The Worst Film Ever

How sad is this?

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

This movie is entertaining enough. I guess the strength is in its action thriller approach to the typical 'romancing the stone lets get the loot adventure in a third world jungle like setting' deal. Its telling and revealing; the things I have to say and the reasons for it. I am poor and have a VHS collection that keeps my time. So after watching this for the umpteenth time, though entertaining, I wanted to say that I find Holbrook to be an ostentatious, ugly pig slut doing the typical 'rich-bitch' thing and I want to bash her head in with an ice pick! I get annoyed also with Wiley's pursuit of said rich-bitch, it would be much more entertaining to see her somehow tragically fall into the blades of a moving helicopter. but then it is only a movie. Why do I watch it if I hate all this stuff about it? Because I'm housebound and have nothing much else to watch!

When I first saw this movie , and I only saw it the one time, I was highly intoxicated with placidyl and early times but I have remembered it through out the years as one of the best pictures that I have ever seen. Though high I remember quite a bit of the story and plot. When I saw it, I had been at the set of a movie called Steel that was filmed somewhat in Lexington ,KY with Lee Majors, and one of the stunt men was killed in a fall scene.That stuck with me, and when I saw Green Ice it all returned, and at the time that I saw GI I felt as though that it was me dangling on the end of that rope when they were making their escape. It is a movie that I will always remember and wish that I could see it just once more in the state that I was in when I first saw it!

In the Early Eighties ,There was 'Green Ice' which is a surprisingly enjoyable caper that's packed with action - Adventure,and romance, (Ryan O'Neal, plays Joe Wiley a recently divorced Electronics expert, who leaves New York, for the exotic plains of south America, where he meets the beautiful society heiress, Lillain Holbrook,(Ann Archer, Whilst in the exotic resort of Las Hadas, O'Neal inadvertently becomes involved with Emerald Smuggling, Archer is searching for her peace activist sister, who who is brutally slain in the chilling opening sequence. Omar Sharif,plays Archer's potential but somewhat he sinister Suitor, Meno Argenti, a kingpin banished from the diamond concession but is a big player in the emerald, business, There is a fantastic sequence, which see's O'Neal and his associate played by the ever brilliant, John Larroquette,travel in a convoy of Custom hot air balloon's to rob Sharif's emeralds,Which are housed in his Voice activated vault, Atop a glistening skyscraper, Their is excellent Cinematography, throughout this picture particularly the aerial, shots, James Bond credits designer Maurice Binder designs the opening titles which are excellent, Former Rolling Stone Bill Wyman, infuses the film with his brilliant Synth electronic score, Like The Green Emerald's in the film Green Ice Sparkles with excellence

A poorly developed action adventure film shot largely in Mexico, this affair begins in promising fashion, but after its first of several changes in direction occurs within the plot line, little remains that will interest a viewer. A group of international students (in reality organized supporters of anti-government rebels) is massacred in Colombia by Federales as action opens, while during alternating scenes Joe Wiley (Ryan O'Neal), an American electronics engineer, visiting Mexico to recover from a divorce, meets an affluent socialite, Lillian Holbrook (Anne Archer). When the two become romantically involved, a complicated situation forms since Lillian is being wooed by Meno Argenti (Omar Sharif), a powerful plutocrat who controls the emerald trade for the rotten Mexican government, thus leading to shared distaste between the two men. When Lillian travels to Colombia in quest of her missing younger sister, Joe goes with her, an act not endorsed by Meno who wishes to wed her for personal reasons other than love, and a climactic conflict between the rivals can result only in violence. The screenplay is a hotchpotch with a thread of intended light-hearted romance woven among such disparate themes as murder, torture and sadism, along with grotesquely silly stunts that Joe and his cohorts perform in attempts to foil the evil Argenti. The piece is heavily cut for distribution, and editing is very choppy, increasing the episodic nature of a script that consistently meanders, scenes honouring logic being very rare indeed. The players are somewhat hindered by their cliché laden lines, O'Neal being even more encumbered by a large assortment of electronic and other specialized equipment that is magically available for use in situations requiring derring-do. Camera-work under supervision from cinematographer Gilbert Taylor is strikingly effective and creative but general mistreatment of basic rules of continuity sinks this effort despite its pretty scenic effects.