pilot "Westside" on which they foolishly passed.For all its many good points, the film needed a stronger compass, particularly with regard to what makes Ashley tick, and why she transformed into a good girl without much resistance, but these are minor plot issues that detract very little from an excellent performance in a decent film, one which could have ruined my afternoon off, leaving me feeling like I wasted my $14.98, but which definitely did not. I highly recommend this film. My primary question was answered: Lexi Ainsworth is more than capable of carrying a film. I look forward to her future work.

So This Is Christmas is a great film! We loved it! We can't wait to see it out in theaters so all our friends can see it too! I loved the fact that it was a blended family with a black mom and white dad. It is so appropriate for our world today, yet you don't see it much on movies or TV. I really loved the Christian beliefs added, we need more of this in our movies today! The movie was heart wrenching, funny and serious, so you had several emotions throughout the film, which in my opinion makes a fabulous movie! The actors did a great job bringing the characters issues to the light and learning from them. I could see the pain they all were facing and it was real!!! Great job!

A Christmas film that the whole family should go see. With even grade school kids being exposed to so much info so young....this is one that shows right from wrong an brings hope to those who have lost theirs for whatever reasons. A heart warming experience that will surely help you leave the theater in The real uplifting spirit of Christmas. In a society that has seemingly lost the real meaning of Christmas .....to extended yourself to give to others....this movie is a throw back to the reality of real giving! Showing that our adults are so involved in making a living they are out of touch with their family. Neglecting to see what is really going in our children's lives in our own homes. This movie shows how outta touch we can be an how there is hope of getting our family ties back to the real deal... called family.