Nice effects though.

Good story, Not enough for a whole film

Although it has its amusing moments, in eneral the plot does not convince.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

After reading IMDb reviews and finally getting to see this entertaining (theatrical version) pilot for the Man from UNCLE series for myself, I have to concur that this was worth the ride. Grittier and less peppered with humor than TV episodes, this story enlisting a civilian to bring down a villain was an interesting plot element that Hitchcock often employed. Robert Vaughn as Napoleon Solo is pretty much on his own, with David McCallum's Kuryakin part barely more than a cameo. Pat Crowley is the attractive US widow working with Solo. Seductive Luciana Paluzzi is the bad girl Angela, who baits Solo. A scene that would never be approved back then for TV has stunning Angela wearing a form-fitting sleeveless dress standing in front of Solo who frisks her with his automatic with a silencer, passing it slowly from her armpit down to her ankles and up the inner thigh, after which the camera changes position as he continues the frisk. Angela never bats an eye. A spy for all sides.

Solo the spy goes on a dangerous mission.I am okay with the spy genre but I don't actually call myself a fan spy movies/TV shows. I am indeed a fan of 1960s adventure shows (Batman, Voyage to the Bottom of the Sea, QM's The Invaders, etc) and this is why I am drawn to the UNCLE movies. I also like Robert Vaughn.To Trap A Spy is taken from the very early days of the UNCLE series and it has that nice TV pilot-feel.Don't be turned off by this being just a TV episode re-edited into a movie...the dialogue, direction and sets are of motion picture standard! In fact, I like this more than many of the 007 feature films.

I won't go into the production details of this film, others have covered all that extensively. For the most part, "To Trap A Spy" is regular, though competently made, spy fare. But two female performances give it a boost: Luciana Paluzzi, despite being second-billed, only appears in two sequences, one brief, one extended. Still, those two are enough to further prove that she was one of the most classic bad girls of the 1960s - her performance here is basically a dry run for her unforgettable Fiona Volpe in "Thunderball", the following year. And Pat Crowley creates an unusually, for this genre, sympathetic and three-dimensional character as the "ordinary housewife" who gets a taste of glamour and espionage - while also being quite game for the more physical stuff. I was surprised at how tiny David McCallum's part is here, considering he is the main co-star in the TV show where this film comes from. **1/2 out of 4.

I came to this movified "The Man from U.N.C.L.E." feature after faithfully watching four other much later similar concoctions, so that I was feeling a bit "uncled-out" by the time I decided to watch "To Trap A Spy". I'm pleased to say that I was pleasantly surprised to learn that this was the expanded pilot episode (before the "Man" became effectively the "Men" as David McCallum quickly gained co-star status and better balanced out the entertainment).There are a few curios on-view here for the discerning fan - no Mr Waverley, for one, the word "T.H.R.U.S.H" replaced by "W.A.S.P." with fairly ugly overdubbing, for some legal reason or other and as stated , Illya in only a very minor bit-part at the beginning of this episode. More pertinently are the stylistic differences; the fare here is certainly grittier and less comic-book than the more sanitised mid-late 60's seasons, exemplified for one thing by actual blood-stains on bodies when shot and mildly shockingly when Robert Vaughn gets dressed on camera after obviously bedding the treacherously beautiful Angela played by Luciana Paluzzi.Now I've seen the difference, I think I prefer this less gimmicky approach but encouraged by James Bond's gadgetry, obviously the producers of "U.N.C.L.E." felt they had to follow suit as the swinging 60's progressed. There's a reasonably suspenseful death-trap which Solo resourcefully escapes and I liked the idea of the Cinderella housewife whom Solo coerces into U.N.C.L.E.'s employ due to a past relationship with "T.H.R.U.S.H. / W.A.S.P."'s Mr Big. Some of the settings and plottings reminded me, probably deliberately of "Dr No" and I was also amused by the coy finishing scene with Solo down-playing his Lothario urges on a mildly suspecting air-stewardess.Okay, so you'd still take "Goldfinger" or "Thunderball" any day of the week, but it was good to see Robert Vaughn at the birth of his own cool and "U.N.C.L.E." before it started aiming too much at teenagers also getting their kicks from "Batman", "Get Smart" and "The Green Hornet".