Sorry, this movie sucks

Excellent, Without a doubt!!

It's easily one of the freshest, sharpest and most enjoyable films of this year.

This film is so real. It treats its characters with so much care and sensitivity.

Shane Meadows (This is England) directs this mock music documentary about Le Donk (Paddy Considine), a Nottingham based roadie working for The Arctic Monkeys and managing rapped Scor-zay-zee (playing himself). The film blends reality and fiction and is set and filmed in five days leading up to an Arctic Monkeys gig in Manchester. Le Donk has recently separated from his pregnant girlfriend (Olivia Coleman) and travels to Manchester with Scor-zay-zee for work and with the hope that he can somehow get the rapper on the bill at the gig.Paddy Considine is brilliant as Le Donk and carries the entire movie. Most of his lines are improvised and the majority work, with hilarious results. He appears to be channelling David Brent and Alan Partridge at times but is thoroughly convincing. The film itself outstays its welcome after about 45 minutes. Despite a promising start the joke kind of gets old by the mid way point and although the film comes in at only 71 minutes, it feels long. I couldn't help feeling that it was more suited to TV and perhaps would have worked better as a 45 minute or one hour special. I'm glad that I didn't see it at the cinema myself.The idea itself is interesting and well executed but it is unable to sustain an entire feature, even one as short as this (there are at least three musical montages). Unlike Spinal Tap for instance which has two very strong central characters and numerous side characters, Le Donk is pretty much here on his own. Scor-zay-zee provides the odd funny line but he is either not good enough or not used enough to provide much impact. The side story of Le Donk's pregnant ex added a few minutes to the run time but is perhaps more important for cementing the two actors relationship before they worked together on Considine's brilliant directorial debut Tyrannosaur.Overall the film is sometimes entertaining and occasionally very funny but doesn't have enough about it for a successful feature film. You have to commend everyone involved though as they've managed to make an average film in just five days with a budget of £48,000 when many studio films fall flatter than this with budgets one hundred times that.www.attheback.blogspot.com

The success of Shane Meadows' recent television series on Channel 4 will hopefully spike a revival of interest in his brilliant movies; including this one, his funniest film yet. In his youth, Meadows was in a band with Paddy Considine, whose career as an actor he later helped launch; and the two are back together here, with Meadows playing a fictionalised version of himself, a film-maker shooting a documentary about the life of a roadie (Considine) and his musical protégé, a most unlikely rapper. Considine is great, as ever, in playing the part of a social misfit utterly lacking in self-awareness: the film is full of laugh-out-load moments, yet still manages to be touching in places. I don't know if the low budget is the reason why the role of a supposedly new-born baby is played by a child who's practically a toddler, and it's scarcely a weighty piece, but it's delightful nonetheless. I continue to find Meadows' ongoing struggle for commissions amazing - to me, he's the best film-maker we have in the U.K. right now.

A few years after the heights of This is England, Shane Meadows and Paddy Considine came out with this little seen film which is a sort of reality-mockumentary. The film follows a roadie of sorts ahead of him setting up for the Arctic Monkeys and also trying to secure a warm-up slot for podgy white rapper Scor-Zay-zee. In the style of a reality show it is mostly unscripted as it follows Le Donk around from his parent's home to his pregnant ex-girlfriend.This sat on my queue for quite some time before I finally decided to watch it and I think the reasons for this are pretty clear. Even from the description the film looks like something that was thrown together in about five days on the barest expenses and it looks like that might be a bad thing, despite it being something the makers boast about. This is exactly what the film turns out to be though and it is not always a good thing. Working with a very basic script and improvising a lot of stuff is tougher than it looks; you think it must be possible to work it out in the edit but the truth must be you have hours of rubbish because the reason people sound cool in movies is that it is scripted, rehearsed and refined – in real life you have to just say whatever comes, which isn't that good often. And so it is in this film because what is missing from it is meaning.It is character driven – they are in the titles, they are the focus of the plot and they are the only reason cameras are there – so it only stands to reason we have a film about them as characters. The door is open in particular for the film to find the person behind the swagger and noise in Le Donk but the film never does it. It would be tough to achieve this all improvised but it could have been done with clearer scene structure and direction, and it would have made the film better by some margin as it would have given something for the viewer to follow. It sort of happens, but that's about the height of it because mostly Le Donk is a comedy character (who isn't particularly funny) and we don't learn a terrible lot about him.This isn't Considine's fault though, because he at least makes the film watchable by virtue of his performance. He is an arrogant idiot who is full of unjustified toughness and it shows to everyone except him. I would have loved Meadows to partially script some scenes to make more of this character but I guess that what happens when you limit yourself to a few days to make the film. Palinczuk is likable and has some ability with writing for sure, but again there isn't a person here – what you see is all we're allowed to get. Colman is an odd find but is natural here, while the star power of the Arctic Monkeys at least doesn't get in the way of the film.Overall though, this is a so-so film. It is driven forward by Considine and the gimmick of how it was all made, but these are not enough on their own. It works well considering it was improvised but to be honest it could have done with a bit more of a structure in terms of the characters to allow us to benefit from it being so tightly focused on them. This is a novelty, but it could have been better with just a little bit more work in regards character and character development. Worth a glance for Meadows/Considine fans, but for the casual viewer it will feel like a joke stretched thin.

As you might imagine, I had great expectations of this film, indeed I have great expectations of any film starring Britain's scariest actor Paddy Considine. But this was yet another sleight outing from Shane Meadows who had the semi-eponymous Mr Considine giving a fine performance, but, mysteriously, as David Brent!Nevermind, I found his companion-in-title Scor-Zay-Zee fascinating, all the more so when I contemplate he is actually a rapper! Extra marks were on offer if Shane had turned his camera across the road at the final Arctic Monkeys gig for a quick shot of my old school.All in all, an opportunity missed!Ron(Viewed 10Oct09)