The Object of Beauty
American couple Jake and Tina are living in an expensive London hotel above their means, incurring a sizeable debt. When they are asked to pay a lavish dinner bill and Jake's card is declined, he suggests they sell Tina's tiny, expensive Henry Moore sculpture to cover the debt. After they hatch a scheme to claim the sculpture was stolen in order to collect insurance on it, the sculpture mysteriously goes missing.
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- Cast:
- John Malkovich , Andie MacDowell , Lolita Davidovich , Joss Ackland , Bill Paterson , Ricci Harnett , Peter Riegert
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Reviews
Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.
Exactly the movie you think it is, but not the movie you want it to be.
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
John Malkovich (Jake) was really good looking in 1991 when he was 38. Andie MacDowell (Tina)was 33. In a nude scene from the rear and partial side she is drop dead gorgeous. Jake and Tina are stylish, selfish and broke. He is a wheeler dealer who's latest gamble on a shipment of cocoa is a disaster, and his credit is maxed out. She owns, and adores, a small Henry Moore bronze figure of which only 9 were cast and then the mold was broken. It is their only thing of monetary value. She muses about reporting it stolen to collect on its insurance, but he says it is too risky. The sculpture goes missing. A deaf-mute hotel maid admired the sculpture for its beauty rather than its value. The plot thread about her is perhaps the heart of the film, but I enjoyed most of all the character development of Jake and Tina. The film is a delightful exploration of how the two lovers deal with the disappearance. Spot on acting and directing. I loved it.
I had difficulty watching "The Object of Beauty" to the end. What kept me going was the little bit of intrigue about Jenny, the deaf-mute hotel maid who steals the statue. That little subplot, with the unknown outcome of theft, is all that kept this film together. And, it's what kept my interest in watching to the end. Otherwise, scenes of eating, drinking, and sex that repeat ad nauseam could hardly make for an interesting story.A few viewers saw something of social commentary in the movie -- that it poked fun at materialism. I didn't see that. What I did see seemed to be almost a celebration of hedonism and self-centeredness. The producers may have intended criticism of that way of living (I can't call it a lifestyle – while they lived it up in style, there was no real "life" in them). But that didn't come across as obvious. Whatever intent there may have been, the film seemed to me to be mostly about two people who lead hedonistic, pointless lives without regard to or consideration for other people. Indeed, their attitude toward all others in the hotel is demeaning and dismissive. Some reviewers commented on romance, comedy and the acting. The script clearly showed two people who didn't live for each other, but simply in companionship with one another. That's not love, but "using." Is that the romance some saw? I didn't laugh once in this film, or even smile once. I didn't hear any real clever or witty dialog. If it was a satire, it was so far over my head (very possible, I admit) that I didn't get it. But, I don't think this film was quite that sophisticated. It just doesn't have any comedy that I could see. A couple called it an intelligent film. But I couldn't find any intelligence in two characters living high on the hog and constantly avoiding, skirting, maneuvering around, conniving and cajoling with people to keep from paying their bills or confronting reality. On the surface, they seemed calm, but they worried about their next move all the time. Surely, that's not an "intelligent" film, is it? As to the acting, I saw nothing special or exceptional. One other reviewer noted that Malkovich and MacDowell were their usual selves. They seemed to me – Malkovich as Jake, especially – to just blithely move from scene to scene. This movie has no energy. Not in the script, the actors or the direction. There is no real drama, and certainly no comedy. The dialog between Jake and Tina was mostly meaningless and drivel. And watching a couple's continuous indulgence in food, drink and sex just isn't my idea of entertainment. I give it four stars for the subplot and the supporting cast in the hotel.
The Object of Beauty (1991) it has all that is needed for a movie to keep you interested I love it. Its funny, interesting and romantic kind of...and let's not forget who is playing : John Malkovich & Andie MacDowell I recommend it. Enjoysynopsis:American couple Jake and Tina are living in an expensive London hotel way beyond what they can afford. When they were asked to pay the bill, Jake wants to sell Tina's 20.000 pound Henry Moore sculpture, but she is not happy about that. The deaf-mute hotel maid admires the sculpture for its beauty rather than its value. When the sculpture goes missing, the couple start fighting over it... Written by Sami Al-Taher {[email protected]} Charming comedy about how a couple's relationship waivers in tandem with the disposition of their statuette. With no fixed abode, Jake and Tina live in hotels across the world. With a large bill due, and money in short supply, their plan to "steal" their Henry Moore statue and claim against it is thwarted when someone else steals it first! They soon start distrusting each other's motives as they search for the statue, and keep trying to get its valuation boosted while avoiding the bill. With no sign of it, they start to drift apart, despite being in love, and don't reconcile until it reappears one day - having been stolen by a deaf-mute maid, who feels the statue "spoke" to her. Written by Cynan Rees {[email protected]}
a smart, little chekhovian drama about greed and infidelity. malkovich and mcdowell play themselves: a cold, calculating bastard and a spoiled, falsely naive princess. a great little film that deserves to be mentioned more often.