hyped garbage

Excellent adaptation.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Without any preliminary fanfare, Columbia launched one of 1940's most delightful entertainments. Once you overcame the manifold implications of a title like The Lady in Question, you were rewarded with an hour and twenty minutes of delectable domestic fare that was by turn droll, downright funny and slightly dramatic, but always irresistibly humorous. Director Charles Vidor has not only managed to keep his characters in situations that are plausible, but has imparted to the whole an infectious atmosphere of home and hearth. The screenplay by Lewis Meltzer represents an adroit translation of the French film by Marcel Achard which was released in New York in 1939 as Heart of Paris.Not the least of the film's virtues are its players. Brian Aherne contributes one of his finest impersonations as the blustering, good-natured owner of a Parisian bicycle shop who, upon being called as a juror, is so touched by the pathetic girl accused of murdering her lover that he holds out for her acquittal, then takes her into his family on the pretext that she is the daughter of an old classmate. His efforts to hide the girl's true identity from his wife, and then to thwart the romance which develops between her and his son, lead to many amusing (and touching) domestic complications. To attempt to give further details of the plot would be to do the film an injustice, for it springs to life out of situations of a sort which invariably seem frightfully dull in print.

Andre Morestan (Brian Aherne) owns a Paris bicycle shop with his family. He's eager to serve in a jury. The trial has Natalie Roguin (Rita Hayworth) facing a murder charge. Andre convinces the jury to acquit. After the trial, he gives her a job at his shop. He keeps her identity a secret from his family but his son Pierre (Glenn Ford) recognizes her. His daughter Francois is overjoyed to be engaged to Robert LaCoste who owns the dance studio next door. Robert turns out to be a lascivious sleaze with his eye on Natalie.It's a lesser old movie. The acting is broad and so are the attempts at humor. This is a remake of a French film and I'm sure a ton of jokes don't get through the translation. The trial takes place in the first thirty minutes. Andre is a childish considering the situation. It seems to be aimed as a comedy but it's not funny. After Natalie gets the job, there are some sitcom-like misunderstandings. Again it's not funny but it's still watchable. The movie feels short-changed and the shorter running time may have something to do with that.

Having read all of the posts about "The Lady in Question", I can understand how disappointed some people would be, expecting either a Rita Hayworth-Glenn Ford vehicle, a la "Gilda" or a faithful replica of it's source: the French film, "Gibouille". This doesn't take away that "The Lady in Question" is an entertaining film with an odd, curious yet sweet charm that comes upon one quietly and lingers long after the film is over.Two of the posters regarded "The Lady in Question" as a pallid remake of "Gibouille". Having seen some pre-WWII French films, they were not greatly more explicit than Hollywood was, at the time, in dealing with sex and crime. "The Lady in Question" is a mild comedy-drama made by a studio that was well-equipped to handle such material, Columbia Pictures. Director Charles Vidor, a Frenchman himself, nicely, subtly, and lingeringly establishes time and place. It greatly allows for the suspension of disbelief of hearing perfect English accents on French characters.This film showcases Brian Aherne, who all too rarely was showcased at all, let alone in a comedy that he carried. He plays Morestan, the bicycle shopkeeper, admirably and almost succeeds in making one believe he was a middle-aged shopkeeper. He has just the right light tone to unify what is a mild plot and a minor-A film. Yes, studios didn't always make big-budget films with their stars. Many of their films, including "A" pictures, were "programmers", films that showcased stars and promising contract players. This, "The Lady in Question" did.The players do shine, even though this film is an early entry for future stars Rita Hayworth, Glenn Ford, and Evelyn Keyes. In what could've been a merely decorative role, Hayworth truly has that "lady of mystery" quality that not only holds your attention but, momentarily, keeps one guessing as to whether or not she was guilty. Glenn Ford plays what would've been a callow juvenile with earnestness, a convincing portrait of young lust/love, and just enough vulnerability to make his love/suspicion relationship with Hayworth's character believable. Everyone acquits (pun intended)themselves very well in this film. Since the American film industry doesn't put out "programmers" anymore and we, as a public, are conditioned to see most star vehicles as big-budget affairs, it's a lost art but a beautiful one to sit, savor, and merely enjoy a well-crafted, entertaining film that isn't about anything special but delivers.

The Lady in Question is noted in cinema history as the first film to feature both Rita Hayworth and Glenn Ford. However it's not their film, both are second and third billed respectively below Brian Aherne.Columbia Pictures remade the French film Gibouille which had been done the year earlier with Raimu and Michele Morgan in the roles that Aherne and Rita had. In fact Gibouille was what launched Michele Morgan's career in French cinema.Knowing that I think a lot of the film's humor and innuendo probably got lost on the transatlantic voyage. Aherne is a bicycle shop owner who has been picked for jury duty and is determined to take his responsibilities quite seriously. He gets on a case with Rita as a defendant who is accused of murdering her fiancé. Aherne's questions to her and his forceful advocacy of her, earn Rita an acquittal.But Brian's not finished. He offers to give her any kind of help she needs because while she has a legal acquittal, she's got a reputation like O.J.'s. Aherne takes her in which causes all kinds of complications with his wife, Irene Rich, son Glenn Ford, daughter Evelyn Keyes, and her fiancé Edward Norris.The Lady in Question is probably done in by the infamous Code firmly in place in Hollywood. Stuff that the French cinema could and did do, were forbidden here. Columbia also had to keep it in the French setting because of the differences between their jury system and our's.Still Rita and Glenn do shine together, although no one I'm sure would ever have predicted their mega-hit Gilda six years later. Actually Edward Norris has the nicest performance as the no good rat of a fiancé that Keyes has, who tries to put the make on Rita.It's a pleasant enough film, but I'm betting the original French version must be infinitely better.