Fresh and Exciting

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

This low-budget swashbuckler (albeit filmed in murky color) proved somewhat better than anticipated – given that the Leonard Maltin Film Guide deemed to slap it with a measly *1/2 rating! To begin with, it's bolstered by such imposing credentials as scriptwriter Philip Yordan, composer Dmitri Tiomkin and, of course, director Dmytryk. Incidentally, this was the latter's first American film after his unfortunate stint as one of "The Hollywood Ten" – which saw him imprisoned and then exiled for non-collaboration in the McCarthy witch-hunts; however, within two years Dmytryk would renounce Communism and turn friendly witness, which is how he got back into Hollywood's A-list and eventually helmed such high-profile titles as THE CAINE MUTINY (1954) and THE YOUNG LIONS (1958). With this in mind, the political subtext regarding the character of Patrick Knowles – aping his frequent co-star Errol Flynn as a disgraced naval captain who's forced to serve as First Mate to a younger officer (an unlikely yet effectively cast Mark Stevens) – can hardly be a coincidence!Interestingly, the only woman involved (played by Angela Lansbury) is depicted as a femme fatale and Knowles' opportunistic lover – who goads him into usurping Stevens' leadership, and even connives with the crew (led by hook-handed Gene Evans and Rhys Williams) to steal the ship's cargo, a camouflaged 'treasure' intended for the U.S.A.'s 1812 war effort! At only 77 minutes, there's more talk than action – but the latter does come in at the climax, where it's both efficient and versatile: following the mutiny itself, we get the expected sea battle culminating in the deployment of an archaic form of submarine (which, in turn, leads to Knowles' self-sacrifice).In the end, I would have liked to add MUTINY to my collection – but had to forego any such intention due to the substandard quality (typified by intermittent picture fuzziness) of the print utilized for Platinum's budget DVD release.

Mutiny has to be down at the bottom of the list of the films of Edward Dmytryk. It's a story that takes place during the War of 1812 where U.S. Navy Captain Mark Stevens is given a mission to get a big shipment of French bullion to build a fleet. Stevens gets a cashiered former British naval captain Patric Knowles to help, but Knowles and a few of his former crew like Gene Evans and Rhys Williams have their own agenda.The script here is almost laughable in its ignorance. The film actually starts out with a scene of British impressment of American seamen and we hear word of war being declared. During the course of the film it's mentioned that we got to get that bullion back from Knowles and his confederates who stole it because word has just been received that the Washington, DC was burned to the ground.Now I granted travel wasn't what it is today. But the burning of Washington took place in 1814 and even with all the detours Stevens and the shipment took, it didn't take two years.Angela Lansbury considered this the nadir of her film career and it probably was. But she plays Knowles's wife and the reason Knowles got drummed out of the British Navy was for embezzlement of his ship's payroll to pay for her extravagance. She's a piece of work Angela and she overacts the part with relish.Everybody in the cast has done better work, pass this one by if you can.

Though about average overall, "Mutiny" has some strengths, with an interesting period/adventure setting and a couple of good performances. The story includes some good action sequences that help make up for the less interesting stretches. The shipboard atmosphere generally works well, but the lighting and photography are so dark (at least in the print as it now seems to be available) that a lot of details get lost or obscured.The setup has Mark Stevens as the captain of a ship carrying out a special mission during the War of 1812, with Patric Knowles as a disgraced captain who is now serving as second in command, Angela Lansbury as Knowles's greedy and domineering wife, and a mutinous gun crew looking for a way to turn things to their own advantage. It's interesting in taking the historical setting as the backdrop to what becomes a largely private battle of nerves and wills. The circumstances of the war do come into play often enough to make the setting relevant.Knowles is effective in portraying his complicated, somewhat indecisive character, Lansbury gets the kind of role that she used to perform quite believably, and Rhys Williams and Gene Evans are good as the ringleaders of the mutineers. Stevens is solid, but sometimes slightly lacking in energy, as the captain.The finale is the best part of the movie, and it is set up nicely, leading to a three-way showdown with plenty of suspense and action, plus an interesting depiction of a primitive submarine. It's good enough to make up for an overall lack of consistency in much of the rest of the movie. In the earlier parts, especially, the script sometimes takes too long to establish simple points, and it also has some stretches in which some weak dialogue weighs it down. So its by no means perfect, but it does have enough to fill its relatively short running time with a generally interesting story.

Watch this for Angela Lansbury burning up the screen. Mark Stevens and Patric Knowles are fine but once she appears the film takes off. Dymytryk's direction whips along and the narrative is sufficiently novel to hold the attention. Lansbury is really a noir villainess on the high seas - using her man to get to the cash. One warning - the print shown on Matinée movies is grim - scratched, out of focus and the technicolor down to almost two strip. The film is an independent production - King Brothers - which means that it is a bit of a rarity and may account for the quality of the print. Is there a decent neg or print anywhere or is this it?