That was an excellent one.

Pretty good movie overall. First half was nothing special but it got better as it went along.

The film makes a home in your brain and the only cure is to see it again.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

From giant fish heads to deformed birds to manatees attacking cities, the bizarre and the unexplainable all frequent the films of Don Herzfeldt. In his most artistic and abstract film, (winning the Sundance Film Festival's Short Film-making Award) Everything Will Be OK, he channels his fevered genius into the story of Bill, a man lost in the exasperation of existence.The film is narrated completely by Bill, a lonely and exhausted man who walks through a parking lot, chats with neighbors, grocery store clerks and his ex-girlfriend - but mostly he contemplates his chaotic dreams and the hallucinations he kids himself he doesn't have. Chronicling several days in his life, from his preoccupation with death to his recovery in a hospital, Everything Will Be OK promises just that.I have a theory about opera music; and that is that tying any operatic pieces to a film magically and automatically makes it more poignant, thought-provoking and deep. Herzfeldt does this with masterly care and it makes the most awkward and dissonant moments more dramatic and powerful. From Bill gazing at a torn plastic bag flapping in the breeze on the end of a broken pole, to quietly sucking blood from the corner of a sore in his mouth, the calming sounds of opera voices grants us time to take in his abstract visions and actions and appreciate them as art. But is it art? Occasionally, or perhaps frequently, the images and voices that narrate the few days in Bill's life are so disjointed, so appallingly random, and most of all shockingly off-putting that the average viewer might not find the meaning behind it all. And perhaps this is what Herzfeldt wanted. Regardless of the hidden themes and purposeful hectic imagery, humor is always prevalent in Everything Will Be OK. Whether or not that humor is your cup of tea is really dependent on how much humor you unearth from the morbidity of death, mental sickness and the monotony of life. The sporadic nature of his jokes, from Bill dreaming of throwing dead bodies out of a tiny boat to his experiencing the sudden inability to control his bladder, is oftentimes enough to jolt a giggle from the audience. At other times, the dire seriousness of attacking his mother or having his own thoughts drowned out by stinging voices in his mind, are enough to reattach ourselves to the realities Herzfeldt portrays.The animation Herzfeldt uses is the kind that wobbles and wiggles on screen, due to the individual drawings not lining up completely. The character designs themselves are ridiculously simple, practically to the point of stick figures, but this gives the artist time to concentrate on the creative aspects of his animation. Using black and white masks to reveal only portions of the screen, mostly off-centered or with multiple windows of activities occurring simultaneously, Everything Will Be OK unfolds at a fast pace and presents much of the confusion Bill experiences just as chaotically for the audience. The simplicity of the art itself aids the idea that the story is universally approachable, although not necessarily universally coherent.Commenting on the themes of life, death, mental deterioration and the repetition of dull everyday life, Bill's adventures, which cover seemingly unadventurous events, sees him journey from one average day through to the brink of extinction, and then back again to the sameness he may never be content with. The final scene in which he rides a bus in the rain once again slows with the introduction of serene opera voices, which leaves us, whether understanding his journey or not, with a sense of satisfaction.Mike Massie

At 17 minutes, this is a long animated short and one that might bore a number of people, but it was strangely intriguing. Basically, it's just a narrator seen on screen as a stick figure talking about life as it passes him by, his thoughts and some of things that happen to him. It's hard to explain, because it's bizarre humor. As someone who appreciates the absurd, I laughed out loud a half-dozen times at some of the crazy "observations" the narrator made.Our host, our main figure, has mental problems. Socially, he's a real loser but you root for him and even in monotone delivery, you hang on each word he says.....at least I did. Be warned, however: some of it is a little gross and once the narrator blatantly profanes. (This isn't something a kid would watch, anyway.) Visually, the artist varies from individual to multiple drawings on screen at once. You can literally see several of the man's thoughts at once as he thinks them. Most of the visuals are the stick-figure drawings but there are photos as well. You get a little bit of everything in this strange film.I also thought the first half of this was far more entertaining and the story and words get darker and more depressing and disturbing as the animation short goes on. If you are familiar with the work of the author of this piece, you know how sick and demented this "movie" might be to many people.This was included in the DVD, "The Animation Show, Vol. 3" and is very original, as the other entries are on this disc. It's also "not for all tastes."

The banal life of a young man is represented by stick figures and described by a monotonous narrator. We hear about his moments of awkward social behavior, the silly ideas that occur to him, his goofy thoughts about death and dying; the stick figures and the narration make the banality funny. The audience laughs.Then the one-joke premise overstays its welcome. We're waiting for this thing to end, barely aware that the writer and director Don Herzfeldt, through his narrator, is sneaking in some disturbing items on the list of banalities. It hits most of us that something is seriously wrong when the young man notices a trickle of urine sliding down his pants leg. Is he sick? It turns out he is, both mentally and physically; and it seems he may die. We see, and hear about, the reactions of his mother and uncle. They buy a casket for him. He loses control of his mind.I found this animated short about illness and madness very moving. I know how I feel about it, but what did I think of it? Did Herzfeldt intend to make a short that initially appears to us as a one-gag cartoon? Whether he intended it or not, was this a mistake? Did it add to or subtract from our reaction to the second half? Did Herzfeldt intend to amuse us, then bore us, then frighten us, then sadden us? Is telling a serious story with stick figures a kind of joke? Or were the stick figures the most effective way of telling the story? Or both?In asking these questions, I think I've come up with my own answers. I think Herzfeldt intended the effects he got, and I think they were good ideas. This film is highly recommended.

This Animation was truly wonderful, I saw it during the Animation Show 3, and was simply amazed. People may call Hertzfeldt's work "bad" because of the lack of detail in the frames, well, I oppose that. Hertzfeldt wastes no time in making his frames into ultimately perfected pieces of Art. The narration (which I assume is Hertzfeldt) is hilarious as it revolves around a "special" time in Bill's demented life, ranging from trips to the local grocery store with the crotch-fruit to having his head sent in to space (which his ex-girlfriend feels uncomfortable about). As the film progresses, you find out that not "everything will be okay", but then it is for two days, then it isn't, but the next day, he feels better, and truly, everything will be okay.