This movie is the proof that the world is becoming a sick and dumb place

Let's be realistic.

I wanted to but couldn't!

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

Now before people assume I hate all anime, I don't. I just hate that most of the anime is either sexual or violence, which is I usually don't give anime a chance. Slowly I've been giving it a chance, if it's appropriate and have some kind of adventure to it.But anyways, Mary and the witch's flower is an amazing movie! The animation is gorgeous, I love all the details and backgrounds. I even like Mary as a character, at times she can even be relatable. I think the only nitpick I have is the way they introduced Peter, yes I know he's teasing and all but he seemed a bit of a jerk to Mary at first. Other than that the movie is pretty enjoyable, we do get a bit of a plot twist with one of the characters and I thought it was a nice touch to it.

Studio Ghibli had long established itself as the pinnacle of Japanese animation starting in the 1980's, but recently the studio went into hiatus, leaving most of its younger employees at a dead-end. Not to be discouraged, some of these employees decided to start a new facility of their own. Now christened as "Studio Ponoc", this team of former Ghibli animators, led by Hiromasa Yonebayashi (THE SECRET WORLD OF ARRIETTY and WHEN MARNIE WAS THERE) begin their career with MARY AND THE WITCH'S FLOWER, based on a children's book by the late Mary Stewart. The end result could very well be described as basically a "Greatest Hits" of Ghibli as opposed to something that would establish a new identity for the studio, but considering the alternative, which would be a complete extinction of a beautiful form of art, for once, this isn't a flaw.Probably the best way to describe this feature is that it's a sort of KIKI'S DELIVERY SERVICE meets HARRY POTTER, with a dash of SPIRITED AWAY, and occasionally PRINCESS MONONOKE, HOWL'S MOVING CASTLE, as well as CASTLE IN THE SKY for good measure. While MARY AND THE WITCH'S FLOWER doesn't quite live up to the standards of those titles, it is nonetheless a pleasant enough venture. It's also refreshing to see an animated feature targeted at kids and adults which goes all-out on being ambitious. In fact, the film's action-packed opening scene, in which we see a mysterious girl flee from a burning laboratory on a broomstick while chased by dolphin-shaped watery-like creatures, provides a great start.After this thrilling sequence, we meet Mary (voiced in the English version by Ruby Barnhill), a bored little girl who has just moved to the countryside to stay with her aunt. She's friendless, depressed, and even clumsy. The only other person her own age in the town she has recently moved into, a boy named Peter, also rubs her the wrong way: he jokes about her red hair, which for some reason she is sensitive about. While pursuing a runaway cat into the woods beyond her house, Mary discovers both a little broomstick and a glowing flower. Before you know it, she is suddenly transported to Endor College (no, it's not a reference to STAR WARS), an elaborate fortress of a university which doubles as a school for witches. She is "welcomed" by the school's domineering headmistress Madam Mumblechook (Kate Winslet) and scientist Doctor Dee (Jim Broadbent). But things get ugly when she takes a spellbook that doesn't belong to her and accidentally puts Peter's life in danger. The last act of the movie involves Mary trying to correct her mistake, building to an edge of your seat climax with just enough pyrotechnics and thrills to please any fan of such suspenseful finales.It's evident that director Yonebayashi is paying homage to his former master with every scene in his film. More often than not, there are visual references that one will make to classic Ghibli films along with visual touches of its own. Endor College is located on a tall mesa stretching above the clouds, bizarre assortments of chimera creatures abound in cages, and there are also the sort of rubbery, shape-shifting, ooze-like creatures that can be found from HOWL. At one point our heroine crash-lands in the forest, with her broomstick broken in half. And the entire climax involves scaling a massive tree which houses scientific technology. The animation is also as richly detailed and colorful as anything from Studio Ghibli, with the character designs each containing Miyazaki's signature style, from the cherub-like faces of the protagonists to the grotesquely proportioned "caricature" creatures.Musically, too, MARY AND THE WITCH'S FLOWER excels. Although Joe Hisaishi's musical services are missed, Takatsugu Muramatsu supplies a beautiful orchestral soundtrack with occasional Hammer-dulcimer strummed interludes for good measure. There are times when the director does allow the music to take a back seat and let occasional still shots filled with environmental sounds do the talking instead of spoon-feeding us.Perhaps the only issue with this otherwise enjoyable feature is that it doesn't quite achieve the same heights of Ghibli's classic films. It might be due to Yonebayashi trying to do a bit too much within 104 minutes or so, but there are a few plot points that feel a bit unresolved. I was unclear about Mary's issue regarding her hair, for instance, especially since the film decides to discard it in the second half. Her relationship with Peter also could have used a bit more fleshing out as well -- her sudden shift from annoyance to wanting to rescue him feels abrupt, even for a kid her age. The ending itself, while thrilling, also seems a bit rushed as well. Moreover, Mumblechook and Doctor Dee aren't all that scary for being antagonists, and despite Yonebayashi's claims that they are "misunderstood", all we're permitted to see in the film is both characters mostly engaging in despicable acts.Probably the most interesting character in the movie is the one that doesn't utter a word, and that is Tib, a black cat who very much resembles Jiji from KIKI'S DELIVERY SERVICE. He pretty much acts like any ordinary cat would. He meows, prances, acts independently, and mostly communicates with facial expressions. For good measure, Tib even has a girlfriend. Not that the other characters are unlikable by comparison, but these two animals, for some reason, really stand out.Following in the tradition of the Ghibli movies, this movie also employs some well-known actors and actresses to provide the voices for the dub -- only this time, the dub is recorded at England's Tambourine Studios, resulting with a mostly British-accented cast. Considering that this is based on a British children's book, this provides a nice change of pace, and is arguably all the more fitting for this film perhaps because of that. (None of this is a slight against any of the Disney-produced dubs for the Ghibli library -- they're still excellent, warts and all.) Oddly, the only performance that took a while to grow on me was that of Barnhill as Mary (recently seen as Sophie in Steven Spielberg's THE BFG). Her voice is a bit grating at first, with the occasional moment of tentativeness, but she gradually steps it up as the film goes on and by the end her Mary grew on me. Broadbent and Winslet are fine in their roles as Mumblechook and Dee, by contrast, while Louis Ashbourne Serkis (son of Andy Serkis from LORD OF THE RINGS fame) speaks appropriately for the role of Peter. Strangely, my favorite performance of the dub might be that of Ewen Bremner as as Flannagan, a pompous fox-like character who chastises Mary for how she handles her broomstick. The Scottish accent is a great fit, and he brings a lot of character. There are a few moments where the lip sync is less than perfect, but not distracting enough to take away from the film. I can't speak for the Japanese version, as I haven't seen it.In the end it doesn't matter which version you watch. MARY AND THE WITCH'S FLOWER, inferior though it may be to Ghibli, is nonetheless lovely and a great way to spend two hours. Although it does little to set Ponoc apart from the studio it takes inspiration from, there's plenty to enjoy. That it comes at a time when hand-drawn animated features like these are scarce (at least in America) is a blessing as well.

This movie may not be Studio Ghibli, but it manages a pretty convincing impersonation. And honestly? That was sufficient. The story cooked right away, the twists and turns were fun, and the film felt a little bizarre in the best of ways. When your kid finds this little gem on Netflix, it is that rare moment when you get a treat, as well.

Last year, a brand new animation studio in Japan called Studio Ponoc, found by former Studio Ghibli producer Yoshiaki Nishimura, released their first ever feature film, Mary and the Witch's Flower, based on the book The Little Broomstick by Mary Stewart. While it earned lots of praise, many saw the film as inferior to Studio Ghibli; keep in mind that the film's director previously directed The Secret World of Arrietty and When Marnie Was There. It seems as if people are still sad that the age of Ghibli is over, but it's time we moved on to this studio, because this film seems to have helped kickstart a potential successor to the acclaimed studio.The film tells the story of a young girl named Mary Smith who discovers an old broomstick and a strange flower called the "fly-by-night". Upon both the broomstick and flower whisking Mary into Endor College -- a school of magic run by headmistress Madam Mumblechook and the brilliant Doctor Dee, it's here where Mary discovers a horrible truth about said college and must set things right. With a premise like that, this is sure to be a character driven narrative, and Mary is made as a rather sympathetic and intriguing lead given how her boring life turns way more interesting after she briefly becomes a witch. It's later on in the film where we learn more about both the college's past and Mary's origins, showing off some hidden layers that will either disturb or enlighten you depending on which story aspect you follow.One interesting aspect about the film is how despite magic playing a key role, it also tackles the themes of whether it is proper or improper upon full usage. In fact, there are many moments where Mary has to rely more on bravery than actual magic, proving how sometimes, you can do way more with what you already have than what you might need. In addition, the animation is gorgeous to look at, with the green woods and mist-filled forests of England done in a soothing watercolor aesthetic, and the college of Endor itself practically coming off as a psychedelic space dream. Some notable objects throughout the enchanting place range from students floating by in soap bubbles, fountains morphing into humans, and grotesque creatures. There are also some thrilling action sequences towards the third act that really put the viewers on the edge of their seats.In terms of other characters, Madam Mumblechock and Dr. Dee are a good representation of those who are driven by greed and lust for new innovation, making them pretty threatening villains in their own regard. Peter, who ends up playing a bigger role in the film's second half, isn't all that memorable, but he does end up creating some big obstacles for Mary to overcome her fears. Mary's great-aunt Charlotte ends up becoming a very important character later on in the film and also helps Mary overcome her fears, whilst also helping Mary overcome her fears as well. There's not much to say about the rest, as they're either just there or are mere productive beings for Mary to struggle around. Also, if there's one big issue with Mary herself, it's that despite her overcoming the usage of magic with courage in the third act, she doesn't have much inner conflict in the beginning of the film, and it would've helped if she had more to her than being an average clumsy kid at first.Like I said before, Studio Ghibli may not be as active as before, but at least we have a new successor to make even better films in the near future. Overall, despite some weak characters, Mary and the Witch's Flower is a well done first feature from a new animation production company that packs in enough stunning animation, impressive themes of triumphing over superiority, and story momentum. If you're into stories about young sorcerers, you're a fan of Harry Potter or Little Witch Academia, or a former Ghibli fan, definitely give this film a watch. It's important to give new studios a chance, because even if their first product is only good but not great, just the right amount of love and support will help their next films blossom into something much more grand than their first attempt. Whatever Studio Ponoc has in store for us in the future, you can bet that I'll be there when it first comes out....in America that is.