The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

An old-fashioned movie made with new-fashioned finesse.

Bob Malone (Rooker) is an L.A. ex-cop who is having a very bad day. First his daughter mouths off to him, then some guy blocks in his car, and after that he gets into a battle with his local ATM. His Loan Officer (that's his name, evidently) (Willard) won't even give him any more time. To make matters worse, two Japanese gangsters named Koji and Hideo (Ishibashi and Takasugi, respectively) show up in town brandishing a mysterious suitcase. It seems they're in the midst of a gang war with the Italian mafia, and thanks to the inadvertent intervention of a psychotic man named...well, Psycho (Goldthwait), the unlikely pair of Bob and Koji end up teaming up in the name of some sort of justice. But will Bob repair his relationship with his sassy daughter? And is there corruption that goes all the way to the top? The only way to find out is for Bob and Koji to get BACK TO BACK results! Possibly one of the earliest of what we call "Tarantino Slogs", that's somewhat of a misnomer here as Back to Back may be quite Tarantino-esque with the constant jawing of its characters in a crime comedy/drama scenario, but there's nothing sloggy about it. One of the best aspects of the movie is its brisk and peppy pace, and the whole thing is quite freewheeling. And because it was the 90's, back when movies were well-lit, you can actually see what's going on. On the one hand, you have violent action scenes with plenty of gun-shooting and such. On the other hand, you have comedians such as Bobcat Goldthwait, Fred Willard, and Jake Johannsen making appearances, and the mix of the two is uneasy, let's say. The two worlds collide in scenes where Bobcat is shooting cops with a machine gun. You won't see that anywhere else, that's for sure. Whether that's a good thing or not is ultimately up to you. Interestingly, this was touted as a sequel or semi-sequel to American Yakuza (1993), and indeed it is known as American Yakuza 2 in many territories around the world. Apparently calling it that didn't have much cache in the U.S., where it garnered the rather lackluster title it has here. As far as we can tell, the only cast or crew member that made it over from American Yakuza 1 was actor Ryo Ishibashi, though he plays a different character in this one. His star power overseas must be big, as that's a pretty tenuous thread to tie the two movies together. He has been in some things that have gotten some play over here, such as Miike's Audition (1999) and Beat Takeshi's Brother (2000), but he's just one of many cast members on show here, competing for screen time with the likes of Fred Willard, Vincent Schiavelli, Tim Thomerson, Stephen Furst, and others. Fan favorite Michael Rooker gets not only a rare starring role, but an equally rare chance to show off his comedic chops. He also does action scenes well, so a lot was demanded of him here. His daughter, played by Danielle Harris, is almost the same character she played in the great The Last Boy Scout (1991). While that also was an action movie with humor, it had the power of Shane Black behind it. Back to Back, while entertaining, doesn't have the depth, power, or quality writing of Boy Scout. But certainly fans of it would probably enjoy Back to Back as well, as they are cut from the same cloth. So, if you like spotting B-movie stars as they come and go in small roles, and you like your action with a heapin' helping of laffs, by all means check out Back to Back. If you keep your expectations low - and don't mind the whole Tarantino-esque thing - you will find some enjoyment here.

Back to Back is movie made in the same vein as the American Yakuza. Ryo Ishibashi plays role of Yakuza again. Bob Malone (Michael Rooker) is an ex-cop who has anger issues living with his daughter (Danielle Harris) in LA. There're three plots going on at the same time. One with Malone with his daughter Chelsea, and another with Yakuza Koji (Ryo Ishibashi), and Hideo (Koh Takasugi) where they are trying to make delivery of who knows what, and Leonardo (Vincent Scavelli) the gangster and police Sargent Dussecq (John Laughlin) who's actually working together.The event that brings all of them together is the bank robbery by robber Psycho (Bob Goldswaith) that goes awry thanks to Malone bludgeoning the guy waiting in the getaway car to a pulp during the heist. Psycho gets away and ends up in a restaurant Koji and Hideo is having coffee. This restaurant is also the meeting place for Leonardo and his associates. The funny twist to the story is that no one at the restaurant knows that Koji is an Yakuza including Psycho, Leonardo's associate and the restaurant employee who all in their own way belittles Koji and Hideo and tests their patience. Psycho is the first to get the taste of Koji's violence Yakuza style when he gets his hand chopped off with a cooking knife. Police arrive at the scene and Psycho with his hand chopped off goes out firing his machine gun in a hail of fire. Flagship killing (in my opinion) of this movie happens shortly afterwards.From there Koji, Chelsea, and Malone meet in the police station and the plot builds up to the final confrontation between Malone + Koji vs. Leonardo and Dussec. the story is well told from the view of people living in the back side of the society, with friendship, and loyalty which is an universal code between warriors of two countries. Ryo Ishibashi and Daniel Harris steals the show with their acting. A hidden gem of a movie I'm sure you'll agree if you've seen it.

Everything about this movie is fine, and of course the bullets flying scenes are great. But since the title is American Yakuza 2, it seems to neglect the "Yakuza" part, especially the guy in black should have deserved more action. The prowess of the Yakuzas was portrayed in scenes like the man in white chop off the hand and escape the police station. And this movie showed the fact that some corrupt cops are in cahoots with the MOB.Furthermore without more action from the yakuzas, this movie just seems like another 2 super fit gunmen blasted bullets through a mob of people.

I would've never seen this movie if Cinemax didn't show it every 5 days. It's a perfect guy's flick, with a classic mismatched buddy formula, slick gun and martial arts action, and some decently amusing one-liners and situations. The Japanese and American mobs are at war, and in the process a down-and-out American cop gets caught in the middle. The real star is the Japanese hitman played by Ryo Ishibashi, who reminds me of Chow Yun-Fat at his stoic, tough guy best. Michael Rooker is typecast but does a decent job playing the straight man, and between the two there's a lot of shooting and ass