Symphony in Slang

7.6
1951 0 hr 7 min Animation , Comedy , Family

At the gates of Heaven, the admitting officials have a hard time understanding a newcomer's life story with all his contemporary slang.

  • Cast:
    John Brown

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Reviews

BallWubba
1951/06/16

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

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ThedevilChoose
1951/06/17

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

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Ella-May O'Brien
1951/06/18

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Zlatica
1951/06/19

One of the worst ways to make a cult movie is to set out to make a cult movie.

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63x927is58401
1951/06/20

Tex Avery is my all-time animation writer & director. Symphony In Slang is my all-time favorite cartoon. If I could , I would rate it one-hundred stars. Cartoon writer, Rich Hogan done the best work in Symphony In Slang, putting together at least sixty slang clichés & the animation that shows as the voice, John Brown, perfectly said numerous slang terms, throughout this all-time classic cartoon. Tex Avery's mind of continuous & numerous creations throughout his career, at any studio, is definitely that of an animation genius. Tex Avery's works & animation creations are extremely unique, especially during his fourteen plus years at Metro-Goldwyn-Mayer. In my dictionary, Symphony In Slang is Extremely & Hysterically Humorous, from beginning to end!

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Michael Daly
1951/06/21

Rich Hogan and Tex Avery took on cliches and catchphrases in this highly stylized 1951 short on a happy-go-lucky guy who must explain his life story to Angel Webster before being admitted to the hereafter. The humor comes from the hipster's use of cliches and catchphrases that are hilariously given literal illustration by Avery and company, from getting up with the chickens, slinging hash, being shorthanded, and so forth. The cartoon is not only a masterpiece of visual description, it is a landmark experiment in limited animation, uncharacteristic of Avery for that time as he uses still poses to extract laughs, notably the shorthanded cook, chewing the rag, and going through red tape.You'll be beside yourself with anger at first, but hotfoot it to see how slang will make you die laughing, even if the cat has your tongue.

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Robert Reynolds
1951/06/22

This cartoon is typical of Tex Avery in that there are a lot of sight gags, but is atypical in that the running monologue is as important to the humor as the sight gags are. Avery cartoons tend to be more weighted towards visual gags and placed less emphasis on verbal humor, but the premise of the short-how slang would seem to someone who didn't understand what was meant-required a more verbally oriented approach. In less rational moments, I wonder what Avery would make of some modern expressions. Then I go lie down until the feeling goes away. Recommended.

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PJS-5
1951/06/23

A wonderfully hilarious short from the man who brought you the outrageously funny "Droppy series",the humor was incredibly well placed in as sight-gags,the animation I'd never really had any problem with classic Tex Avery shorts,& it's a clever parody to a semi-average lifetime (except for the shipwreck & such but they tried to place in a little bit of originality in),you may think I'm nuts but actually I think this whould make an awesome movie(get someone like Woody Harrelson or Harry Anderson for the part of the guy who tells the story),true the films humor might get a little too overused if you see it enough but I always found it enjoyable.

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