Perfect cast and a good story

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

This is a dark and sometimes deeply uncomfortable drama

"Maestro" is an animated short film from 10 years ago. It's actually a Hungarian production by writer and director Géza M. Tóth. But don't worry, there is no spoken language in here, so you don't need to be able to understand Hungarian. Anyway, it's pretty short, roughly 4.5 minutes and shows us how a bird, apparently an opera singer, prepares for his great moment on stage. All in all, I was not too impressed by this film here, with the exception of two moments. The first would be when his voice slowly transforms from tough to listen to into wonderful to listen to. The second is the ending. I won't go anymore into detail here, but I have to say it caught me completely by surprise and made me laugh. All in all, I guess I agree with the Oscar nomination because the animation here is fine as well. I even would have preferred it was the winner over the Danish entry. It's also better than the "Ice Age" short film and maybe only slightly inferior to the Pixar entry that year. Still, easily my number one choice is "The Little Match Girl", which was such a wonderful experience and, almost 10 years later, still makes me sad that it did not win. Back to "Maestro", I recommend it and I hope we get a full feature movie from the director at some point, if he manages to make it work. I am not entirely sure if he has it inside him looking at how short this one here is and how strongly it relies on the final twist, but why not give it a go, Mr. Tóth?

When it comes to the Oscar nominees for Best Animated Short, you can usually divide the selections into two broad categories. There's the deep emotional tales that tell a complete story – say, 'Harvie Krumpet (2004)' and 'My Love (2006)' – and then there's the one-joke comedic shorts, which are typically enjoyable but inconsequential five-minute distractions. As such, I'm usually disappointed when the latter category earns themselves nominations, as I can't escape the feeling that there's a profound, meaningful alternative out there that I'll now never hear about. 'Maestro (2005),' directed by Géza M. Tóth, inspired this type of mild, illogical resentment; it's good, but it's nothing special, a single funny joke that takes a full five minutes to even approach its punchline. This is not necessarily to say anything negative about the short, merely that its ambitions were quaint from the very beginning. Not every animated film should say something profound about the state of human existence, and perhaps I should simply enjoy this little gag for what it is.In a dark dressing-room, as a chicken-like opera singer prepares for his next performance, a nifty mechanical device industriously grooms him for the big moment. As the machine goes about its duties – pouring a martini, applying make-up, dusting off clothing – the camera, in one clever long-take, continually carves a 360-degree path around the Maestro, shifting in one-second increments like the second hand of a ticking clock. The computer animation is smooth and crisp, doing a fine job of readjusting to the rapidly-changing lighting conditions as the camera consistently circles. The suspense of the big moment is prolonged, to such an extent that the five minutes preceding the all-important punchline seem stagnant and expendable once we know what is about to happen. I don't think that this short will hold up on repeat viewings, and, indeed, I don't feel any inclination to watch it again (which is where it differs even from Pixar shorts like 'Geri's Game (1997),' which I could watch all day). 'Maestro' is worth a look, but it's not one for posterity.

We first witness a robot, in the form of a expanding metal arm, mixing a drink for the "maestro" who is sitting in front of a mirror in his dressing room apparently preparing to perform somewhere.The expanding arm also reaches into a top drawer and brings out selected items for the man. It's his makeup, which the mechanical arm puts on him, along with other chores such as dusting his top hat so he is totally ready for his performance. Meanwhile, the man gets his voice ready with some notes, so our guess is that he's an opera singer.Two things stood out for me in this animated short: the direction and the ending. The "camera" roams 360 degrees around the little room so we see what's going on from all angles. The ending I can't give away but it was a stunner and made me smile with appreciation for the cleverness. Rarely have I seen an ending so good.

This short film has two things going for it, and makes the best of both: one, it uses it's clock motif to constantly change the angles, making every moment seem fresh and original while the cuckoo and his attachment make preparations, and two, the clockwork and timing itself rhymes with a constantly changing lighting set-up that gives a lot of life to the short even during times when the angle becomes awkward or something gets in the way.I think timing is the best thing about this film, in every respect. Where the "camera" is at any one point, what it reveals, what we see, and how the field widens as we get closer to the revelation at the end. Then the lighting at the end helps underline said revelation, resulting in the best audience reaction I've seen in years: a pause while the moment is understood, and then hysterical reaction. This short is incredibly creative, even if it really is just a gag with a single punchline.--PolarisDiB