the audience applauded

Excellent but underrated film

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Simple and well acted, it has tension enough to knot the stomach.

This fanciful biography bears only a family resemblance to Jack London's life. (Maybe it should have been called "Jack Liverpool".) The writer and director have taken a remarkable man whose life went from the pits through triumph to tragedy and turned it into a moral tale that belongs in a comic book of the period.I was a fan of Jack London as a high school kid -- loved his short stories about adventure and adverse circumstances. Later I was able to view his work from a more mature and generous perspective. He wasn't a great writer but he put out some gripping stuff based on his own experiences. "The Sea Wolf," which is barely alluded to in the movie, is a fine work, at least until we get into that plummy romance. Anyone familiar with the San Francisco Bay area should read the opening, in which "Hump" takes a ferry from the city to Sausalito and is rammed in the fog by another ship. It's flawless description. The circumstances are so aptly rendered that it could happen the same way tomorrow.Okay. So here's Jack London up in the Yukon during the gold rush. That's the source of stories like "The Call of the Wild" and "To Build a Fire." And what do we get? Five minutes of Michael O'Shea in a small log cabin, alone except for a dog, looking out the window at the snow and having a conversation about his work with the dog, Buck, who gives a fine performance, by the way.The editing is terrible. It's not a flaw or a virtue that brings attention to itself very often. But I couldn't tell whether O'Shea was married to Susan Hayward, just visiting, or shacking up with her. London becomes an "oyster pirate." What is an oyster pirate? Another episode begins with talk of war breaking out and London receives an offer to go to Japan as a correspondent. WHAT war? Who is going to war with whom? Is it World War I? If so, why is London going to Tokyo? The words "Russo-Japanese War" (1905) are never mentioned.That war itself takes up about the last third of the movie and it's curiously rendered. The movie was released in 1943. The Japanese are all smiles, bows, torture, and treachery. They open the conflict by attacking the Russians at Port Arthur without warning "to get, how do you say in your country, the first punch?" London replies: "You mean a sucker punch." (Kids, that's a reference to the Japanese attack on the US bases at Pearl Harbor in 1941, that led to World War II. PS: We won.) The Japanese massacre pitiful Russian prisoners who are dying of thirst, and they explain to London exactly how they plan to go about conquering the world, including the US and Britain, when the time comes.In 1963, a big-budget movie called "55 Days at Peking" was released. It was about the Boxer Rebellion in China, which took place 5 years before the Russo-Japanese War. In "55 Days at Peking", the Japanese are our allies, the Russians are shifty, and the Chinese are enemies. Politics makes strange bedfellows.As London, Michael O'Shea is likable without being a particularly impressive actor. He has a fresh, open face that looks like the map of Ireland. His family were all Irish cops in Hartford. Virginia Mayo is his first girl friend. He goes through one or two more, just in case the audience has any doubt about his gender orientation, until he meets Charmiane, the love of his life, upon whose book this movie is based.I don't think I'll go on. In life, Jack London did begin his go-to-hell life as an oyster pirate -- robbing the bivalves at night from oyster beds belonging to someone else. He was a union man and socialist, an imprisoned vagrant, a sailor. He did go to the Yukon and did become a famous writer. He was one of the first to establish an artist's colony in Carmel, California, on Monterey Bay. Then he got into heroin and booze and retreated to a ranch in what is now wine country, where he died in 1916.

I wouldn't have expected this film to be very historically accurate and a number of other reviewers on this board confirm that. The print of the movie I viewed had terribly muffled dialog so I wasn't really able to follow along too well, though the various locales of London's life and adventures were adequately portrayed. I don't know very much about London's real life at all, though the referential scenes that hinted at some of his well known books like "The Sea Wolf" and "The Call of the Wild" even I was able to pick up on. I quickly pulled up London's page on Wikipedia and sure enough, as others have mentioned, the actor Michael O'Shea bears a strong resemblance. Not having seen him before I had to wonder whether someone like Cagney might have made more of an impression with the character. For what it's worth, Susan Hayward was gorgeous, and Virginia Mayo spiced up her much too brief scene. If anything, I came away from the picture feeling that a modern day treatment of London's life could really be interesting if it did a better job of melding his writing career with his travels.

In his brief 40 years on Earth, author Jack London managed to cram as much adventure and incident as would seem possible. This 90-minute film, purportedly a biography of the man's life but patently fictionalized, doesn't even scratch the surface, and remains a story very ripe for a modern-day retelling. Here, Michael O'Shea, in one of his first roles, portrays London, and his performance is both rugged and sympathetic. He is not the problem here. Nor is a young and very beautiful Susan Hayward, playing his future wife, Charmian, whose biography on London is the "basis" for this film. London's life has here been broken down into a series of episodes, which the film skips lightly through. So we have brief incidents with London as an oyster pirate, a sealer in the Bering Sea, a gold prospector in the Yukon and a correspondent during the Russo-Japanese War...colorful events, for sure, but hardly given anything like in-depth treatment. And Alfred Santell's direction (he also directed one of Susan's first films, "Our Leading Citizen," in 1939) is lackadaisical at best. Making things rougher here is a very poor-quality DVD, with a crummy-looking print source and hissy sound. Perhaps the best thing about this movie rental, for me, was one of the DVD's extras: a catalog of all the Alpha Video films, featuring hundreds and hundreds of full-color movie posters. Let's just hope that these films are in better shape than "Jack London"!

This movie covers some highlights of the writer's life, and shows the variety of his encounters.There's one point of interest that stands out. He is on assignment to report of the outbreak of a war, and using a combination of methods, gets into areas unapproved for correspondents. About 75 min. into the movie the script follows a Japanese military officer describing a haunting plan for his country to take charge to rule of all the world. It would be a step at a time, involving china, etc. and finally the USA. he states that it may take " a hundred years, but it will be done".Well, it hasn't been carried out as they had it down. But it seems to becoming as such, as they are buying and moving into America more as time progresses. It's eerie this movie made in 1943 predicted this similar outcome!!