recommended

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

This film is so real. It treats its characters with so much care and sensitivity.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Pigs in a Polka (1943) ** 1/2 (out of 4)This Looney Tunes short takes the Three Little Pigs story and sets it to classical music.Yeah, the additional of classical music is really the only thing that separates this from the countless other versions of the story. The Disney version is without a doubt the best that has ever been done and this one here really can't compete with it. With that said, the idea of having the story set to classical music was a rather clever idea but I just don't think it really paid off in regards to entertainment. This is far from a bad movie but at the same time there's really nothing good here or anything that would make you want to watch this over the more traditional versions.

Friz Freleng's 'Pigs in a Polka' is a terrific parody of both Disney's 'Fantasia' and Disney's Oscar winning Silly Symphony 'The Three Little Pigs'. Freleng, always a dab hand at the musical cartoons, sets the Three Little Pigs story to Brahms' Hungarian Rhapsody. On first viewing, I was disappointed in the comparative lack of gags in the cartoon but I was missing the point. The humour here comes from the characters' actions and how impeccably Freleng synchs them up with the music. The cartoon really comes to life the instant the high kicking Wolf makes his appearance. From here on in, there is no dialogue whatsoever, just beautifully choreographed sequences in which the Wolf tries to gain access to the brick house of the third pig. Like the cartoon it parodies, 'Pigs in a Polka' was nominated for an Oscar but unfortunately, unlike Disney's cartoon, it did not win. While it is less well known than it should be, 'Pigs in a Polka' still retains a high level of respect in animation fan circles and its cult reputation is richly deserved. You only have to look at the superb final moments in which the Wolf falls down an elevator shaft, collapses and the iris closes on his face all in perfect time to the music, to know that 'Pigs in a Polka' is a class act.

"This is our interpretation of the familiar tale of 'The Big Bad Wolf And The Three Little Pigs.'" An announcer is telling this to an audience, of which we are privy. He adds this story "is set to the delightful music of Joann Brahm's 'Hungarian Dances.'"So that's what we get: this fairy tale set to music. The announcer, butchering Brahms' name, is funny, but not a lot of other things are in here. In fact, that might be it. What you mainly have here is a cartoon in which the actions of the people, from walking to dancing and prancing to the wolf chasing the pigs all is set to the music. Maybe it's just me, but I prefer humor in my cartoons. This was not something I'd watch again.

When Disney did the first The Three Little Pigs, I wonder if he knew he was starting a cottage industry at the very least and The Animators Lifetime Employment Act at most. I suspect more different animators have taken a turn at the Pigs than any other characters in the history of animation. There have been military takes (Blitz Wolf), Pigs as con artists (a meeting with Bugs Bunny) and musical takes, like this one. This is one of the better uses of classical music tied to animation (the best short to do so is Rhapsody in Rivets), with the action on screen fitted to the corresponding musical scoring. This was nominated for an Oscar and periodically plays on Cartoon Network. Recommended.