Such a frustrating disappointment

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

I am a huge Kari Wuhrer fan she's had me drooling since I saw Thinner I recently started collecting her movies from Amazon and just received a couple I'm yet to watch but this movie absolutely blew my mind she knows her body is her $ maker and she doesn't disappoint in my opinion it's the best nudity I have ever seen her sexy husky voice and her perfect ass are on complete display she even goes full frontal her fellas and is not opposed 2 letting her wimpy boyfriend visit her back door any straight man who has ever seen her knows she's got it going on and it would also be a good movie to watch with your significant other she's hot enough to make a straight girl turn bi for at least the duration of the film

Steve Shellen and Kari Wuhrer certainly are eye candy, and if they weren't so endearing, it could have been a bore, but they are quite likeable and that makes the film work. I liked the relationship between them, the characters are well drawn and it presents us with a happy ending as well as their lovely bodies writhing about in paint for a good bit of the film. Not too shabby, if you ask me.

This film is an exceptional erotic romp; sensitive and engaging look at tension and depression with scattered moments of exhilarating release and a vibrant climax. Unlike similar films which no doubt inspired this mostly unknown Canadian-only release (ie. 9 1/2 Weeks, Wild Orchid, Erotica), this movie focuses on two characters, an ailing artist (Shellen) and his tempestuous girlfriend (Wurher/Salin), as they wander through sexual tension and bursts of self (and "other") discovery as they attempt to find balance in themselves, their relationship and in the art which the artist creates. It's a classic "suffering artist" cliche' which is early on tossed out the window to be replaced by a wild splattering of lovemaking and love-creating. This film is fun and sensual. It is a great couples film, if erotica is your cup of tea, and it's not too serious. Some of the dialogue is rather humorous, and the film's only weaknesses are in the sophomoric delivery by Shellen and leading lady neophyte Wuhrer/Salin. But all that is forgivable because in the end this film is just a heck of a lot of fun. Plus the soundtrack was noteworthy -- which is mostly unheard of in this genre -- and features a track by the starlet called "Venus Bound" and a wonderful closing track called "Love,Love,Love" by Hemingway Corner.

The premise is that Kari's artist boyfriend (who'd look like a low-rent Charlie Sheen, if Charlie Sheen himself didn't fit that category) can neither paint nor get it on with his ridiculously good-looking girl - until the day that he throws paint over her. Then they roll around on the canvas in ecstasy and he sells the result for loads of dosh. It's actually very funny, sending up her prim impatience and his tortured-artist schtick with equal-opportunity amusement. There's not exactly a plot, as the film is structured - like the soft-porn movie it basically is - in a series of bonk sessions. But because they're always covered in paint, and tastefully filmed (with Ms. Wuhrer's own breathy songs on the soundtrack), it's quirky and strangely involving. (And very sexy.) Plus, in its own modest way, it brings up all sorts of odd questions about the relationship of art and life and the cost of art to the people around the artist. It also has a very funny and extremely soft-core parody of that increasingly boring staple of hardcore, the Anal Sex Scene. Recommended.