I've Heard the Mermaids Singing

R 6.7
1987 1 hr 21 min Drama , Comedy

Scatterbrained Polly gets a job as a secretary in Gabrielle's art gallery. Polly aspires to be a professional photographer, and idolizes Gabrielle for her artistic ability. When Gabrielle rekindles an old romantic relationship with the younger painter Mary, Polly becomes jealous, and discovers Gabrielle isn’t exactly who she claims to be.

  • Cast:
    Sheila McCarthy , Paule Baillargeon , Ann-Marie MacDonald , Brenda Kamino , Patricia Rozema

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Reviews

Stellead
1987/09/11

Don't listen to the Hype. It's awful

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Fairaher
1987/09/12

The film makes a home in your brain and the only cure is to see it again.

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Tayloriona
1987/09/13

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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Portia Hilton
1987/09/14

Blistering performances.

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jeffersontao
1987/09/15

This is one of my favorite movies of all time! Probably number two on my mental list. The cast is superb. I can't imagine anyone else filling the parts more perfectly. The imagery and the very way the movie is presented is a work of art. It's like art imitating life imitating art. There is also musical treats, for one, Delibes "The Flower Duet" from his opera "Lakme,"! From my Taoist perspective, this movie reflects the wisdom of letting life happen instead of trying to aggressively make it happen. When Polly tried to be something she was not meant to be, the results were disastrous. When she finally realized her inner nature was not a weakness, but her strength, she triumphed! Mary Joseph was the catalyst that made Polly finally begin to realize she was not some freak by defending the photo on the floor, and clarifying her own relationship with Gabrielle. It was especially interesting when Polly and Gabrielle were chatting about relationships and society during one of Polly's dreams. The Freudian quote reflects a wisdom that has been lost in time, but still very valid and true. This movie also mirrors the disconnect and love/hate relationships between artists and art critics. I wouldn't recommend this movie to anyone under 30 unless you are the "old soul" type or somewhat intellectual. Otherwise, you won't get it, and there's no special effects, graphic violence or steamy sex. The insight and wisdom required to understand a movie such as this comes mostly with age. I have also known people that have acquired such insight via LSD, as I probably did, but I DO NOT RECOMMEND that route! The reasons why are because it's 40 years too late, Timothy Leary is dead, and without such a guide as he, the side effects from an illegally or poorly manufactured drug would be dangerous and deadly!

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claudewadams
1987/09/16

I would love to embrace Canadian cinema. I really would. And I don't mind a little weirdness. But mermaids in Lake Ontario? Silly words passing as satire? Somebody owes me an hour and twenty minutes. That's what I squandered on this foolishness masked as art. Please tell me we can do better than this. (And the thing was taxpayer-funded!) Good grief! They tell me people stood up at Cannes when it was over. What did they do immediately after standing up? Was it a polite exodus, or was it a stampede. How could you "spoil" this? In the final scene, after the credits, Polly opens the door to her squalid apartment we see a forest scene. They wander off to together and we go to black. Hello! This is one of those films, conceived in a disgruntled moment, that needs subtitles to guide us thru the morass of symbolism and allusion

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bratkievich
1987/09/17

Quirky little film about a seemingly aimless temp worker that starts working at an art gallery. Polly, the main character, is delineated in detail: lovable but mildly exasperating in her cluelessness and lack of social skills (you are constantly concerned that she's gonna embarrass herself and, quite often, she does) although she's a bit of a stereotype (the innocent, pure, slightly clueless person with a golden heart and the best intentions that gets herself and others into trouble). She's lonely too, and this detail is wonderfully depicted in a scene which shows her preparing some food and eating by herself, with only her cat as company. Her hobby is photography and she hopes that her boss will like her photographs, with heart-breaking results when Gabrielle tells her, without knowing that they're Polly's, that her photos are "trite made flesh." The pain she feels will speak volumes to anyone who fancied him/herself an artist only to face the scorn or disinterest of others. However, the truthfulness of this moment is slightly marred by the ending in which Gabrielle seems to realize that her photos are indeed good; this seems like too much of a tacked-on happy ending. Gabrielle's character is not so well delineated, although it's quite poignant to see a person who is fascinated by and knows a lot about art and yet knows that she has no talent herself.

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gr15kg
1987/09/18

One of my top ten favorite films of all time, this is beautifully put together- I can't fault the film in any area, other than its not been released on DVD yet. This is easily the best film to come out of Canada, and Patricia Rozema will have a hard time bettering it. The whole movie plays like an ethereal dream with occasional lapses into consciousness. There are some very funny pieces, and some touching moments too. If you ever rent or buy a film because of a review on here, let it be this one, its totally brilliant, and one of the only films ever to be given a standing ovation by the critics in Cannes when it was first shown.Truly magical.

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